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By: Laurence Yep
...
The story is about a girl named Ursula who has always wanted to see a circus. That is, until she caught smallpox, which made small holes in her cheek. Now all she thinks about and wants is to hide her scarred face. All this changes when Ursula's parents hire a Chinese cook named Ah Sam. He brings to town a magical circus and finds a way to give Ursula the courage she needs to face the world. After the circus Ursula confidently goes outside knowing nobody will laugh at her anymore. She sees that Ah Sam is unhappy and asks why. He replies with the blizzard he won't be able to go to China to celebrate Chinese New Year. Ursula decides to repay Ah Sam for his kindness and creates the biggest, best Chinese New Year celebration that Whistle, Montana, has ever seen.
I have many reasons why I liked this book. One of the reasons I liked this book is because Ah Sam taught Ursula that it does not matter what you look like on the outside.The second reason I liked this book is because Ursula knew that Ah Sam helped her a lot by giving her the confidence to go outside so she repaid him by creating the Chinese New Year in Whistle, Montana. The third reason I like this book is because it teaches you that you shouldn't judge a person by their nationality because in the story Ursula thought all Chinese people were bad, but Ah Sam proved her wrong with his kindness.
The fourth reason I like this book is because Ursula got to experience a different culture or style of life. For example on Chinese New Year they had to cut a little bit of their hair, do Chinese dances, parade around in a dragon, light up fire crackers, and feast. The fifth reason I like this book is because I like circuses, which are amazing and have things like acrobats, jugglers, clowns, animals, and animal trainers. If I had to grade this book on a scale from 1 to 10 I would give this book a 10.
My favorite part of the book was when Ah Sam's cousins came to town to put on the circus. Their names were Ah Bing, Ah Loo, and Lung. On the day of the circus Ah Loo stuck a sword down her mouth and pulled it back out without cutting her insides. Then she spit fire out her mouth. Ah Bing pulled eggs out from behind people in the audience's ears. Ah Sam juggled balls, knives, a boot, a turnip, and a hat all at one time. For the grand finale Ah Bing, Ah Loo, and Lung began to turn into letters. All together they spelled out "Thank You, Ursula."
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The best scenes in this novel are those focussing on the narrators experience of the education system, and Wang creates a surreal picture of the rapid changes that it undergoes. She is able to tease out the narrator's discomfort, and the difficulties of going against the accepted norm in a system where the children begin to act out the politics of the nation in a microcosm.
The writing style clearly reflects the problems of translated text - it is translated to English, having been written in Dutch by an author whose first language is a Chinese dialect - but it has a handy glossary at the end and a few useful notes on linguistic style. It has a somewhat stilted flow (one of our readers used the word 'amateurish', but had the good nature to blush as she said it!) and it reads like a first novel.
The unfortunate ending, which had the potential to be very powerful, seems to be rushed, and ultimately it loses much of it's impact in it's haste. On the whole we were disappointed with the book, but fascinated by the discussion it generated - mainly centred on our own lack of knowledge of the Cultural Revolution in China. Although not as satisfying as other novels on Chinese culture (The Wild Swans springs readily to mind), The Lily Theatre is thought provoking and we recommend it for bookclubs who relish the discussion.
On top of which, the book is fun to read, with Chinese flair and shockingly outspoken, arresting language. If this was indeed translated from Dutch and not Chinese, my hat goes off to the translator for putting it in such a form that you are constantly reminded that you are in China, not the Occident.
Even though I found the ending just a little over the top, it did not detract for me from a very good read, almost as informative,in my opinion, though from a slightly different perspective, as Wild Swans.
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The book follows his initial training including stints in a hole in the ground and under a large cast-iron kettle. It then follows his journery with his masters into the mountains just as the Cultural Revolution began to sweep across China. Along the way many lessons are imparted including some interesting methods of cultivating with trees. The main portion of the story ends with Wang Liping's return to his village and subsequent marriage (!) as his masters admonish him to carry on the way in a form suitable for the new age.
The book finishes with some commentary on Wang Liping's present activities including some stories from his group training sessions - some of the first held in China as strict controls on Qigong began to be lifted.
