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As the tape begins, we hear Gray (stage actor Michael Collins) describe Nat Turner's (stage actor Bernard Addison) entry into the interview room, in heavy chains and shackles from head to toe. From that point forward you we "transported" back in time and space to the very room itself.
One of the great advantages of the audio book as a medium, is its ability, like all great live theatre, to engage you through the aural senses to a place where you feel as though you are there witnessing the event taking place. For entire 1:30 min. playing time, this tape holds you in its grip with chilling descriptions by Turner of how he and his band of "disciples" went about their "work". The horrible result being, the ultimate death of over 30 white slave owners and their families, and the capture and slaughter of over 100 blacks in retailiation by maurauding bans of whites and militias mobilized in response. All this carnage taking place in a few days during August of 1831 in Southampton County Virginia.
Where the tape succeeds in a historical context for those interested in the episode, is we see the obvious impact the event had on the politics of the times, and the vast schism that existed between north and south on the matter of slavery.
Furthemore, because we actually hear the spoken words of Turner himself describe his motivation, objectives, and mental state for his actions, we are provided with a direct contrast to the Pulitzer Prize winning, and widely read book (a novel)"The Confessioins of Nat Turner", written by William Styron and published in 1968.
In a well written afterthought provided at the end of the tape, written by William L. Andrews, a professor at the University of North Carolina, we hear of challenges to the authenticity of Gray's confessions because Gray seems to imbue Turner with far too much intelligence and elegance of speech for a uneducated Negro. Andrews also argues convincely that the ultimate result of the Turner revolt may have mitigated southern anti-slavery sentiments to the point where the final conflict which was the Civil War was inevitable. In this, we see the validity of the comparison of Nat Turner to the Spartacus of 2000 years earlier.
The rest of the cast is equally superb, with Collins doubling as the voice of the Judge, and Shakeperean pro Allen Gilmore playing the voice of the William L. Andrews. The tape is punctuated with 2 very moving musical interludes by the great Odetta which help to add to the emotional impact of this sterling production. The tape jacket provides us with artists reproductions of the scowling Turner and a map of the country side where the revolt took place.
As has been the case with other Kente Classics audio books I have experienced, this tape succeeds because of the historical importance of the subject matter chosen, outstanding quality of the writing and editing, and the professional performances of the actors chosen for the various spoken roles.
I highly recommend this or any of the other titles from this house.
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Collins, a boxing writer and former editor for Ring Magazine (the so-called "bible" of the sport) is a fan who loves his sport enough to expose the seamy underside too often ignored. The fixing of bouts, the murderous rages that go unchecked once the fighter leaves the ring, as well as the ultimate sacrifice-the boxer's death in the ring--are dealt with honestly and without hidden agendas. If you've ever paid fifty bucks on pay-per-view travesties, watched 'tomato cans' roll over for young contenders on ESPN, boxed yourself or simply enjoy tales of courage and nobility too often wasted, you will learn much about your heroes and yourself as fan and witness
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Teenage Jackie Delham has lost her mother to cancer. Now she must be the adolescent Mom to her two younger siblings, somehow holding the household together while searching for her own independence in the rubble of her once secure life.
When Katherine King blows into town, literally in the vanguard of a tornado, even the small semblance of normalcy in the Delham household is torn away. Jackie can hardly believe her dad would be interested in someone as flamboyant and unstable as Katherine King, especially after the perfect love he shared with Jackie's mother.
The wierdness escalates for Jackie when she meets Katherine King's distant relative, the lead singer in an up-and-coming boy band, and they begin to date. How can she trust her feelings for this young man when ancient history revives, and she discovers her parent's romance may not have been all she had believed?
If you missed the first two in the Bradleyville series, you've missed rare treats, but don't let that cause you to miss this one, too. Capture the Wind for Me stands on its own two feet just fine.
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The basic gist of the plot is that teen Jackie's mother died a few years ago, and her father has found someone new. While dealing with her feelings of anger and hurt over this knowledge, Jackie meets a famous foreign singer who wins her heart. But she constantly worries that her dad's new love---and for that matter, her own new love---will break promises and leave them. Then a sudden twist in the plot causes all the characters to second-guess themselves and those they formerly trusted.
Granted, some parts seem melodramatic...and even though I'm a sixteen-year-old myself, this book's sixteen-year-old narrator can seem juvenile at times. (Who still calls their dad "daddy" and refers to their mom as "mama"? Maybe it's just the town she grew up in or something.)
The book stresses good morals and keeping God in control of your life---a phenomenal concept in this day and age. I would recommend it to any female (regardless of whether they're a Christian or not) ages 14 and up.
Oh, and F.Y.I.: the author has a talent for employing impressive vocabulary (among her talent as an exquisite story-teller). I'd have a dictionary neraby just in case.