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At a time when new genetics books are popping up almost daily heralding the power of our genes in controlling all aspects of our lives, this Pulitzer Prize winner brings new clarity and rationality to the national dialogue how we age.
Despite the gene-of-the-day public relation blitzes reported as news in the media promising to do this or that (but never being held accountable), here is an on-target book that looks beyond the tempting (and marketable) genetic basis of aging.
There are more things about people than the sum total of their genes. Kotulak writes: ..."the more we know about how and why we age, the more we can control our fate. We have far more to say about how long we live than do our genes."
A beautifully constructed and excellently written book that I will read again. And certainly one of the best books you'll find anywhere on how people age.
Hats of to the author, and may more books follow.
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Now, many years since his doctoral work was completed at Stony Brook University, Gruber has written a journal of his experiences as a student of anthropology and a Benedictine monk in a world in which the secular and spiritual are deeply intertwined. The book, Journey Back to Eden: My Life and Times among the Desert Fathers (Orbis: New York, 2002), offers readers an insight into the daily lives of the Coptic monks, Coptic Christians and the world in which they live, a world which is largely Arab and Islamic. It is an affectionate portrait, full of profound respect for the Coptic church.
Father Gruber's journal of his year with the Copts cannot be called a travelogue of the trials and tribulations of a young American student in Egypt. Throughout his day-to-day activities and frustrations lies a deeper insight into the people of a world in which all things are influenced by the spiritual. In the early days of his journey, for example, he tells of building a sand castle on a beach. Father Gruber is accosted by some young Muslim boys who accuse him of spreading Christianity in Egypt, mistaking his sand castle for a church. Egypt is truly a place of discovery, Gruber says, " ... seeing the character of these people and how deeply their religious concerns and issues preoccupy them and how they tend to interpret everything they experience through the prism of their faith. In seconds, the boys kicked down the towers of my castles and ran away ... triumphant or afraid?"
He also learns with some amazement of the Copts' respect for monks and priests, and he marvels at finding himself standing in churches using a handcross on lines of pilgrims who approach for blessings. On another occasion, he is baffled by an encounter with two Muslim brothers who, thinking there is a bad spirit in their house after their father's death, ask Father Gruber to bless the house. When he expresses his puzzlement, they respond that this is perfectly acceptable, and he should not fear any problems would persist. He is told not to interpret this as a secret vote of confidence from the Moslems. A friend tells him Moslems rationalize that the Muslim sheik is dealing with God directly and "if you want to resolve a problem with evil spirits, you need someone whose religion is of a lesser sort."
While the book can easily be read as a journal from beginning to end, its daily entries lend themselves to being read individually as spiritual and cultural reflections on an ancient people who can offer insights to modern Western man. Father Gruber's conversations with the monks lead to his understanding of the sense of humility and charity of the desert monks. His travels to 12 Coptic monasteries in the Egyptian desert describe monastic lifestyles steeped in silence, prayer and an austere existence devoid of any modern conveniences. At the same time, the monasteries, defined in many ways by climate and geography, are built on a deep sense of community. How is it that in a world of every modern convenience, where geography and climate play little role in movement and lifestyle, most Westerners remain isolated?
As Father Gruber prepared to leave Egypt, he realized how intensely he was affected by the Copts of Egypt. Thus, this is essentially a book about a deeply spiritual pilgrimage and the profound impact it had on one man's life. The afterword strikes a note of longing to remain in Egypt tempered with a desire to return to America. "I shall only manage to return to the world from which I came if I consider myself a bearer of the desert harvest.... My eyes will be turning backward, even as I had once looked forward to a future horizon before I came here."
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A fantastic read, with realistic and believable characters that I suspect are probably taken from either the authors life or his dreams and imagination. I'd recommend to EVERYONE, however some of the jokes are aimed at older at least teenaged people, and some adult themes are weaved throughout.
The main characters are short-but-average-joe, a bunch of super-smart but WIERD animal-like characters, and the tall beauty naned Brandy that pretty much makes the book.
I wouldn't say I'm anxiously waiting for the next Frank Cho book because I have other interests that take up much of my time, but really, I'M WAITING ANXIOUSLY FOR FRANK'S NEXT BOOK! lol
Thanks for reading, I hope this review helps you decide on whether to purchase or not.
