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Citizens of the United States did not always see the national parks in terms of an empty wilderness, untrodden by human footsteps. Rather, early on in the 19th century Americans, such as Catlin for example, tended to look at the wilderness in its 'natural' state, that is, its condition before European conquest, advancement, and domination. This state, therefore, included the presence of Native Americans within these three national parks. This presence took on, at times, both a temporary or a permanent character.
Although the book can read with a pace that only a historian would love, there are sufficient insights to enlighten even the armchair historian. Perhaps one of the most fascinating facets is the role that John Muir took in defining Yosemite as a region that should be absent of the Native Americans, the very people who had dwelt in the Valley for centuries. His comments could easily be construed as racist, naive, and bigoted.
I cautiously recommend this book to you, although personally I found it fascinating.
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After an initial flirtation with New York City, Smith retreated to the solitude of the Adirondacks. These mountains formed a somber monumental backdrop to the brooding nature of the artist. The sculptures were the landscape of his imagination, his spiritual domain, and his homage to the majesty of being human. Additionally, Smith created drawings, paintings and collages that filled his home with the living presence of art.
This is a lavish book that clearly reflects the artist's magnificent obsessions.
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When you also find typos, such as not well-formed XML in the examples, you waste time to figure out if the XML itself is correct or not.
In short, I didn't like this book.