I enjoyed the story as well as the information contained in here. There are some great views on meditation, including the aforementioned tree style, in addition to the overview of his training. There are also some very interesting tidbits about the location of the lower Dantien shifting in relation to the cultivator's distance from the equator. There is also an interesting comment that there are meridians within the body that are not terminated - that is, they are open to the universe.
Recommended...
As for the way it is written, I found it to be mostly fascinating but it doesnt have the prose that Deng Ming Dao's books have and so it is difficult reading in certain places. On the other hand, this account is a true story, unlike Deng Ming Dao's trilogy and so if you are truly interested in Taoism this book is a must.
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Wilhelm wore his scholarship lightly, but Lynn seems determined to exhibit his. The numerous interesting footnotes are full, detailed, and unmistakably scholarly, but have been printed in a miniscule font that makes for difficult reading.
Apart from its inferior binding and minsicule typography, the main problem with the book is the extreme repulsiveness of the translation. Here is the opening line of Hexagram 1:
'Qian consists of fundamentality [yuan], prevalence [heng], fitness [li], and constancy [zhen]' (page 129).
Intelligible, perhaps, if you happen to understand the original Chinese, but hardly designed to make much sense to anyone else. Lynn's edition is very much one for the advanced student. Long-time students of the I Ching will find lots to chew on in his densely packed and heavily annotated pages (provided they can read them).
Beginners who are not so much interested in studying the I Ching as a document in the history of Chinese philosophy, but who want to try their hand at using the I Ching for divination, should most definitely avoid the Lynn. Their needs would be far better served by a book such as Stephen Karcher's 'How to Use the I Ching,' one of the finest available editions for beginners on the market.
The Lynn has its uses, but despite its pretensions I very much doubt it will ever succeed in ousting the Wilhelm from its pre-eminent position as the West's foremost edition of the I Ching. Among other things, I don't think people would be prepared to sacrifice Wilhelm's beauty.
The translator describes Wang Bi's approach as a blend of Confucianism, Legalism, and Daoism, although Daoism as we now know it had come into being barely 100 years prior, and the Changes has never been a particularly Daoist work to begin with, although it was finally admitted into the Daoist Canon centuries after its adoption by the Confucians. I would characterize Wang Bi's sensibility as predominantly Confucian. Indeed, Lynn acknowledges that Neo-Confucian interpretations of this classic would be much different had it not been for the legacy of Wang Bi.
This translation serves scholarship before all else, and is accordingly rife with footnotes, glosses, and annotations, which can make it rough to read. Nevertheless, this is one of the Five Classics, extremely important in the Confucian Canon, and Lynn has worked hard to bring us a complete translation of the Changes as read by Wang Bi. There is no doubt that it was a worthwhile effort.
For a neo-Confucian take on the Changes, the work of choice is still the Wilhelm-Baynes. For a pre-Confucian view, Whincup's translation is fascinating. By all means, avoid Ritsema and Karcher if what you desire is a translation of the Classic of Changes. As an introduction, I'd recommend the work at hand or Whincup's.
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The preface states that no C programming is assumed, so it should be for a beginner. I would submit that this would only be true by re-reading the text several times and parsing the information into more natural categories for better understanding.
The information was there, possibly, but why waste your time.
C++ Primer Plus is an excellent book, with appropriate humor, carries only about 10% bloat, and more reasonably priced.
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Prior to reading this to my 5 yo, we discussed how this was the original story. It sparked a discussion on how sometimes a book and a movie can be very different. It was a hit with my child. One that I expect to read again and again. A nice addition to any Mulan fans library.
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Unfortunately, at the end of the first section, the author gradually slides into using a lot of BASIC code. Granted, BASIC is the only way to make some of the user interfaces, and he uses good examples. However, the author seems to have forgotten an important detail, that almost by default, the reader does not have much previous experience in BASIC. Thus, it can make things somewhat confusing when attempting to understand the construction of the menus AND deciphering the code.
In many examples later on, the author simply says something like, "In order to make so-and-so type of box, you'll need to use this..." and follows the screenshot up with several or more lines of code, without really explaining what any of the code does. Except for this apparent lapse in logical order, the book is otherwise great. Chapter 14 begins with "the basics of code", which is odd, since a lot of code had already been covered in Chapter 13.
Good Luck!
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