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My college Christian education classes consisted of how to run traditional Christian education programs--Sunday school and youth groups. Richards doesn't talk much about how to run programs; he focuses on how to make disciples.
The goal of discipleship is not to fill the learner's head with cognitive knowledge, but rather life transformation. "The disciple when he is fully trained," says Jesus, "will be like his teacher" (Luke 6:40, NIV). It does not say the disciple will know what his/her teacher knows. It says the disciple will be like his/her teacher. This is the starting point for discipling, both in goal and in method. The goal is Christlikeness. The method is teaching by example in the context of an intimate, trusting relationship, in real life settings.
There is a world of difference between training Bible scholars and making disciples, and by the time you have digested this book, Richards will have helped you to think in terms of making disciples rather than pouring knowledge into the minds of Sunday school students.
Yes, this book is a classic. I first read it in the mid-70s (the first edition was published in 1975), and it began the process of redefining how I understood Christian education and the whole question of how the church makes disciples. Today, as a full-time church consultant, Richards' mentoring continues to shape the way I work with every church I consult with.
Richards' books on CHURCH LEADERSHIP and CHILDREN'S MINISTRY, which I read after this one, continued to remold my thinking about Christian education. If you have a passion for making disciples, and if you're not married to the way we've always done Christian education, you need to discover Larry Richards.
Clea and Darley's relationship is embroidered over a wartime background. Durrell uses their beautiful private island experiences to echo and foreshadow the rise and fall of this relationship.
And we see how Clea develops as an artist. We are given Pursewarden's posthumous discourse on the philosophy of art. He gives is a lot to think about.
Sometimes I think that Durrell is Pursewarden, and then I wonder if he is making fun of himself in the Darley character. And in reality I find that I wish I could meet and know Durrell.
Clea is another must read.
It is indeed rare that an artist pours their all into their work,but when it does occur, be it in the 9th Symphony of Beethoven or Kubrick's 2001, it is unilaterally hailed as a magnum opus.
Clea, in my opinion is just such a work. The way in which Durrell contrasts the blunt style of description with the uncompairable beauty of the subject matter pushes the book deeper into the sanctum sanctorum of literary perfection.
In thinking about this review, perfection seems too cold and metallic a word to be applied to such a beautiful work of art. There seems to be no word that accurately describes the flawless beauty of this book, but these are the limitations of language. Perhaps if I spoke Italian.
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The stories run the gamut from hard-bitten to whodunnits? to even the occasional horror story. Block shows every bit as much mastery with his short works that he does with his novels. The diversity of his subjects and the bredth of his knowledge is simply breathtaking. The book also includes a short prologue by the author, explaining how the book is laid out and giving a little helpful background.
Overall, "The Collected Stories" is a fine tribute to a great writer.
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this book without reservation. I've recommended it to and
foisted it on friends for years now. Many of them react much
the way I do: there isn't anyone else like Frank O'Connor.
The stories are lyrical, sharply and humorously observed, and
told with elegance in an easy but precise idiomatic diction.
O'Connor always gave his work the test of being read aloud,
and this care for the sound and cadence of his prose shows
on every page.
Finally, there is O'Connor's feeling for people. Reading the
stories, one gets the impression that he was an intelligent
but fundamentally kindly, generous man. Even when a character
in the stories does something that seems objectionable, he
never loses sight of that character's humanity.
Any selection of one's "favorite" stories will be personal.
To an interested reader, I would say, "Read them all." To
friends who ask, I add that they should start with
"Guests of the Nation" and "First Confession." These
aren't his "best" stories, but I've always liked them
both, they are typical of his best, and one must start
somewhere.
When I've given 5 stars to a book, I've often had to argue
with myself as to whether it deserved it. Not for this one.
It's not that they make you happy, exactly, but they give you a sense that life is a more worthwhile thing than you might have felt before, stranger and more full. Frank O'Connor has more stories that give me that feeling than any other writer I've read in English - The Drunkard, My Oedipal Complex, The Mad Luceys, The Ugly Duckling, Don Juan's Temptation. He gave me the same feeling I got when I read Tolstoy and Chekhov for the first time: this guy is onto something: he knows the secret, and if I just read closely enough I'll figure it out too. Well, no luck yet - but each time I read one of O'Connor's stories I feel like everything around me is both more sensible and more mysterious than it used to seem, which is possibly all the answer any book is going to give.
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Pedro Pou, Presidente del Banco Central de la República Argentina
Andrew D. Crockett, Director General del Banco de Pagos Internacionales
Lawrence H. Summers, Subsecretario del Departamento del Tesoro de Estados Unidos
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Long story short: I really like reading about an area by topic of interest, rather than by location. It makes travel planning much easier. Of course, your need may be different (you may be in a certain town and want to figure out what to do for instance...). In that case, this book still is useful (it DOES have short sections on individual locations), but there are other books I use for that type of research.
Overall, I can highly recommend this book. In fact, I will order some of the other books from this series for different states.
He writes with wit and style. He's not afraid to share his opinion, but never takes for granted that his is the only viewpoint. He also adds a human element that few other guides offer. Frequently you'll find sidebar articles that introduce you to a person whose story particularly illustrates the idea or place in question.
I lived in Arizona for 4 1/2 years. This is the guide that I used to learn the state. I would recommend it to anyone. When my wife and I married in Sedona, Arizona we sent copies of this book to our relatives to acquaint them with the wonderful place they'd be visiting. All who read it were delighted. You'll be, too.