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Marriage is first and foremost a Holy picture of the relationship of Jesus Christ and His people, the Church. This being true, then there are very serious implictions and applications of the truth within our married lives. This book deals with such. It contains very thought provoking material. The book is one of those special life changing reads.
As married Christians we are priviledged by God to picture, to demonstrate the love of Christ for the Church. May we all better understand this truth and may we make more powerful application of it to our lives.
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On the other hand, Perry sometimes makes it plain who the murderer is in her stories by giving you one clearly dysfunctional character. Sometimes, too, her stories virtually turn into morality plays. She will take up some social evil of the period, make it part of her plot, and dwell on it. Finally, Perry has a tendency to end her stories very abruptly, leaving loose ends dangling and making you feeling like you've just stepped off a cliff.
This particular installment has all the usual strengths. Charlotte and Emily work to solve the case and save Thomas from a dire fate. The unsolved death of Robert York three years earlier gets Pitt started. The case is re-opened because York's widow is soon to marry a Foreign Office official. York was also with the Foreign Office at the time of his death and some secret papers disappeared at that time, so any possibility of scandal or espionage must be put to rest. During the course of the story, the reader gets a close look at the evils of nineteenth century English prisons, but not more so than fits the story. The mystery deepens as more deaths compicate matters. Perry keeps the reader guessing right up to the end in this one. While the end comes rather abruptly, there aren't too many loose ends in this one, so the reader isn't left hanging so much as in some of Perry's other stories.
As a mystery writer, Perry is a step below Conan Doyle or Agatha Christie. Her stories are enjoyable, especially if you've read enough of them to be familiar with the main characters, but the plots aren't usually as difficult to solve. This particular episode, however, is one of her best. A first-rate whodunit that will keep you guessing to the very end. Give it a try.
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First of all, there is no evidence that Shakespeare wrote a word of this. The play was ascribed to Kyd by Thomas Heywood in 1612, when Shakespeare was still living. The Spanish Tragedy is not mentioned in Francis Meres's list of Shakespeare's plays made in 1598; and at the very latest The Spanish Tragedy was in existence by 1592, when it was published, and performed as an old play by Henslowe. And how anyone who has read Shakespeare could possibly think the style of The Spanish Tragedy is his is beyond me; both Kyd and Shakespeare possess very distinctive styles, to neither's demerit.
The existence of the earlier version of Hamlet is not doubted. It is mentioned by Henslowe in 1594 as an old play, and alluded to by Thomas Nashe in 1589 and by Thomas Lodge in 1598 (I think). Nashe links the old Hamlet to Thomas Kyd. The fact that its text did not survive is not extraordinary; most plays in the Elizabethan period have been lost as well. The date of Shakespeare's Hamlet is almost universally accepted to be 1600 or 1601.
It is incredibly absurd to even suggest that Henry V may have been written at the same time as TST. Because of a reference to the Earl of Essex's expedition to Ireland, Henry V can be securely dated to the spring or summer of 1599. The Spanish Tragedy was at least 7 years old by then, and probably 12.
I agree that the Spanish Tragedy is worthy of frequent theatrical performance. Just don't pass it off under the mock-guise of Shakespeare.
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If you've ever visited a friend or family member who is trying to make a living on a small farm you have probably been asked to pitch in. And, if you have tried helping, you probably have felt you could have been more help picking ticks off a dead cow than trying to rustle the calf into its corral. At least I felt so many years ago.
Don't get me wrong, I don't yet feel I am competent with the critters. I merely feel I am no longer the city slicker asking dumb questions!
After reading this excellent book I am excited to start raising beef cattle for profit. I can do this on a small scale without harming the environment and without millions of dollars and without using techniques that alienate me from my animal rights' activist friends, because of common sense advice from Heather Smith Thomas.
Okay, I probably will aggravate my more radical friends and will irritate my vegetarian niece, but, you haven't lived until you've eaten beef!
Buy this book. Read it thoroughly BEFORE you buy those calves. Then keep it handy for frequent reference!
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I found this encouraging--that a life filled with God's presence does not have to take decades to find. Rather, it can begin to be experienced little by little day to day and in a relatively brief time, moment by moment as Kelly describes.
This is a great book. Kelly is not pretentious in any way. He plainly and simply gives clues of how to live a Christ-filled life in today's busy society.
I once gave it as a graduation gift to a seminary student. She later commented that there were lots of things she agreed with. What?! There is no agrument or proposition here! You let it take you, lead you places. You immerse, wrap yourself in its beauty.
The 1941 edition with an intro/bio by Douglas Steere (also reprinted in 70s or 80s) is MUCH MUCH preferred to the Richard Foster edition. He not only adds his own intro, but does editing of the original. Blasphemy. Skip his "version" and find an original.
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Jacquelin Thomas can bring a story together that makes the reader know the characters in an intimate way. You start feeling what Daryl is feeling. I found myself talking back to the book. This story had some surprises. I loved it.
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If you have any interest in the return of the wolf to Yellowstone, this book will definitely be an asset to your library.
I would rate this book a '5', if it was the illustrated issue.
McNamee himself is a character in this book, giving it an inviting and personal air, but does not force his views on the reader. He shows the reader a federal wildlife agent tracking a wolf-killer outside of Red Lodge and even opens the window on curious rivalries and tensions between agencies involved in various chapters of the wolf story. Parts of the book are almost dramatic in their intensity, while others slow the pace as the wolves romp and play.