Como la mayorìa de los hombres, no me queda ni tiempo ni humor para andar por ahi corriendo como loquito ni haciendo lagartijas o push ups... PERO ESTOS EJERCICIOS, NO SE COMEN MI TIEMPO... TODO LO QUE SE HAN "COMIDO " ES MI BARRIGA DE CERVECERO !
GENIAAAALES !
Pues se acabó la barriga, Y NO ME FATIGO !
Vi el resultado en 4 SEMANAS
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The last time 'From Anna' was borrowed was early 1997. Most of us would most probably never take a second glance at the book -- that is, if we judged a book by it's cover. However, if one takes the time to read deeper and look beyond the cover, they will find that they have stumbled across an extraordinary book.
The story starts off with a young 9-year-old Anna Solden, nicknamed 'Awkward Anna' by her older siblings. Anna is indeed very clumsy and klutzy, hence the nickname. When she hears her family is moving from German to Canada, Anna is devastated. She can't learn German; how will she ever cope with English?! But shortly after her arrival in Canada, Thanks to Dr Franz Schumacher and his discovery that Anna has a severe vision disability, Anna receives a pair of glasses, which bring forth a world she never knew -- a world where words and letters aren't masses of grey blur, a world where numbers stay on the page and where the everything is clear and bright.
Anna is sent to a special sight-saving class in order to repair the damage done to her eyes and salvage as much of the remaining ones. There, she learns things about herself -- she CAN have friends, she IS skilled and most of all, she has confidence. Her friends and teacher, Miss Williams, see a whole new Anna devloping as the year draws to a end. A new Anna very different from the old one. And with their help and support, she finally learns to confront her family with secrets that they never knew.
A truly touching and moving story with a very fitting ending. Get this book, enjoy it and read the second one -- 'Listen for the Singing', which is just as good, if not better! A definite book I would recommend with two thumbs up!
Anna Solden is the youngest of 5 children. She and her family leave Germany and emigrate to Canada in 1933. Anna, then 9 wonders why she can't draw or knit like her sisters or help her brothers shovel snow or do any of the sundry household chores that want doing. Anna's father is a very kind man who recognizes Anna's potential and encourages her every step of the way.
Once in Canada, the Solden children are given a routine physical. The doctor, aghast to learn that Anna suffers from low vision works like a soldier to get Anna enrolled in a Sight Savers class. Once there, Anna flourishes. Outfitted with eyeglasses, she sees just what she had been missing all along. She develops confidence in her newfound abilities and makes friends readily with her classmates.
Anna, still determined to prove her worth is desperate to come up with Christmas gifts for her parents and siblings. Her teacher, a very wise woman suggested that the class weave wastebaskets. They do and Anna's basket is the one that stands the straightest without even the slightest hint of a bend. Stroked further by her teacher's praise, Anna sets to work finding ways to get gifts for everyone. She writes a beautiful poem for a classmate who defended her ("Benjamin Nathaniel/Braver than Daniel"), writes a hilariously illustrated dictionary of new words she learned for another classmate and, on Christmas morning presents her parents and siblings with the basket. Shock abounds and her siblings jeer at her, saying she could not have done that basket without help.
Ever ready to fight for her, Anna's father chews out the other four children reminding them that had they not had the help and input of others, they, too, would have turned up empty handed on Christmas. Everyone relents, and Anna's gentle father springs a lovely surprise for all -- Anna had invited some guests for Christmas and he heartily endorsed her request. The guests -- Anna's teacher and doctor!
This is a masterpiece. It is a classic.
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I'm a big fan of books that flow real well. I never read the editorial reviews until now. The flow was so great between the chapters that I thought they were just that: chapters. But they're not; they're separate short stories that seem to come together chronologically as one.
Another major plus is that the author gives you a clear picture of each of the characters and their surroundings. Even though there are no illustrations, you can SEE what the people look like, what Acorn Lake's surroundings appear to be, etc. Even moreso, you can feel the emotions of Lillian and her family so well that you may begin to think you're actually a part of their family, just from reading this very well-written book by a first time author.
