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I especially recommend this book for those of us with short attention spans - it's only 140 pages (and that's the large print version). But don't get the wrong idea, this book still has more depth and creativity than most 500 page books i've read and is a great read, even compared with today's science fiction standards.
This book has to be considered a classic considering it spawned a whole genre of time traveling books, movies, and tv shows whcih imitated it. Get a hold of a copy and read it today!
What I love about the book is how much further Wells went with the story. Towards the end of the book, our weary time traveller proceeds further into the future to actually witness our earth and sun dying. The barren lands growing cold. Life at its final stages. How utterly eerie yet thrilling all at the same time. Wells describes the sequences so vividly. Who would not do the same if a time machine was made available to them?
For you first time readers, enjoy. It is a terrific ride.
The mystery is a very good one that kept me guessing the whole time. A regular whodunnit. I highly recommend this book to Coulter fans, old and new. It will not disappoint.
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He confronts the attacks agianst Darwin by creationist and biologist alike. He is a great defender of Darwin. If you are a scientist outside biology this is a great book, a great book for young students confused by Darwin, and for Creationist who want to understand their Chief opponents (Darwin and Dawkins).
Some of the Dawkins ideas such as the idea of the selfish Gene and his ideas on Gene "cooperation" are described in this book. If you want a taste of Dawkins read this book. If you like itand want more detailed imformation and theory read the blind watchmaker.
I rate this book as one of the most important books that I have ever read.
Dawkins portraits convincingly our genetic system as a river of digital quaternary (the 4 DNA components) information with 46 databases (chromosomes) and an operating system which works as a computer. The system has only one goal: the survival of our DNA.
This book depicts life as a bunch of bytes, with no essential difference between living and non-living material. Vitalism is dead. As is solidarity: the well-being of the group is a coincidental consequence, but never a primary motive.
Nature is not good or bad, not cruel, not economical, but only mercilessly disinterested.
Chapter 3 of this book contains formidable examples to counter the creationist viewpoint (e.g. an explanation of a gradual evolution). It should open the eyes of the blind. But that seems to be a very difficult exercise, seeing some other reviews here.
This book is a must read for everybody. It should constitute a background for all politically, socially, environmentally, legally, judicially, religiously ... responsible people with his message that nature is essentially amoral.
That said, "River out of Eden" is one of Dawkins' best works of prose. It's both rare and gratifying to see such a brilliant scientist who also possesses a talent with words. Wit, wisdom, and erudition combine to make this book a great success. In fact, the book contains the single sentence I can pick out of Dawkins' entire body of work as most his most effective and captivating writing (it's at the end of Chapter 4, "God's Utility Function" - read the book to find it! :)
If you enjoyed this book, or would like to find out more about Dawkins' work, try these two websites:
http://www.world-of-dawkins.com/default.asp (The World of Richard Dawkins)
http://library.thinkquest.org/C004367 (Replicators: Evolutionary Powerhouses)
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The book revolves around an ecological protest group, and the company they oppose, which sells a self supporing personal habitat, known as an Eden.
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Andrew comes back to his hometown for his mother's funeral at the beginning of the book. From there the story weaves it way back to the past. We find out about Andrew and his childhood friend (and next door neighbour)Eden Close and the relationship that existed between them. We learn that Eden was adored by her father and ignored by her mother. We soon discover that there was more going on in that house and that it all culminates in a murder on a hot summer's night, the night that the beautiful Eden loses her sight. The mystery is never fully solved and so when Andrew does return home many years later, he feels he cannot leave without finding out the truth about Eden and what happened on that fateful night.
It's an okay story but I found it slow to read. It just didn't grab my attention. I will however continue to read Shreve's other works, I just won't re-read this one.
Andrew returns home to ready the house for sale after his mother died, only to embark on a personal journey to rediscover love with his oldest childhood friend, who lives next door ~~ Eden. Haunted by the incidents that had happened to Eden during her teen years ~~ the summer before Andrew left home for college ~~ Andrew begins to investigate what had really happened that summer. And to his surprise, the answers weren't what he expected.
It is a quick read ~~ perfect for a hot summery day of reading. I recommend this book ~~ it's just as good as Shreve's later books and it will haunt you for a while after you put the book down. It's a rare glimpse inside of a man's soul and mind as he explores the possibilities of love again.
Now that I have read all of this author's books at least once I gave some thought to rereading some of her books. But it wasn't until one of my online book groups selected Close, Shreve's first novel, that I actually picked up this book and began reading it for the second time. I did wonder what I would think about a book I read close to ten years ago and one that I remembered enjoying so much that I always recommended it to others looking for a good book. I am happy to say that my second reading of the book Eden Close if anything has improved with age. The plot of this book, the characters and descriptive passages glued me to my seat once again. I found the subject matter continues to be as relevant today as it was when it was first published and the lives of the characters still as heartbreaking. And as Shreve does with all of her books, this time she puts you smack into this midwestern town where within two farm homes side by side we watch innocent lives torn apart by an unspeakable tragedy.
If you have enjoyed Anita Shreve with her more recent books, be sure and go back and read her earliest novels like Eden Close, Strange Fits of Passion and Where or When and see why I considered Anita Shreve a favorite author before she was as popular as she is today.
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It also explains a lot about the history and traditions of the martial art without getting wound up in any particular style. Mr. Yates has been teaching martial arts for over 30 years, and his experience is invaluable, plus his writing style is very conversational. Ms. Eden writes well, too. Both explain things without either getting too technical or "talking down" to the readers.
