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While sexuality is a major part of the mystique of the vampire, Ms. Gladwell does her readers a disservice by concentrating on it to the exclusion of all other considerations; also, by treating the stories as supporting material for her essay rather than the other way around. In comparison, Christopher Frayling's anthology 'The Vampyre: Lord Ruthven to Count Dracula' has a much more balanced and informative introduction.
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She succinctly focuses on several work-related issues that most of us have experienced at some point. What's good about the book is that she doesn't waste time in getting to the crux of the problem; there's thankfully not too much background info given in the intro to whatever issue she is focusing on. Her ability lies in the way she grabs your attention and keeps it while going about the difficult task of explaining the strategy involved. Dr. Scheele is also quite frank in telling how NOT to deal w/a situation and why. She has keen insight into the way most women think and would react. She explains why reacting the way most would is dead wrong, hurts credibility or is often viewed as sour grapes.
The only thing wrong is that she shorts some issues like ageism. Her advice is good but not the answer entirely. It needs more substance; more suggestions, more ways to combat it effectively and intelligently.
I love the way she describes more than one path a conversation could take and more importantly how to adjust your response accordingly. Ideally you can still come out looking like a winner.
Another wonderful thing about the book is that it covers loads of topics - lesser authors would have us reading at length about each problem discussed. She doesn't waste time. Book is a few years old and still offers viable counsel.
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The contents are well-filling, especially for a beginner. But it isn't just for beginners--in depth discussion of Photoshop's and ImageReady's features fill the pages. Illustrative examples with step-by-step guides, tips and proven techniques make this an indispensable reference for beginners and for digital art professionals, as well. Layers, filters, paths, animation,web features, customizations, and many other essential topics are discussed with clarity. Additionally, the CD attached complements the book's content well.
I finally found a book that's worth my money and worth vouching for.
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There are two problems with the book for a Smalltalk user of today:
1) The book was written a long time ago, and Smalltalk pioneered a lot of concepts in programming languages and IDEs, so very often the terms used for various things are not the terms we would use today; This makes for a confusing read at times.
2) The book is not very helpful from a practical point of view, if you are a new Smalltalk programmer struggling to get to grips with the class library because nearly every implementation these days has a plethora of non-standard extensions which obviously aren't covered, so what you are left with is a guide to the language syntax, which of course famously fits on one page of A4, and a brief look at some of the standard collection classes.
Bottom line: Buy this book to help Goldberg and Robson, because we owe them, read it, then go back to your implementation's help pages.
You can't say "I know Smalltalk" if you don't read it.
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This is the perfect Halloween Coffee Table (or Coffin Top - if that's how one decorates for the Holiday) Book. The author tells tales of two dozen dearly departed and how they got there. At The Beginning of each End, she gives "Vital Statistics" varyingly including age at and cause of death, survivors, previous "close calls," and "Last Words" ("I'm so bored with it all" Sir Winston Churchill, "I'm going into the bathroom to read" Elvis Presley) There are other headlines at the time of death, concise and interesting bios, and, of course, details of funerals and send-offs. It includes many glossy black and white photos.
The book notes questionable cause (or perpetrator) of death for Marilyn Monroe and Martin Luther King, Jr. but then ascribes JFK's death to the lone gunman, Lee Harvey Oswald. When Pigs fly! And, speaking of pigs, Muppets sang at Jim Henson's memorail service, at which no one wore black. Reviewed by TundraVision
The subjects discussed were from quite diverse levels of celebrity. The information presented was in some cases as much reflective of the historical time frame during which they occurred as well as the individuals being honored.
This was a very interesting exhumation of information long buried and forgotten.
This talent shows up in _Happy Endings_, an earlier novel, as well. Unfortunately, the heroine, Mel, doesn't have as juicy a plot to work through. Here's the premise: Mel gets a part in a community-theater production of Chekhov's _Three Sisters_. She is instant friends with Clare, the sweet and worldly stage manager, who is recovering from divorce and finding love again with the director, Chris. But when Clare goes out of town, Mel suspects he is having an affair with an actress, and starts meddling. Alongside this plot runs the story of Mel's own romance with a "mysterious" boy who won't talk about his home life, but this mystery is quickly solved, and the relationship between him and Mel is never looked at deeply. They kiss in the prop room. That's about it. Mel's heart is more engaged in worrying about Clare's love life than her own. It feels like Geras wanted to write about Clare but decided to write from Mel's point of view to make it a teen novel, and so both Clare's and Mel's stories lose some immediacy.
The final disappointment came at the very end of the book. See, the beginning of the story featured Mel, homebound with a broken ankle, reminiscing about the production of _Three Sisters_, and the broken ankle is talked about enough that I expected its breaking to be a major plot point--like maybe the catty actress tripped Mel to take over her part, or something--and at the end it turns out *SPOILER* that the broken ankle is basically irrelevant to the story. It just seems to be a device to get Mel on a couch where she can sit and write. *sigh*
All in all, it's a pretty good book, but it can't hold a candle to the Egerton Hall books. Look for _The Tower Room_ and its sequels.