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However, their idyll golden days are abruptly interrupted when the murdered corpse of the community's gardener, Mr. Yamaguchi, is found amidst the bushes. Though the twosome would prefer to mind their business, they cannot. Not only did they consider the victim a friend, another resident, Mildred is somehow connected via the Internet. So what is two retired ex-criminals forced to do. Simple, go out and investigate what really happened in order to uncover the identity of ! the true killer.
There appears to be a delightful trend towards a new mystery classification starring senior citizens as amateur sleuths, affectionately known as GAS (graying amateur sleuths). The newest entry in this sub-genre, AS CRIME GOES BY, is an appealing who-done-it due to the intriguing senior citizens who appear throughout the novel. Especially delightful is the former criminal pair, who are as opposite in appearance and demeanor as two partners can be. The story line is crisp and refreshing, leaving readers wanting more novels by Richard F. West, starring Peter and Benny.
Harriet Klausner
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A nice addition to MY already-burgeoning bookshelf!
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Rather than give us a straightforward, linear (hence boring) history of comics, Harvey treats them as the masterpieces of art they are--just as there are various fine art "movements" (Surrealism, Cubism, etc.) the same holds true for the comic strip. Harvey divides comic-strip history into five such movements--the formative years, standardization of genres, the adventure strip, the gag strip, and the socially conscious strips of today.
We learn some things that may seem surprising at first, but on reflection are perfectly logical. First, even the most talented 'toonists weren't perfect--we see the strips in their original form--pasteovers, glue stains, pencil marks, and blobs of white-out litter the work. It's akin to seeing an X-ray of a painting by a Renaissance master--even Leonardo and Michaelangelo made corrections, sometimes painting over whole figures.
Second, the supposed decline of the quality of comics (and the rise of artistically bankrupt strips like "Dilbert") isn't the fault of the artists or the syndicates. (Despite sentiments to the contrary by "Calvin and Hobbes" cartoonist Bill Watterson, whose scathing diatribe against modern comics is reprinted in the book). Paper shortages during the Second World War, Harvey tells us, forced editors to cut the size of newspaper pages to save newsprint, which in turn shrank the comic strip. The advent of television immediately afterward forced newspapers to stick to the wartime standard permanently--and they have shrunk even more since. Such developments spelled the end of the lavishly drawn adventure-continuity strips (the detail could no longer be seen) and paved the way for strips like "Peanuts". Harvey doesn't talk about the role of the computer in perhaps reversing this trend, which is one of this book's few flaws.
Harvey, like other fans, pleads for the acceptance of comics as a "legitimate" art form, but does so without attributing to them any more significance than they deserve. No obtuse Freudian interpretations about what the comics "mean"--to Harvey, they are a unique form of art, driven as much by commerce as aesthetics. They are a throwaway medium for the general public, but as he shows us, that's more than OK.
Mrs. Frink, along with her husband, whose first name we never know, and a boy named Robert leave their nice home in Martinsburg, Indiana, for the riches of the California territories. It's not only the promise of gold that spurs this couple on, but of the riches available to those who make the arduous trip.
Mrs. Frink keeps a detailed diary of the daily distances traveled (how did they m ark this?), the price of provisions along the way, the weather, the many people they run into, and an acute observation of the fashions on the trail. I found that quite interesting, those detailed descriptions of fashion, in clothing, transportation, and supplies, and the daily traveling distance. I also found myself amazed at the mileage the wagons were able to make each day and the price of provisions along the way. In 1851, one onion costs the Frink's one dollar, which is astronomically even in the 2002 market.
Susan Baxter, an actress at the Creede Repertory Theatre in Colorado, gives life to Margaret. By the tone of voice she uses, I suspect that Margaret is a bit of a snob, but she handles the travails of the trail with remarkable good humor.
It is particularly interesting that the diary does not end with their arrival in Sacramento, but gives a hurried account of life for their life as hotel owners and diary farmers. It is also interesting that the home they dismantled in Indiana and ship by boat, arrived in the new state at almost the same time they did.
Thanks to the publication of this diary, I have a whole new appreciation of the Old West!
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The arc of the Hornblower series begins with 'Beat to Quarters' and reaches its zenith with 'Commodore Hornblower.' For readers still giddy with the aftereffects of those books, 'Admiral Hornblower' may be a bit disappointing. More an epilogue than a coda, this book finds Horatio at his last post as commander-in-chief of His Majesty's squadron in the West Indies.
It may be that Forester simply had no exploits to offer on par with Horatio's earlier adventures. Without the backdrop of the Napoleonic Wars, one finds a distinct lack of urgency to this book. That said, it's worth noting the first adventure in 'Admiral Hornblower' brings back the old magic of the earlier books and manages to quicken the pulse.
