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It is no surprise that it is also one of top sellers. This book complements the scarce docs nicely.
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Woodrell also has a way of evoking sympathy for people whose actions you can't condone, and the protagonist of The Ones, John X Shade, is as amusing as he is appalling. The sense of pathos in this novel improves upon its predecessor, Muscle for the Wing, which focuses on John's son, Rene. Muscle reads like a lesser Elmore Leonard novel transplanted to the Ozarks - a TV movie with crisper dialogue. The Ones has some of the same stock characters as Muscle - small-time criminals who underestimate their oppostion, well-endowed women who jump into bed all too eagerly, etc. But the decline in John X's skills in his older years and his humorous fatalism raise the story above that of a standard action hero.
Woodrell has written five "Ozark noir" novels and one about the Civil War, Woe to Live On. Each of the Ozark novels improves upon its predecessor, but that's not a reason to bypass his earlier work. In fact, what I enjoyed most was observing Woodrell's development of skills from one book to the next. Woe to Live On was only his second novel, but stands on its own as a very different and very affecting commentary on the war. Its first-person voice finds full flower in Give Us a Kiss and Tomato Red. I recommend immersing yourself in Woodrell's work for a while; if nothing else, you'll be entertained and learn how one writer honed his skill -- maybe there's hope for the rest of us!
Two love interests assist in creating a coherent image of the Shade family. Rene has fallen for a basketball player who is as unsure as he as to what future she wants. Tip has fallen for Gretel who is currently living in a home for pregnant women putting children up for adoption. Gretel is the product of a hippie couple surviving in the back woods on the standard government property cash crop and proud of their lack of conveniences. While she understands marriage to be a kind of death, living in a house with plumbing is a major life goal.
The plot would be predictable if it were not for humorous turns of fate. John X. is on the lam - his pursuer attempts to increase his capital by scamming a tourist couple who are scam artists themselves. A cockolded husband who's held a grudge for 40 years, goes to kill the agressor only to die of a heart attack ...
The writing is good quality - with turns of phrases here and there that are pleasant, memorable and believable surprises in the otherwise harsh environment.
So if you want to kick back, turn your mind off and read for sheer pleasure, Daniel Woodrell has again fit the bill.
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This book could have been something like _Caught Inside_, Daniel Duane's similar account of surfing for a year on the California coast. I don't think the author has quite found his own voice yet--the writing is too self-conciously Hemingwayesque, and he flinches from the idea that readers may actually be more interested in a struggling cat 3 than in the heroes in Europe.
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This is a very disturbing but at the same time very thought-provoking book on the adoption of a hypermodern new means of public transportation. Aramis was a small car version of the driverless subway which is now commonly known because of applications in Lille (France) and Orlando (USA)
Latour disguises as a student of engineering sciences and writes a kind of whodunnit on the final question: 'who killed Aramis"? Because he lends his voice to the engineer, to his professor of Sociology,
to the Aramis system itself and to himself as an author, the book shows different views on the same reality.
Highly documented with texts that would be dynamite if they had been published during the development of the Aramis train system itself.
Latour shows why Conservative governments never would adopt really revolutionary developments in public transportation.
At times a difficult book, but hilarious too, and a reader for every technology-minded post-structuralist and post-marxist thinker...
Stefaan Van Ryssen
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To the rescue comes Maddox's first novel. Mordantly witty, mechanically unique, and -- this is the important part -- entirely NOT BORING, "My Little Blue Dress" delivers a hilarious and transparently fraudulent traipse down one smelly centegenarian's memory lane. After the "true" author is revealed, readers are also treated to a dead-on skewering of present day New York and all its vanities (a delight for anyone who loves, or loves to hate, the city). Along the way Maddox manages to make some insightful cultural commentary; thanfully his playful pacing and style prevent the text from degenerating into another steaming pile of theses.
This is a very good book. If enough thoroughly mediocre novels come out, we will one day be calling it a great book, an important book. If enough of us do that, someone will oneday launch a Maddox Studies Program at a small liberal arts college. Hopefully it will happen soon enough that Maddox will be around to make fun of them too.