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At least the prequel Someone Irresistible which tells Mimi Marsh's story (the female protagonist's sister) is more textured with stunning revelations and provides dimension and complexity to the characters but When It's Perfect is all too predictible and maudlin with its denouement when it could have been better with such a promising start - a sudden death of to-be bride Christine Longfellow. Her seamstress for her bridal trousseau Mary Marsh seems to hold secrets to her death - and the devastated brother of the deceased Marcus has come back from Egypt to investigate the real reason of her death.
It becomes all too obvious that Mary and Marcus are going to fall in love with their progressive admiration; the viscount whom Christine is intended for is a scoundrel and that Mary is a bourgeois unsuitable for the earl. It is Ms. Ashworth's intention to focus on the central characters and simply neglects the sub-characters. It's not a who-dun-it nor a noir but simply a strait-laced romance. However even the romance has failings. Ms. Ashworth lacks her usual empathy for her characters as she charts their emotions and instead injects an overdose of melodrama.
Harsh the review may be but for a former RITA winner of outstanding talents to be delivering such standard fare, her faithful readers are most disappointed as I am. We are not asking for perfection here but this read is simply way off the scale with its uninspired plot.
When It's Perfect has a wonderful, gothic atmosphere. The Renn family is not a happy one, a detail which Ashworth demonstrates with great subtlety and insight that heightens the tension in the story. The novel also has the feeling of a cozy mystery, with Christine's death in the enclosed environment of the Renns' household and the earl, Marcus, who is essentially an outsider, trying to "solve" it.
The best part of When It's Perfect, however, is the relationship between Marcus and Mary. I found it completely believable that they loved each other, liked one another, and should be together--in fact, I thought they were perfect for one another. This is more than I can say for most romance novels, including Ashworth's Someone Irresistible. There was just enough sexual tension in the novel, and both Marcus and Mary were likable and interesting.
Not that this book didn't have problems--the conclusion was lame, and why does Ashworth remind us of the plot to Someone Irresistible, which was so ridiculous it would be better for her to just pretend it never happened and move on. Also, Marcus' attempts at "romancing" Mary occassionally strayed into what I would think of as sexual harrassment, and Mary's revelation concerning what happened to both her and Christine could have been executed A LOT better than it was. Ashworth's prose has also lost a lot of its unique rythym and texture in this novel, no doubt due to the lovely Avon editors who strive to make all writers sound the same.
Beyond that, however, When It's Perfect is truly an excellent romance with a very good story-line. Ashworth is definitely thinking more about her characters and their interactions in the world they live in; I greatly look forward to her next novel.
Marcus starts his inquiries with the person who found the corpse, lacy confectioner Mary Marsh. Marcus quickly realizes that Christine confided much more than she should have in the working class lass. However, Marcus obtains Mary's cooperation to assist him in learning what really happened to his sister as he realizes the lingerie maker cared for Christine. As the Earl and the undergarment clothier work together, they fall in love, but she harbors a secret that added to their obvious class differences, and his obsession with his sibling's death that makes it impossible for anything permanent.
The sequel to SOMEONE IRRESISTIBLE stars the sister of the first novel's heroine. The story line of WHEN IT'S PERFECT parallels that of the prequel, but includes an amateur sleuth investigation containing a twist that adds fun to the tale. The story line is enjoyable due to the antics of the lead couple though the all's well ending that both claims seems stretched when a beloved lies still underground. Still fans will relish Adele Ashworth's wonderful Victorian romance that provides a second look at the mid nineteenth century dinosaur craze.
Harriet Klausner
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Although this hardly is a must-have-book this book will not disgrace any bookshelf.
(31,2x23,5x2,2cm; 190 pages; color photographs including a classic one of (now sir) Ghillean Prance with his Victoria amazonica)