A fantastic read, with realistic and believable characters that I suspect are probably taken from either the authors life or his dreams and imagination. I'd recommend to EVERYONE, however some of the jokes are aimed at older at least teenaged people, and some adult themes are weaved throughout.
The main characters are short-but-average-joe, a bunch of wierd super-smart but WIERD animal-like characters, and the tall beauty Brandy that pretty much makes the book.
I wouldn't say I'm anxiously waiting for the next Frank Cho book because I have other interests that take up much of my time, but really, I'M WAITING ANXIOUSLY FOR FRANK'S NEXT BOOK! lol
Thanks for reading, I hope this review helps you decide on whether to purchase or not.
For those who are unaware of "Liberty Meadows", this is a strip about the Liberty Meadows Animal Sanctuary. Here, several crazy animals live including a rescued midget circus bear, a LARGE frog, a hog who used to be a mascot for the University of Maryland, and other critters. You also have the shy, nerdy vet Frank, and the hot animal psychiatrist Brandy (whom Frank has a HUGE crush on but who can't seem to bring himself to ask her out). The artwork is VERY good and the humor is good but may not be for everyone. Frank Cho does a lot of parody in his strips and some of that may go over people's head.
There are a few things that set this book apart from other comic strip books. The first being the paper this is printed on. This is high-gloss, heavy paper which is very nice! Second, Frank has included some new material at the beginning of the book in which a very old Ralph and Leslie are visited by someone who wants to interview them about their days at Liberty Meadows Animal Sanctuary. From there, we are launched into the classic comic strips.
At the end of the book, Frank has graciously included several drawings from his sketchbook as well as the cover art from the various comic books (the strip went to comic book format after leaving syndication).
This is a great addition to anyones comic strip book collection.
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On the cover, this book was likened to The Far Pavilions, but I think it is much better.
The heroine has been sent out to the India of the Raj and the East India Company to find a husband. She accompanies Lord Auckland on his march of thousands to the durbar with Maharaja Ranjit Singh of the Punjab in 1838, where the British hope to enlist Ranjit Singh's aid in what will become the first Afghan war.
There is little actual romance in A Singular Hostage, as the hero and heroine, strangers to each other, come into random contac, unknowing that the future will bring them together. However, it seems this romance will develop in the future books.
Mariana, the heroine, is a rather naive and headstrong girl, who is not having much luck in securing a husband, and faces the dreaded fate of returning home an unmarriageable spinster. On the march to the Punjab she develops an unfashionable, and suspicious from the British point of view, fascination with Indian culture and language. This brings her into a plot involving the baby Saboor, grandson of a Sufi sheik, held hostage by Ranjit Singh and ultimately into contact with his father, Hassan, the hero, who will become her husband against her will.
Thalassa Ali is herself a Sufi, and there are allusions to Sufi mysticism through the book. The author draws the flavours of the India of the Raj and the Princely States very well too. If you enjoy M M Kaye, Rebecca Ryman and Valerie Fitzgerald's historical romances of 19th century India I would recommend Thalassa Ali. The only problem I had with this book was that the ending is abrupt and obviously the story will be continued in the sequel. I wish the trilogy had been published in one go, as this means waiting yearly for the next installment!
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If you're going to read this, you need to read all the books in the series. One is not complete without the others.
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something evil. Something with a mission the will unleash terrifying
consequences.
The tale begins at a labyrinthine storage facility called Reich's when a
strange bald man named Kurtz rents a number of compartments for some
mysterious purpose. Before long, Dell Trainer, a writer wannabe
moonlighting
at Reich's, finds himself plunged into a nightmarish world of sentient
tapestries, grotesque creatures and unspeakable evil.
Aided by a retired FBI agents named Gates Batton, Trainer learns a
startling
revelation as old as man. When the angels warred in Heaven and Lucifer and
his minions were cast out, it seems not all the Fallen fell as far as
Hell.
Some got caught in-between and Gates has been tracking them down,
destroying
them. The ashes of his first conquest reside in an urn in the Vatican, but
this angel, Uris, is even more powerful, and if Gates fails all Hell will
literally break loose.