Still, no first-time Hornblower reader could resist reading any installment. Nor should he. These are the greatest sea stories ever written; each one to be savored. Read, enjoy, and bid farewell to Admiral Lord Hornblower.
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Nisbett appeals to cultural stereotypes and ignores contrary evidence. For example, he says,
"most Americans are confident that the following generalizations apply to pretty much everyone: Each individual has a set of characteristic, distinctive attributes. Moreover, people _want_ to be distinctive--different from other individuals in important ways."
I can see readers nodding in agreement at first, but then stopping and realizing that he could equally well and convincingly have written
"most Americans are confident that the following generalizations apply to pretty much everyone: Each individual often tries to conceal their characteristic, distinctive attributes. Moreover, people _do not want_ to be distinctive--different from other individuals in important ways. Many studies and our common experiences have shown that people strive to belong to groups. Teens have been known to commit suicide when they are not accepted into their peer group. The fad, current as I write, of body piercings with rings in noses, lips, tongues, and more intimate places is not the result of individuals having an inspiration some morning to be distinctive. It is an attempt to belong to and to exhibit belonging to a particular group. There is considerable disincentive to have a body piercing, there is pain and lingering discomfort; the rings can interfere with various activities and there are risks of infection and injury. In spite of all this, tens of thousands of people have submitted to piercings in order to signal a form of group solidarity."
Putting group association ahead of personal aggrandizement is not, as he claims, a marker more typical of "Eastern" than "Western" culture.
Another problem with this book is that it never reports quantitative results, not even giving the number of subjects in the experiments mentioned. Readers of daily newspapers can understand basic statistics, there is no excuse to omit them all. But we are given not so much as a footnote's worth of data to build some confidence in the results cited and in his interpretation of them.
Nisbett is also uncritical in his acceptance of Oriental lore. Here is one example: "Buildings in China.." he writes with evident approval, "are built only after an exhaustive survey by feng shui experts who examine every conceivable ecological, topological, climatologic, and geometric feature of landscape and proposed building simultaneously and in relation to one another." I think he meant "topographical" rather than "topological" and we note the impossibility of examining "every conceivable" attribute of anything. He seems not to know that when several feng shui experts are asked for their readings, without being informed that other experts have been consulted, it is often the case that their recommendations are wildly different, and even at odds with one another. One expert might say that red is the ideal color for the walls, the other might say that the one color that should not be used for them is red. Stage magicians Penn and Teller arranged such an experiment and videotaped it, the results are very funny, except to believers. Feng shui is, like psychic predictions and divining rods, demonstrably absurd.
I do not deny that being brought up in different cultures will lead to having different knowledge bases, assumptions, and methods of problem solving. And I agree that knowing about these differences is of value. But I do not trust this book's characterization of the differences in what seem more like pop psychology's shallow stereotypes rather than serious science. And the case for cognitive differences beyond those learned from the culture -- the main thesis of the book -- is not made at all.
-- from the reviewer's web site
Nisbet uses history, geography and traditions to explain his findings which are backed up by many interesting studies. I like the emphisis that these studies outline tendencies which peolpe can be trained to change or adopt to there advanatages.
Nissbet also is willing to critize both the east and west for certain errors that there thought patterns lead them to.
Nissbet also discusses how the source of how confontrations between the west and east occur due to differences. As well he discusses why the west and east have different view of human rights.
His most interesting arguement and most well founded is that Westernization is a commercial phenomenon and not necessarily a cultural one, Coke and Mc Donald's invasion of the world does not mean that eastern culture is disappearing or weakening only that the Big mac and Coke taste good to almost anyone.
I like Nissibet hope that western and eastern cultures will influnece each others way of thinking. And that understanding one anothers way of thinking is important. Through my travels around the world the attempt to understand others has lead to much more happiness than strife.
My new wife is Chinese and this book helped me to understand why some simple questions that I asked her are not so simple because we have a different starting point in the way we understand the world, this does not stop us from understanding the world together. I hope Nissbett is right for the world would be a better place.
As a person who got his formal education both from the East and the West, this book provides the bridge in connecting the "beauties" of both the Eastern and the Western styles of thinking.
To me, Western people are relatively more left-brain dominant (rational!), whereas Eastern people are relatively more right- brain dominent (intuitive!).
This book once again tries to prove the abovesaid contention, while providing sufficient MSA--Metaphors,Stories,and Anecdotes(historical, of course!) to back up its contention.
This book is very well written and can provide readers a lot of Aha and Haha experiences, understanding where the conflicts between the Eastern and the Western people really arise?
But there is one precaution here!
Don't over-generalize how the East and the West think differently. Some Eastern people got their education from the West could have tuned their thinking style into more Western style, or vice versa.
This book is a good starting point to shed light on how the East and West should respect each other and understand their cultural differences in terms of thinking and living.
I enjoyed reading this book very much....