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BUT - just imagining these images does them no justice. Willie never used any 'dirty' words, and his characters are styled after 1930's and '40 serial digest types, even as his work moved into the 1960's. The overall effect is that of a fully conceived world, a complete universe of Willie's - and ours, as the readers - shared neurosis, of our fully realized but morally checked 'fun and nonsense' (Willie's words, not mine).
I am enamoured of this work. It is aesthectically beautiful, it is emotionally engaging, it is affectionate and ironic all at the same time. Where Bizarre magazine left off this volume continues, and where Bizarre is a rememberance this volume is better described as a tribute.
And a more fitting tribute could not be produced. This is an oversized hardcover, cloth bound and with a cloth bookmark - the binding and cover are both very well made, obviously a labor of publishing love. The paper stock is very thick (unlike the Taschen Bizarre collection) and acid-free. The cover of this book is stunning, and even from the spine a beautiful illustration of Gwendoline is visible when the volume is shelved. This is a bibliophile's book, something we see less and less of these days, whose physical presentation was designed to compiliment its content.
Included are also some sketches and unfinished work, and it is always fun to see an artist we admire in their off-the-cuff moments, forming ideas or simply riffing without worrying about an audience. A brief - the best I've read - biography is included, as well as several photographs of the artist himself. There are several full color plates as well, watercolors of Willie taken from private collections.
A beautiful, absolutely beautiful volume. Of the many books I buy and sell and trade, this will stay in my library forever. I can offer no higher recommendation.
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I would not put Mr. Morris up on the same level as Mark Twain (and he probably would not want it either), but this book reminds me in a lot of ways of Tom Sawyer--a young boy's life on the Mississippi Delta. Everyone should experience these memories, whether in real time or vicariously.
He tells of his childhood in Yazoo City, Mississippi, with all his childhood friends, including Spit McGee (the forty's Huckleberry Finn). He recalls their baseball games, football games, hunting on the Delta with his father, practical jokes played on anyone and everyone. He recounts the story of the Witch of Yazoo and the broken chain. One of the best and most humorous of his stories is the tale of the haunted house and what the boys found in it one dark and stormy night.
I best remember in this book the chapters of a typical day in the life of a boy his age in Yazoo City--a day in the summer and a day in the fall. These are great vignettes and very poignant pulling in the reader to want to recall his or her own childhood memories.
This is a great memoir and can be enjoyed by all.
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But Pietersen goes much further than that. He shows us how, exactly, to develop these strategies, how he himself developed such strategies and what he learned about leadership in the process.
This book is about strategy, implementation and one man's journey as a leader and life-long learner. The result is an immensely human business book. The singular voice of the author comes through with clarity and humility. I know of no other business book that combines theory and practice with such a strongly personal view. Pietersen talks about the value of developing a leadership credo in his book. This book is, in essence, his own credo from a lifetime of leading and learning.
If you want to move from Strategy theory to action and have your business survive in the process, read this book.
William M. Klepper, Ph.D.
Academic Director, Executive Education
Columbia Business School
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The illustrations are attractive - happy and warm. The Dance to Your Daddy rhyme is a bit odd because the next line is "My little babby". Olde English? Also, in Wee Willie Winkie, one of the lines is "Crying through the lock" and I remember it being "Tapping at the lock", but that could just be my poor memory.
I am very pleased with this little volume and am thinking of purchasing more from the collection.
The rhymes are shortened to their most essential parts, perfect for little ones. We can go through the book several times in one sitting, and each poem fits neatly on a page.
Twinkle, Twinkle Little Star, Down By the Station, and several other popular nursery rhymes are in this book. The illustrations are adorable and the colors are nice and bright.
Highly recommended!
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Like other reviewers, I especially liked the inclusion of Foote's fiction though more was read into it than probably should have. However, I think Chapman does a good job in bringing the hidden and private Foote to us. With all his foibles, Shelby Foote is destined to be remembered for generations.
If you're a fan of history then you need to read Shelby Foote: A Writer's Life.
This book is an absolute must read for anyone who has watched the PBS series on the Civil War or has read Foote's civil war narrative.
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If you read this book, prepare yourself for some late night reading sessions.
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Compared to the previous Hitman collection (the one that hasn't got a name) this one contains a lot less one-liners and a heck of a lot more action and graphic violence. Off course there ARE still one-liners and the humorlevel is up to score (it IS a Ennis title after all) but you just have to look harder for it (just LOOK at the characters, it's a blast). It's a great addition to the Hitman series and people who like the typical Ennis' humor, and don't neccesarily need a story to be too complicated will have a lot of fun with it. That's mainly what going on, action and humor and it works out very good. The one downside this book has though is that it relates a lot to the previous collection, so you should really get that one first or at least read it prior to this one (or you'll miss out on things here and there). But that's also a good book so that's not a waste either.
What makes this book especially moving is the way the author weaves her personal story into her search for historical fact. It is the author's personal involvement, warmth and humanity that draw the reader in and create a sense of personal involvement for the reader. We are not just reading history, but being taken along on the author's quest for knowledge and truth. We share her hunger to know what happened to her lost family.
For those with personal experience or knowledge of the Holocaust, this will add; for others it is a good place to start. It is a remarkable personal odyssey which will leave the reader affected and transformed.