Jean Harfenist is not only a master of imagery, but something else that she uses a lot of are similes, which I like a lot and have constantly used in some of my reviews (mostly on other sites). There are so many similes it's like an English book on learning how to use them. Unlike any English book I've ever had to study, however, these are actually interesting to read and experience.
I'm certainly no psychic, but I see great things in this author's future. If she keeps at it, all of her works won't be published as quietly as this one seems to have been. Perhaps the next step will be earning a slot on the New York Times best seller list. Highly recommended!
The book, which is a series of linked stories, reads like a novel and follows the life story of Lillian Anderson from the age of eight until twenty when she decides to leave her family and home in Acorn Lake Minnesota. Set during the 60's and early 70's Ms. Harfenist shows an extremely deft eye for character and relationships and how the parents of this first person narrator, Lillian, effect each of their children as they prepare or rather fail to prepare them for the world. It is written with humor and pathos and a hard cold eye for truth, while never sacrificing its sense of compassion and understanding for the people the narrator seems, despite everything, to truly love. As Michiko Kakutani in the New York Times reveiw of books said; Ms. Harfenist "has made an auspicious and stirring debut."
Jean Harfenist is a gifted writer who can paint characters as brilliantly as many of the finest authors today. Her lead character, Lillian, is the penulitmate odd child who simply doesn't fit into this tiny Minnesota family in Acorn Lake. Her hilarious rebellion against what her family and town hold dear propels this book thru her Junior High and Highschool years, eventually resulting in a new adult who ultimately seems the only one of her crazy family to grasp the entirety of the bizarre nature of her maturation; she becomes and even in retrostpect has been the rescuer. Harfenist writes from the heart, with a keen eye for details that define language, costume, atmosphere and impending doom. Her creation of the mother figure is one of the most unique, hilarious, pitiful and well constructed silly-yet-sad ladies of American fiction. This is a book that deserves wide attention from the critics and from readers: you can't help but feel assured that there is MUCH more where this treasure of stories came from. HIGHLY RECOMMENDED!
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Some complaints about the story, though.(1) Conrad professes to love Philippa, yet never shows any hint of trust in her in the matter of her sister's marriage. (2)Only after seducing her does he let her know he can only keep her as his mistress and never even ask how she feels about it. That looks like cheating to me.(3)The story gets very redundant and repetitive halfway through. Whenever they meet, Conrad is forever whining that he loves Philippa, that he can't live without her; and Philippa is always busy thinking of how she is affected by him and whether she should stay with him or not.
Despite those problems, overall this book is still very enjoyable.
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For several years I have been wishing to see a set of these books and finally, it has happened! Yes!
If anyone is interested in understanding the real workings of Saudi Arabia and why so many radicals come out of that country, the Princess books answers many questions.
These three books are not only educational, but highly entertaining. You laugh, you cry, you seethe, you rejoice, all in the course of reading one book. A night of entertainment doesn't come any cheaper than the price of one book!
I recommend these books to any reader, young or old, male or female.
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Superbly written, this book offers readers of today a glimpse of the splendor and majesty of the French court in its height of glory. Through the eyes of the heroine, readers will see important events in the history of France unfold. Highly recommended for readers of all ages.
For further reading of the French court, I also recommend "The Royal Diaries: Marie Antoinette: Princess of Versailles."
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Smith, no stranger to scholarship himself, guides the reader in painstaking detail through the rise of one of the most renoun jurists of early American history, John Marshall. Marshall, who served his country first as a soldier under General George Washington and later as the first truly influential chief justice of the Supreme Court, is a figure ripe for investigation at this particularly legal-oriented period in our history. For it was Marshall who, in his landmark decision, Marbury v. Madison, first gave rise to the notion of judicial review, the concept that suggests that the Supreme Court indeed has final say over the constitutionality of a given state action.