SIEGE OF EDEN is a literary tale of horror weaved from a tapestry of Good
and
Evil, Angels and Demons. Not for the faint of heart, the author examines
the
violence of man and the wrath of gods in explicit detail. Complex
characters
mirror the book's themes and EDEN presents an intricate examination of
religious values and dogma. The plot builds to a lethal and explosive
climax
that portends even greater events.
--Howard Hopkins
Author of Night Demons
...
Eden, Maine population 47,000. Reich's Storage has opened after years of inactivity. The building was built on accidents and misfortunes, both human and monetary. Death is an integral part of its history much like evil that is inevitable in the earth itself.
Eden - a name that conjures gardens, beginnings and a place of lurking evil, all notions that run true in the aptly titled story. Decades of disappearances that no one remembers: does a secret evil reside in Eden?
Dell and Steve, manager and assistant manager at Reich's, sense an evil seeping out of Reich's corridors as they do their rounds. They both notice that this place felt ancient and cold and just wrong, but it's a job and they don't talk to each other about what they feel. At least not until Anton Kurtz drives up and walks into their office. Gates Barton, a former FBI agent who specialized in tracking serial killers, follows a suspicion to Eden where he throws in with Dell. They are joined by a rich and interesting cast of characters, some seeking glory, some revenge, some power and some just victims of the evil that is deep in the heart of Eden. Each character travels his or her own path into Eden. Some won't return from the depths of Reich's Storage facility. Those that do will have their lives forever changed.
J. Dak Hartsock's ability to draw these and other characters to the town of Eden is a masterful work of storytelling. Past and present are drawn together in not only lives but also place. Rich character development, along with the ability to make the reader care about their fate is a true gift that Hartsock draws upon in Siege of Eden.
Fear, horror, & repulsion are all words that describe the roller-coaster of feelings that rocked thru my mind as I was reading. But the love for the story and a remarkable and deeply engaging prose style dragged me along to the heart-stopping end; the stage set for a final battle between good and evil that may shake the world to its foundations.
I do feel inclined to mention the only drawback is in the editing. But I want to stress that those errors have nothing to do with the story or the author's ability to write. Read past the typos and you're in for one hell of a ride.
Rare among books with great artwork, Siege of Eden more than lives up to the promise of the cover, which is exceptionally well done and among the best I've seen in a long, long time. If I rated covers, this too would get 4/4 Fangs. Together, the story and the cover make Siege of Eden a book to treasure and to tell friends about.
'Siege of Eden' hits mark for lovers of dark horror
If J. Dak Hartsock's 'Siege of Eden' is any indication [we] may well have a blossoming Stephen King in [our] midst. Or better. Hartsock has penned a novel for lovers of dark horror and mystery, for those who love suspense and evil. The horror unfolds in Eden, a small town in Maine, where a dark evil begins to awaken under an abandoned storage facility. It's been here before, it is only by the grace of God that people were able to keep it from surfacing then. Now it attracts the attention of a wide array of people--Gates Batton, an FBI agent that fought the evil before; Bishop Erwin Hester from the Vatican; and Dell Trainer, a writer who moonlights as a manager of the facility, and his assistant Steve Seasons--who, despite the realization of what they might be dealing with, continue to pursue the monster that threatens to take over all that is good in the world. [the monsters] slowly make their meticulous appearance by nabbing unsuspecting citizens of Eden, and ruthlessly killing them, or worse, transforming them into servants. In the darker-than-dark mazes beneath the surface of the earth, the forces of good and evil battle it out. What sets Hartsock's book apart from [the rest] of the horror genre is that he doesn't let the reader merely imagine what's going on as the characters feel their way down the stone passageways, or when a monster feeds on its prey: he tells you in blood-chilling detail that makes your skin goosebump. Not only can you envision a character running through the dark forest, you can feel the burn of every breath he draws to do so, you can feel the sharp rock onto which he falls; you can feel the fear. It's a great book for those who enjoy the extreme battle of good and evil. The writing is crisp and flows particulary well. -----jane stebbins, summit daily news
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