This is a very good start for Org Design consultants. The book correct addresses the key principles in designing an organization (Chap. 3) and explores the key issues that affect the key crucial design issues (Chap. 4). Don't wait for a "how to" book, this is much more a "what" one.

If you are looking for a book devoted to Organizational Design, I recommend this one. To successfully implement Organizational Change (my area of expertise) it is necessary to have the proper organizational design. I recommend this book in addition to my own.

Dr. Michael Beitler
Author of "Strategic Organizational Change"

Competing by design is a great source for for anybody who thinks about organizational design. After having read it, you will never consider "cocktail-napkin" designs again, and you will recognize when you see a design created that way. The book doesn't only explain the basic elements of design, but also the do's and dont's of a design project. The structure of the book is very well-conceived, and the level of detail is just right: Focus on the important steps, best practices and lessons, with enough backup examples, and without boring repetitions or lenghthy explanations. I'm not sure you will sleep better after having read the book, as the size of the design project becomes clear, but you will certainly have the tools to make the process a successful one.

If your idea of love is limited to visions of puppies and balloons, The Thing About Love Is... probably not for you. In Polyphony Press' first effort, the heavy topic of love is tackled in gritty, gutsy pieces that cut to core of this complex emotion. Sometimes it's bliss, sometimes it's bizarre, and quite often it hurts, but regardless of its form, love is always intriguing. This anthology is in keeping with that notion. With a variety of styles and voices, the works featured here are unanimous in their ability to draw the reader in and keep him hooked. It is truly a great read that may challenge one's personal definition of love. Call it an enjoyable experiment in mind expansion!

It's difficult to find an anthology that has as much stopping power as this one. Reading it, I was impressed not only by the diversity of the authorial voices, but also by their veracity. Each story, poem and play seems to have come straight from the gut. What's more, the contributing writers help to remove our blinders; particularly when it comes to matters of the heart. Love, they argue, is nothing less than a battlefield on which each of us daily chances victory or defeat.Those seeking to enter the contest fully armed would do well to buy this book.

Anthologies are not my usual choice of reading material, but as this was recommended to me, I decided to give it a try. I was pleasantly surprised. While I could not relate to some of the pieces here, I enjoyed the underlying topic immensely. The poetry, drama, and short stories were a good blend. The Thing About Love Is... an enjoyable and fast read, but has a peculiar lingering effect that required that I return to it for further exploration. It's a perfect book to read from the relative comfort and safety of your best chair, where you know that you can dip into the joy and angst of love and for once, walk away unscathed.

I just discovered this book. In 1995 when it first appeared it was probably state of the art, but now some of the stats need to be updated because they don't match what's in the new edition of Total Baseball, etc. Otherwise this book is terrific.

Anyone out there know if this book is scheduled to be updated or reissued? Some of the stats are no longer current or consistent with what's in other reference books and I'd sure appreciate it if they were. Otherwise this book is blue ribbon all the way even if I wish it gave more on Va.'s only major league team ever.

The baseball element in this book is only part of its charm. The author, with help from the publisher, has also assembled an aesthetic treat for the reader. As the cover suggests, the book is an artful prose and pictorial rendering of an early epoch in our National Pastime. A must I would think for every even mildly serious collector--and that is how I'd describe myself. I'm very glad to have found it and added it to my shelf.

Some of the lists are very funny, but it's missing something in book form because you're missing Dave's delivery. Also, a one-joke book gets kind of thin quick. I recommend only reading three or four lists at a time so the novelty doesn't wear off. Great bathroom reading.

This collection is from the Late Show era, not the Late Night era. However, believe it or not, these top ten lists are funny enough to read and reread. For those of you like myself, who are Letterman fans, this collection, like all previous collections, borders on the essential. Do yourself a favor, though, and buy the Late Night editions as well.

This is another hilarious collection of Top Tens. Will they come out with any more?