What is fascinating about Marshall's life is how bitterly he had to fight to establish what we today take for granted, the Court's supreme authority. Marshall's relentless pursuit of a powerful judiciary was often at odds with the vision of his fellow founding father, Thomas Jefferson. Jefferson, who pushed for a small, decentralized federal government in a largely agrarian America, was constanly at odds with Marshall, and the tale of their stormy political battles resonates throughout the pages of Smith's biography.
Of course, the philosophical musings and feindishly political battles of our founding fathers may not make for interesting reading for everyone. Smith's book is chock full of obscure anectdotes and oftentimes difficult-to-get-through detail. All the same, the interested reader seeking to understand just how our current court system got to be this way can do worse than pick up Smith's tome for some insight. For, in the end, the battles fought between America's early political titans bear a strong correlation to -- and perhaps even explain -- blips on the judicial radar screen now called things like "O.J."
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The book is down-to-earth and sincere, full of honest essays about how young people are implementing the Dharma into their lives, personal, public, and professional. It certainly is not New Agey, "too far out", cliche, or irrelevant. (I was anxious about the possibility of BJB being so, but it did not disappoint me!)The book explores the interchanges between Buddhism, Generation X and Y, and American pop culture, among other topics. It has no agenda except to portray Buddhism as it plays itself out, right now.
In many ways, I feel like BJB is a historical snapshot of some of the people who will be among the most influential shapers of Buddhism in the West in the near future. I was happy for this warning!
I definitely appreciated the vast diversity of Buddhist traditions and expressions represented in BJB. As an introduction, the book provides teases and initial glances into Buddhism, and does not purport to be a definitive statement by examining details. There are gaps, because there are still issues in modern Buddhism yet to be debated and/or resolved. But that is the point of BJB, it keeps you thinking, wondering, critically inquiring. I learned a lot from this book and totally recommend it to anyone interested in young people, and the future of Buddhism in the West.
The deep, thoughtful, and important reflections and rhetorical questions offered in THE CONCLUSION is WORTH THE WHOLE PRICE OF THE BOOK ALONE. Editor Sumi Loundon does not pretend to know all the answers, and after reading all these possibilities, I realized I didn't predict the future either! These are fast, exciting times we live in right now, and this is a perfect book to have along for the ride.
In his Foreword, Jack Kornfield poses the question: "What if Buddha were born in North America, in our times?"
Sumi Loundon, born into the North American Buddhist culture & coming into her third decade of life, is also asking: "What is being a Buddhist in today's Western world?" As she finds her answers, she also finds she is not alone & so evolved this collection of enchanting, first-person essays from young Buddhists all over this globe.
Like pebbles on a beach, each story is fascinating as the writers tell of their strife & boredom, yearning & bliss, hectic lives & momentary glimpses of spiritual stillness.
For a look at the world through another window where our senses & our monkey minds are engaged as never before, pick up a copy of BLUE JEAN BUDDHA & if you don't get it on the first read - keep it! Then take it down during a particularly hyper-active period in your life & see how others have walked through their chaos into the Buddhic balance & life-affirming consciousness.
Well worth the read! Gave me much about which to think & write!
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The book begins with descriptions of the various kinds of beads, threads, cords, bead wax and needles that are currently available. Especially helpful are the sections on "Matching Thread to Bead," "Choosing the Right Needle" as well as the information on seed bead sizes and types. Two chapters on bead weaving come next -- the first covers off-loom beading and includes various peyote stiches (even and odd flat stitches, circular and tubular stitches and the Native American or "gourd" stitch); the square, ladder, brick and netting stitches; several variations on the right-angle weave stitch; the herringbone and the daisy chain. The next chapter covers loom beading with lessons on how to set up a loom (including instructions on how to make your own loom) and how to do basic weaving, adding weft thread, increasing and decreasing beads, etc.
