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Last night on Jeopardy!, someone flubbed a question re the Stuart dynasty. If they had only been exposed to this book, they would have remembered instantly: "James and Charles, Charles and James. They all looked well in picture frames." Another contestant did not know Cromwell's title. Farjeon fans would have recalled: "Lord protect us from Protectors." A unique, valuable, and fun book.
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LOST HORIZON leaves you dangling deliciously. Forget about the movie version--it was good, but they took huge liberties with the plot of Hilton's tightly constructed work. Most notably, the movie shows the hero, Hugh Conway, arriving back in Shangri-La to the accompaniment of a swelling chorus and heavenly beams of light. It was the era of happy endings in movies, so they stuck one on. But the book--ah, the book is very different indeed.
It starts with a group of British gents in a men's club talking about Conway, a likable but peculiar chap, and how one of them discovered him quite by chance in a hospital in Canton suffering from amnesia. Then we learn that his memory abruptly returned on board a liner bound for San Francisco, that he jumped ship in Honolulu and was never seen again. The middle part of the book is a flashback: Conway's story of being benignly abducted along with three other people into Shangri-La, meeting the two-hundred-year-old lama, finding himself annointed as his successor, and then having to make a decision of Hamlet-like proportions: stay or go. He goes. Dreadful things happened to him after he left, evidently, so that he wound up ill and amnesic in a hospital. Then he got his memory back and jumped ship--to try, we presume, to find his way back to his lost paradise. And that's the last we hear of him. The final words of the book echo down hauntingly over sixty years: "Do you think he will ever find it?"
The authors of SHANGRI-LA dip into that poignant mystery with respect, precision and imagination. Their account of what happened to Conway during his disastrous journey out of the hidden valley in the high Himalayas, how he lost his memory, and what happened to him after he got it back is uncannily Hilton-esque and fits with the unanswered questions in the original like the parts of a fine watch. This account, in turn, is part of a highly relevant story about the brutal Chinese occupation of Tibet in the 1960s, the real-life fulfillment of disaster prophesized by Hilton through his fictional character Father Perrault.
Tibet is still under the heel of China, and SHANGRI-LA teaches the reader some of the harsh facts while delivering a taut tale of suspense, intrigue, romance and mystery. Suffice it to say that there's a rapacious Chinese General who's got hold of a series of ancient riddles that put him on the trail of the hidden valley. A really good villain is the heart and soul of a thriller, and this guy is full of the complexities and contradictions that satisfy our appetites. And instead of crudely killing him off, the authors reward him for his villainy with a highly eerie anti-Shangri-La that makes you think of some sort of hell out of Oriental mythology with Rod Serling as a consultant.
SHANGRI-LA pays tribute to Hilton not just in its integrity, form and careful attention to the original--it leaves us with unanswered questions of its own, of the same poignant proportions. And here's a little tidbit to tantalize you: it's told from the point of view of a woman. I wouldn't mind a sequel to the sequel.
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The author chose a broad selection of the ruins to be included in his coffee table size text. All the famous sites are included, as well as a number of the lesser known monuments. The essays written by experts in the field also added a lot of useful and interesting background information. Several maps also aid the reader in locating the ruins.
For those who have seen Angkor, this book is almost a must. I am certain the owner will refer to these awesome photographs time and time again to remind himself of the experience of viewing some of the most incredible architecture and art in the history of mankind.
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This book gives you lots of fun and easy to do techniques in the "lessons". It goes into detail about making simple dimensional flowers and machine embroidered stems with pearl cotton. (Tip: Besides embroidery floss and pearl cotton you can try thin ribbon for that stem technique. All of her instructions are step by step as if she were sitting right next to you.
She also shows you lots of ideas for making the finished appliqued quilt blocks into things other than quilts. Some of the things you can use the blocks for are: single and multiple block wall hangings, wedding gifts, tote bags, table runners, and pillow covers. The single block projects are great for those of us who like to finish a project quickly and go on to the next.
Even if you have never done any type of quilting or applique in your life this book will have you making and more importantly FINISHING projects in no time at all. Her directions are clear, with lots of charts, diagrams and pictures. Although the larger, multi-block projects will take longer than "a day" you will still be pleased to see how fast the blocks can be finished.
The highest rating that Amazon.com lists is a five but if I could, I'd have given this book a ten.
I have made three blocks from "Applique in a Day". The first one I chose to make was the grape vine wreath. I love purple, but the main reason I chose this block was the dimension. The grapes are made of yo-yo's, so they stick out from the background block. I also had fun with the twisty embroidered vines. I used to have a grape vine in my backyard and this block really reminds me of the fun we had picking, eating, and making jam from the grapes.
The next block I chose to make was the flower basket. Again, the dimension of the basket and flowers both give such interest to the block. The basket is shaped by making pleats and the small flowers are made from yo-yo's. The large flowers are rouched. This was my first attempt at this technique, so I wasn't sure if I would like it. Eleanor's instructions in the book make it very simple to do; she provides great directions, and helpful pictures. I was so pleased and the flowers look great!
The third block I chose to make was the Distlefink. I love this block for its European look. The tulips are very unusual, and the bird is beautiful. I especially like Eleanor's suggestion to use a pearl for the bird's eye. There is little embroidery, but it gives the picture just the right finish. In the book there are instructions for sewing the embroidery on the sewing machine.
The remaining blocks in this book are as striking as the three I have completed. Some of my other favorite blocks are the fruit basket and the holly wreath. I am eager to finish the entire quilt.
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