Kingdoms of Kalamar is a campaign setting from Kenzer & Co, the makers of the Knights of the Dinner Table. This book however, although aimed for the KoK player, is most useful for a regular D&D player. Why?
- a lot (I mean a lot) of new feats anybody can use
- several variant core classes like the Gladiator or the Infiltrator that can easily be used in other campaigns
- new prestige classes (like the Golem Master)
- canons (holy books) for Kalamarian faiths. They are written up very generically, so they can easily be used in FR/GH or wherever
- new equipment: poisons, alchemical items etc
- a lot of spells
- how to make rulers more powerful
- gaming rules for clerical hierarchy

The book suffers from some errors, mostly editing and playtesting. The art is sometimes irritating and some 'crunchy' bits have already appeared in other books. I, however have found this book to be of excellent value.

Another in the line of excellent books from Kenzer, this book has a lot to offer. It gives you more background on playing characters in Kalamar, including some more information on playing various demi-humans. For those who want still more rules, they have some new classes (we have a very effective Brigand in a current campaign) as well as some new spells, a comprehensive list of clerical domains and a whole lot more. I highly recommend this book.

This is a great book with tons of information that you can put into any D&D setting. It is geared toward Kalamar, but is written so generically that you can insert the information contained in this tome into any D&D campaign.

Classes: This book takes the Dungeon Master's Guide's advice and takes the initiative to create variant classes. These range from more specific versions of a class with cool abilities (like the Gladiator and Shaman) to classes that combine existing ones into exciting new classes that are much different than the old ones (like the infiltraitor). These classes are as flexible as the old ones and are fairly well balanced. Also are new prestige classes that cover specific jobs (Mariner, Muse) and a few of the many orginizations on Tellene (Sentinels of Providence, Alliance Merchant).

Feats: Absolutely tons of new feats in this monster. New types of feats like the Enhanced Familiar feats (which give your familiar better abilities like a higher intellegence or the ability to speak) and regional or race-based feats which you can only take at first level help shape your character to exactly what you want and brings the game back to roleplaying.

Religion: This book details the canons of each church. Although these are specifically related to Kalamar gods, they can be adapted to fit any setting. In addition, this book gives ideas on how clerics can advance through the church and very basic game rules like time spent and how to advance to the next level and what you get at each level.

Other rule stuff: The equipment section isn't too terribly exciting but it does give a shot at pushing the edge. Included are (some) new weapons and rules for slaves. The most exciting part is the new alchemical mixtures that will get you thinking of your own and are all interesting in their own way. Their is repeat in the domain section, but not a large amount. The new spells are kinda cool, but what is really nice is the scalable spells. These are kind of like Wheel of Time spells where you choose the level it is cast at.

At the end: The white pages. If you are thinking telephone book when I say that you are on the right tracks. In these are a comprehensive list of all feats and spells (divided up by class) in all official D&D products and where they can be found. These can then be copied to use as a spell sheets. Also back here is a gigantic Place of Origin table. Only useful if you are playing Kalamar but it is non-obtrusive and only takes 7 pages.

To close, this is a great book for all D&D players and DMs alike. If you don't have it yet, I recommend you pick one up.

In graduate school, I wasn't taught how to write formal poetry. In fact, a buddy of mine and I "secretly" wrote formal poetry in fear that we might be persecuted by our peers, all post-modern free-verse spawn. Even as an undergraduate, I was taught that free-verse is the way to go--forget that stuffy formal nonsense--be original! Do your own thing!

Ever try to write a sestina? Ever write a villanelle? Does anyone write sonnets any more?

_Rebel Angels_ proves that formal verse is not dead at all. In fact, this anthology is one of the best books of poetry I've ever read. The verse is tight here, and when these poets are on, they can produce some well-written masterpieces. Dana Goia's poetry is very well done. His work in ballad stanza should not be missed. Tom Disch has a pair of villanelles that prove that Dylan Thomas isn't the only poet who can perfect the form. This volume doesn't include only metered verse in a recognizable form. Many poets write in irregular rhyming patterns. Perhaps the most exciting thing about the poetry was the inclusion of several modern narrative pieces--the narrative poem, now there's a poem not assigned in my graduate workshop.

Check this one out certainly. Don't forget to read Jarman's introduction. It's quite interesting. Imagine someone calling formal poets "unAmerican." It happens.