The next section is called "Stringing Beads" and begins with a brief description of how to make a simple beaded necklace; the instructions that follow on how to make a knotted bead necklace (with knots between the beads like a pearl necklace) are much more thorough.
The next four chapters deal with embroidering, knitting, crocheting and doing macrame with beads. The embroidery section shows how to incorporate beads into basic crewel embroidery stitches (back, buttonhole, chain, feather and herringbone) followed with instructions for the tent stitch used in embroidery work on canvas (ie, needlepoint and cross-stitch). Also included are instructions on how to use a tambour (a hook similar to that used for crocheting that is used to pull chain stitches and beads through cloth). Next are sections on knitting with beads, crocheting with beads and using beads in macrame.
The next chapter is on findings (clasps, crimp beads, knot cups, connectors, earwires, jump and split rings, end cones and coils, pinbacks, head and eye pins), which, while thorough insofar that it covers most findings, does not have the same excellent, detailed instructions and drawings that characterize the rest of the book. Using head pins to make earrings or attaching a crimp bead might seem obvious but someone who has never done these things may need more than just a brief written description on how they are accomplished. This section would have been so much better had the authors provided clearer explanations as well as illustrations. Also helpful would have been instructions on how to make secure bead loops using head/eye pins.
This chapter is followed by a section on wirework that has information about types of wire as well as tools (pliers, jigs, mandrells, mallets, hammers, etc) and basic techniques for making coils, figure eights, spirals and loops. The final chapters deal with making simple beaded cords and ropes, how to add fringe (including adding Victorian chain edging) and making netted fringe.
One of the best things about this book are the instructions on what to do if you make mistakes. I also liked the various "hints" that are scattered through out it as well.
Should you buy it? Well, if what you are looking for is a book that will teach you how to do basic bead stringing for a necklace or a bracelet or if you need instructions on how to make earrings, then you would be better off skipping this and getting a book like "Exotic Beads" instead. But if you're looking for the basics in bead weaving, etc, then this is definitely a good sourcebook for you. Be warned, however, it does not contain patterns or instructions for projects.
The Beader's Companion covers beading terminology, how-to bead, what materials are needed for beading. Clear concise directions are included for just about every method of beading, with each method listed on small, sturdy pages. Included with the directions are easy to understand diagrams. And for each method of beading covered, there is a blank beading pattern template.
Frankly, it doesn't get any better than this. Not only is this book a perfect gift for yourself and/or anyone with even the slightest interest in beading, it is also a great travel companion. I take the book with me whenever I know I will have time to bead, while on the road. It is the perfect size, construction, and help to finish any beading project I might be working on.
I recommend this book to anyone who beads, and anyone who would like to learn how to bead. This book is THE Beader's Companion.
lunartic.cindy@gte.net
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"Who Do You Love" is a fantastic collection of stories dealing with sad individuals, at difficult times in their lives, reacting to various stages of their latest love interests. The collection takes us through various landscapes, from the northwest rainy Oregon all the way to the grubby southeast states. The individuals vary from young to old; the only constants being the state of sadness, and the fact that the reader cares about them.
It is Thompson's use of language that is most impressive. There are times where she goes above and beyond what you would expect in her character dialogues or descriptions. There is a specific point that you find yourself believing most writers would have stopped, but she goes on and does so successfully. Only a confident writer would go this far. As an observer, she obviously has a tremendous ear. You find yourself re-reading full sections of her work just in appreciation of her art. She is by no means a minimalist but she does not waste a word. The stories have an intelligence to them and while melancholy in nature, there is a stunning use of wit as well.
Search out her work and put it on your shelf next to the Huddle's and Bell's and others who have mastered this craft.
5 stars.
Se mueren por saber como le hago..pero es secretito: Hago mis ejercicios mientras voy en el coche rumbo al consultorio, cuando esoty viendo a un paciente y hasta hablando por teléfono !
Este libro ES LA BENDICION FÍSICA MAS GRANDE QUE EXISTE !