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What a story! Richard Rohrbacher starts it in 1935 and skillfully makes a youngster spring to life before your eyes. From hanging around a construction site to the first guilty feelings of an adolescent that can't help but fall in love (lust?) with his 8th grade teacher. From the sad musings of old man about dying to the youngster's hilarious fear of dying himself from an "advanced case of acutum masturbatum morbindus," Richard keeps your face in his book.
The narrative saddens, as did the whole world, as first, his love (the teacher) left to join the WACs. Then his family, then his friends as ". . . we watched the June graduates trade their gowns and mortarboard for uniforms." They also ". . . wondered if our name was slated to appear on some future casualty roster . . ."
This book captures, in an easy readable way, life in America as the world skid inexorably into WWII.
*Generations, by Neil Howe, William Strauss, William Morrow & Co.
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The photography in this work is excellent. The text is informative. Anyone interested in this area owes it to themselves to read this.
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I have read extensively on this subject, and visited any number of museums, yet I still learned a lot from the text and the narration. In addition you can click on any of the items in the virtual tour and get a detailed description along with a history-and there are many, many items. There is also a separate section on the ledger art which is clearly displayed a beautiful.
Kids will love going through the virtual exhibit, though I found clicking the next button, and viewing items one by one more helpful. There is also a special kids section, so the entire family can enjoy it.
This is well worth the price!
Every single drawing is detailed with indian and soldier accounts of the drawings; subject, date, etc.
Schools should require this kind of history lesson.
Starting with "The Beggar's Opera" of 1728, the history of the genre is traced up to the time of writing, meaning "Les Miserables." Along the way, we consider operetta, the English Music Hall, American vaudeville, the review, the book show, the familiar, the off-beat, the dead ends, the highly influential. And the London stage gets a good deal of attention also, thereby introducing a lot of material not very well known to those better versed in the American musical.
As with any good effort of this sort, a strong connection is drawn between the changing times and the changing concepts of what a musical should be. The importance of "Show Boat" is not glossed over, for example, nor is the other shock caused by "Pal Joey." The reliance of Lloyd Webber on staging is mentioned but not his lack of more than one fairly memorable melody per show. In general, the tone is upbeat and positive.
But this is a recording. While it could never include all the information found in a book, its dozens of recorded examples are what makes this set priceless. Where possible, the oldest "original cast" recordings are used. On the other hand, there are some strange exceptions such as "Hey there" from "Pajama Game" being sung not by John Raitt but by Ron Raines on the Jay recording. I suspect this is because Criswell is in the cast of that set.
Again, this set is in tape and CD formats. For educational purposes, the CDs offer direct access to any show under discussion--and the CDs are very generously divided into nearly 200 tracks! Very considerate of the producers. The booklet offers a nice little personal essay by Criswell. So if I have any complaint about this set, it is that I wish it were twice as long.
The book inspired me to visit Ohio and Kentucky to see the sites. My wife and I were taken around Union Village by Mary Lou Warner, the historian for the Otterbein-Lebanon Community. Martha Boice showed us Whitewater village with her friend Julie Schlesselman. We went to Watervliet, Ohio, then down into Kentucky to the Cane Ridge Meeting House where a camp meeting took place in 1801 as part of the Kentucky Revival. We stayed at Pleasant Hill and then went to South Union. All in all a wonderful experience which would not have happened without this book. I hope to return to the area soon to see the sites I didn't have time to visit.
Most of the interest in the Shakers centres on the well preserved eastern villages such as Hancock, Canterbury and the still active village of Sabbathday Lake. However, this misses the western villages which have a charm and interest of their own. There is much to see in Ohio and Kentucky, and for anyone interested in the Shaker experience as a whole visiting the western sites will expand your knowledge and understanding of why the Shakers have lasted for so long. This book will appeal to anyone who is seriously interested in the Shakers - add it to your bookshelf now.
In chapter 8 of the book the extent and the depth of the Cane Ridge Revival in Kentucky comes alive. For those of us with roots in southern Ohio, this chapter can touch home directly. The spiritual choices of Barton Stone, John Dunlevy and Richard McNemar at the turn of the 19th century are still influencing us today as we quickly approach the 21st century. The Restoration Movement (The Christian Church) is still strong and active in southern Ohio and the Society of Shakers continues and their many friends are influenced by their faith and story.
Another intriguing line of research is suggested in the book. Some of the land acquisitions made by the Shakers may have been due to their participation in the Underground Railroad. In this endeavor, old religious adversaries joined in common cause: Quakers, Presbyterians, the Christian Church and the Shakers. More study needs to be directed to this line of research.
The maps of Dale Covington and the drawings of Richard Spence help bring alive the old Shaker sites, especially those which have been altered beyond recognition. We can feel again the presence of Union Village (Lebanon, Ohio) the seat of the Shaker bishopric of the west, as it nurtured many other villages: Watervliet (Dayton, Ohio), White Water (New Haven, Ohio), North Union (Cleveland, Ohio), Busro (Oaktown, Indiana), Pleasant Hill (Harrodsburg, Kentucky) and South Union, Kentucky. Other lesser known Shaker sites are also discussed in the book.
Reading Maps of the Shaker West helps a person to experience the furor of the New Light Revival, the excitement of committing to a radical and tranforming faith, the personal and the financial sacrifices made to become a Shaker, and the excitement of participating in a socially important communal project that would so influence the world. Maps of the Shaker West is a welcomed and insightful resource in the ongoing study of the Shakers.
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I have read most of the national and state guides for the Mother Road, but this is definitely one of the very best. The Mangums have included all the alignments of the old Road, have them color coded and dated, and even include journeys for 4WD vehicles and bicycles on Route 66. I never would have found some of these alignments with the standard maps and guides.
One particular favorite was the old 1930s alignment between the Monte Carlo exit on I-40 (149) and the Welch exit (151) farther east. It was potholed and torn up, but I really felt like I was experiencing the real Route 66.
The book's recommendations for hotels, cafes, and attractions were extremely helpful. Also, unlike most Route 66 guides, this book describes the trip going in both directions!
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Besides providing a good story Wheeler's writing is grown-up good as it leads us into an historical realm and offers a well- crafted look, convincing dialogue, and characters who breathe.
It's easy to see why Wheeler has won the SPUR Award for his western writing and easy enough for a reader to be spurred on with his stories.
There's only a handful of talented writers in this genre out there and Wheeler is one of them.
I will look forward to reading his previous novels on Mister Skye -i backward order to see just where he went from this point on. Anyone who enjoys the historical novel will enjoy this one. Thanks for a trip into the past!
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The individual vignettes sometimes reminded me of a good Impressionist painting -- splashy color, sometimes downright gaudy, but each is powerful as its own piece of ritual of entrance into adolescence and generally overcoming the obstacle of that day. At least some of these, particularly as they merge with the world scene of that slice of time, will become indelible for those of us who read its pages. Some stand out for their humor; others through the range of emotions from sympathy-empathy all the way to unbridled joy. And there are even a couple chapters that cope with those difficulties, problems, and occasional thrills that clearly relate to subtle and not-so-subtle hormonal changes.
Strongly recommend for men ages 25 and up. Its very nature is so masculine that I have no idea whether women would, by and large, enjoy a glimpse into its content. I suspect they would.
And, to this reviewer's judgment, there's little doubt but that a second book will be forthcoming. I'm keeping my open for that!