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In what is perhaps one of the most encouraging books I've ever read, Norma McCorvey (Jane Roe of Roe vs. Wade) shares with us the story of her upbringing, her involvement in the (in)famous Supreme Court case, and how she was used both by the men who caused her to desire an abortion, and ironically(!), the people who she turned to for help.
In the end, it was the love of Christ expressed through a group of Christian pro-life activists who moved their office next to her abortion clinic who started to soften her heart. Building on a friendship with a young girl named Emily, Norma befriended her former arch-enemy, and in one culminating moment, decided to give her life to Christ.
The later parts of the book are concerned with the reaction she received from her former cohorts and the liberal media, and exposes the double standards employed when people don't tow the liberal line during interviews and such.
Needless to say, Norma is now a pro-life activist herself, who has founded her own ministry, Roe No More (http://www.roenomore.org/).
If you only have the time to read one book this year - or have one to recommend to someone, this should be it.
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Mr. Leepson has masterfully peeled back the onion skin of history and shows the reader that Monticello's historical significance is not restricted to early American or Architectural history alone, but can actually stand as a microcosm of American History in its full form. From the birth of the nation to civil war to anti-Semitism- Monticello has seen it all. Mr. Leepson's book artfully reveals Monticello's sometimes colorful, often tragic history in a text that marries the all too frequently opposing qualities of being both informative and entertaining.
This book is worth every minute spent reading it and may even entice its readers to delve further into Monticello's family tree. We truly owe the Levy family a debt of gratitude for preserving Monticello for future generations. Without their intervention, this estate would not be in existence today for us to enjoy and appreciate. I cannot recommend this book highly enough, and I thank Mr. Leepson for finally giving us, the reader, access to the story behind this historical treasure.
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Highly recommended.
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Like Dr. Sowell's other books, "A Conflict of Visions" was the product of meticulous research, objective analysis and much original thought. In my opinion, few people in the public arena today are as brilliant and as well informed as Dr. Sowell.
If you ever wondered why the same two camps of voices combat each other on issue after issue, in politics, in law, in economics and in social policies, if you ever wondered why no unequivocal truth emerged from the conflicting premises through more than 200 years of war and peace, and if you ever wondered (this is the kicker!) why one side's vitriolic portrayal of the other side met with a generally benevolent counter portrayal, you will find the answers in Dr. Sowell's theory of conflicting visions. Reading this book is like discovering Newtonian mechanics.
"A Conflict of Visions" is not an easy read. However, you won't soon forget its ideas.
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The shooting script is brilliantly written -- Anderson has developed a wonderful way of describing things and writing dialogue, which can, at times, sound shockingly realistic.
It's a delight for fans of the film, like myself, to read scenes that were deleted from the film, most notably, Stanley Spector meeting the mysterious character "Worm". After reading this part, you understand how it fits into this film.
This is a really well-crafted work of a story, which complements Paul Thomas Anderson's creative talent, and showcases everyday problems like regret, love, fear, and loneliness and shows how touching they can really be.
The pictures at the end of the book are very colorful and gorgeous to look at it, because the capture the feeling of the movie so well.
But, I'm a little dissappointed with the interview with Anderson, which comes after the screenplay. It's interesting to hear him talk about the inspiration for the story and characters. But, it doesn't feel very satisfying, because it feels severely edited, leaving you wanting to know more.
But, that's okay. The screenplay explains it all, giving you a wonderful, heartfelt story about real people struggling with the problems and unusual circumstances in their lives.
If you enjoyed the movie, this book will only make you love it more.
It's the story of redemption, loss, lonliness and apocalyptic cataclysm over the course of one day but you can't begin to describe in words anything about what it's truly about even after seeing it.
MAGNOLIA was a brilliant film. At 3 hours and 8 minutes, MAGNOLIA is a vast film of such brilliant and breathtaking vision, it makes you wish they gave an OSCAR for BEST SCOPE.
I've read the screenplay by ANDERSON and bought the book and it too is brilliant, just like the film. But I suspect because of the publicized editing in the film, ANDERSON'S SHOOTING SCRIPT that is the book is actually more in depth in the nature of certain characters and scenes. The film neglects to explain fully some of the plot threads and the script scoops them up and cradles them in light.
It's a self-affirming jolt of a movie that is sure to be unpredictable by everyone. I do recommend both to everyone who can understand the pain of the characters.
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In this first book, which spurned numerous other "Amelia Bedelia" stories, we see that Amelia is a maid who goes to work for an upper class family. And no ordinary maid, mind you. She is a peculair and singular maid. She is given a list of chores to do while the homeonwers, Mr. and Mrs. Rogers, go out.
One chore she must do is "Put the lights out" when she is finished in the living room. To most other maids, perhaps, they would understand this chore to mean "turn off the lights". But not Amelia. She thinks the Rogers' want her take all the light bulbs out of the house to "air out".
As a child, "Amelia Bedelia" continuously entertained me. And if it had not been for her lemon meringue pie, the Rogers' would have fired her for her incompetence. But with one bite, Mr. and Mrs. Rogers forgot about her mistakes, and kept her on permantently as their maid, leading to other delightful "Amelia bedelia" stories, and more silly mishaps and misunderstandings.
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My advice? Even if you aren't interested in belly dance, buy this book and read it any way. The style is edgy, hip, and funny and the moral of the book--that you have to accept yourself the way you are before you can achieve any sort of personal fulfillment--is ultimately very uplifting. I came away with a lot of respect for Ms. Soffee as both a dancer, a writer and a survivor.
On top of that, this is a wonderful story that deals with so much more! Even if I didn't dance, I would have still enjoyed this book and still have given it 5 stars.
Thank you Anne for sharing your very funny, very honest and very entertaining story.
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R. Don Steele's blunt language is a rare find in today's world, and his straightforwardness helps convey his messages. If you read this book carefully, you'll realize he truly cares about telling you everything he knows about the subject. He is clearly passionate about educating his readers, and his language and thoroughness show that.
I truly wish I had read this book before I had graduated college. I'm lucky I found it during my second job.
Expect no encouraging words or quick fixes, but a lot of work and thinking on YOUR side. Steele guides you in the process of becoming successful at the corporation (and even at life, too) through his well organized and entertaining book. His style is direct and harsh, and besides it's directed to women it works for men too (at least a 90%).
The book is about americans corporations, so readers from other cultures might find that some parts doesn't apply to their own situation (even in case of working for american companies located outside US), but anyway, a large part still holds.
As a plus, you can call the author regarding these matters to his own web radio show at live 365.
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The one thing that may feel alien from a Scandinavian perspective is the weight the authors' put on the so called "knowledge markets". That is, their approach to knowledge management is a strict application of market economy. While this opens some interesting perspectives and offers an applicable framework, it is, in my view, too simplistic. The authors do mention altruism as one of the possible motivations of knowledge sharers and exclaim: "Such people do exist ... We all know individuals who simply like helping" but the authors seem to have difficulties understanding such individuals. I have to give them credit, though, as they note that attitude to altruism is at least partly a question of national culture.