I found this bok to be very useful. I strongly recommend it to anyone interested in beginning taekwondo.
I am currently study Tae Kwon Do several times a week, and I am assistant instructor with the school I study at. Many times, when we have parents coming to see what a class is like before letting their child participate, they have a lot of questions.
The biggest thing I have noticed, is that there is perhaps a bit of doubt for the parent in letting their child join.
This is were the terrific layman's terms book written by Karen Eden comes in. Karen has done a masterful job of explaining some of the quirks and etiquette of the martial, and in a very humorous way at times.
I read this book when I had already been in the Martial Art for a while, and I found it still helped to understand exactly who the head instructor thinks, and why the etiquette we have is in place.
I highly recommend this book to any student that is studying Tae Kwon Do, and also to any parent who is considering letting their child join. This book is a wealth of resources that will be sure to benefit you many years down the line in your studies.
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From mafia back-stabbing to a decapitated wife and every story in between, Coen makes the reader laugh and simultaneously makes the reader feel uncomfortable for laughing. One often finds himself asking, "Should I really be laughing at this?" It is upon this type of humor that the Coen Brothers built their film career. Coen overcomes the occasional lack of true plot development with intriguing character analysis and captivating dialogue.
This book is a very easy read even with the intriguing and interesting lanuage and dialogue. The stories are short enough for a single sitting and long enough to actually say something. I would recommend this book to anyone who has taken even the slightest interest in a Coen Brothers film. But take heed, many stories are not for the weak-stomached conservative. Be prepared for a few shocks and an interesting insight to the American way.
As for the tales themselves, they were each very different, and ranged from typical Coen brothers slapstick crime stories to poignant tales of growing up Jewish in Minneapolis. I really enjoyed "Destiny",the story of an over-educated boxer with no fighting spirit, narrated by Matt Dillon, who becomes hopelessly involved in a battle between a couple of two bit hoods while getting pummeled throughout the story. "The Boys", a story of a father struggling to maintain his sanity on a camping trip with his two sons really struck a chord as well, since Coen displays his typical caustic wit and dead-on observations of family relationships.
The stories are not for everyone, sometimes the language can get a little coarse (especially the Steve Buscemi narrated "Have You Ever Been to Electric Ladyland", involving a music industry executive who tries telling the police the myriad of enemies who might have tortured his dog), and those easily offended may want to look elsewhere. Even here Coen's biting sarcasm is evident, as he skewers thinly-veiled real stars including Cat Stevens.
Overall, while Coen may never push writers like Raymond Carver out of the pantheon of American Short Story writers, these tales are an amusing bunch, made more entertaining by the considerable vocal talents of each of the narrators. I recommend you give them a try, especially in audio format. The people in the next car will wonder what you are grinning about.
Just say the words, and most moviegoers can tell you what you're probably in for.
Crime. Criminals. Mystery. Shenanigans.
The same holds true for "Gates of Eden," a collection of short stories by Ethan Coen, one-half of the brother team (bro is Joel Coen) that created such contemporary classics as "Blood Simple," "Fargo," "O Brother Where Art Thou?" and, most recently, "The Man Who Wasn't There."
With the short stories in "Gates," Ethan displays the tendency to irresistible characters that the brothers have put to such acclaimed use in their films.
And characters they are. Hapless schmucks, crooks who just don't seem to have a clue, oddballs and hitmen, all of whom are destined to win your heart. Or, at the very least, your funny bone.
The title story is probably my favorite, simply because it examines a career that is usually shucked aside by storytellers in favor of more glamorous work: The weights-and-measures man.
It's Joe Gendreau's job to make sure the gas station attendant isn't overcharging for or skimping on gas; a beating with a tire iron will keep him straight. All in a day's work, ma'am.
Like Joe says, "Standards are what make us a society. A community agrees. A gallon is a gallon. A pound is a pound. He who says fifteen ounces is a pound - he must be put down. A pound is a pound, or we go bango."
Sigh. Coen's use of dialogue makes me weak in the knees. Oh, to have that firm control of dialect.
Other faves in "Gates":
"Destiny": A knocked-out-too-often boxer agrees to take pictures of guy's wife in bed with a business associate, and ends up caught in between two gentlemen of less than civil reputation.
"Cosa Minapolidan": Among other things, a mob boss wants a fresh stiff. But the guys he's got on the job ain't quite right in the head, if you know what I'm saying. And one of 'em's new on the job.
"Hector Berlioz, Private Investigator": Aside from his name, there's nothing out of the ordinary about this private investigator. Coen sets the whole story like it could be an old-fashioned radio drama, and the results are both familiar and fantastic.
"A Fever in the Blood": Next to "Eden," this is the best story in the collection. Another p.i. finds himself deaf in one ear psychologically after having the other one bitten off. Brings the "Twilight Zone" to mind, complete with twist at the end. Perfection.
Anyone in need of a quick pick-me-up or an enjoyably light read can do worse than Coen. Grab your teddy bear, hunker down under the covers after (or in the middle of) a long day and thank your lucky stars you don't lead these sorry souls' lives.
My eight-year-old son purchased this book all by himself. He is growing more interested in comic books, and leapt at this book. It looks to me like no more than what would be in a standard comic book (complete with cliff-hanger ending), but without all of the advertisements and so forth. He is glad he bought the book, and rates it quite highly.