I am both a fan of formal poetry and free verse, but it always seemed like contemporary poets only wrote in free verse. i couldn't find any modern formal poetry. that's why this collection was such a wonderful little gem to find. some of the better poets born after 1950 are included here.

New Formalism was long overdue, and this volume surveys it admirably. Recommended.

When they burned down the library at Alexandria, The excuse was if it is in the Koran than we already have it; if it is not, then we do not need it. What was true for them is true for us; if it is not in this book, then we do not need it. Or as Ed McMahon would say on the Johnny Carson Show "everything there is to know is in this book"

I will not give you a blow by blow description of all the features in this book, as it would weigh as much as the book. Let's say it covers everything you need to get off the ground or expand your existing knowledge. One usually overlooked feature that is well covered is [Connecting Using ODBC (with Microsoft Access)]. What I really want to do is tie this back to my Unix applications, as this is the only program I use that is not UNIX at this time. My best guess is that AutoCAD can not afford to keep their UNIX experts. That is no excuse for lack of information in this book. So five stars for coverage of almost everything and minus one for lack of UNIX information.

The book itself is an amazing tool to have at ones side while learning this complex program. However, I see I'm not the only one who had problems with the CD. Most unfortunate as the files that do work are an excellent match with the scripted tutorials.

I have found the book to be an excellent source of information. The only problem I have found is that the CD that comes with the book locks my computer when autorun is turned on, and will not let me access the CD.

I commend the person whose idea it was to come up with this book. It provides an overview of the space shuttle's systems as well as some of the tasks of the crew.

I enjoyed the book's fold out pages of the space shuttle control panels. The launch checklist and systems schematics were of particular interest for me as well.

While it's fun to look at every once and awhile, I would have liked more detail on the space shuttle systems. Also, while the book offers some explanations regarding individuals steps in the launch sequence, I would have liked more information on each step. I think the title, "The Space Shuttle Operator's Manual," is a tad bit ambitious since it's such a cursory look at the space shuttle. Nevertheless, I still consider it educational.

Overall, I think those whoare interested in the space shuttle will get something out of this book.

Recommended reading for space cadets of all ages. Study up! The information packed in this manual will come in handy for those nerve-racking mission simulations at Space Camp/Space Academy.

Especially good are the pull-out schematics of the orbiter's control panels.

And the diagram of the improved field joint on the SRBs is helpful in understanding the Challenger accident. Although it would be more helpful if they also showed the original joint construction.

This book is the best overview and reference manual on the shuttle. As you can see from the "Look Inside" function, and by the index, it covers the whole nine yards. It focuses specifically on the orbiter, and covers all aspects of shuttle missions from launch to landing.

As an aspiring sci-fi writer, I found this book to be the perfect reference. It has raw statistics, such as orbiter length, cargo bay volume, and it even goes over the meals and menus and how they are prepared. It also goes in to the history of the orbiters, and the names of the ever shrinking shuttle fleet.

Several sections deal with the now-defunct Spacelab modules. The Spacelab was the shuttle equivalent of a camper shell that sat in the cargo bay. It turned the shuttle into a mini space-station, and had several interchangeable modules. One section was a pressurized module with a battery of experiments, which was connected to the shuttle cockpit. Other sections included a multi-use pallet, and an experimental pallet. This Spacelab was retired in 1997, and has been replaced by the Spacehab modules, which was on the Columbia when it broke-up over Texas.

This book is written in the normal "Basic English" of instruction manuals, and can be understood by elementary school children. It also has many diagrams and pictures, which save many thousands of words of descriptions.

By the way, this book does explain how the space lavatory. In case you are curious, it is a normal commode with vacuum suction, although I have heard stories that it can smell at times.

This book's one weakness is that it is a bit impersonal. If you want to know about the emotions and reactions to life in spaces, another book may be better, such as Tom Wolfe's "The Right Stuff," of Homer Hickam's "Back to the Moon.". As you read this book, you must supply your own excitement and emotion to this book, since it is an operator's manual. It reads a bit like an encyclopedia, or dictionary, and not a novel.

After reading and referencing this book, I felt as if I had been on board!

These authors are well-established as the premier non-fiction authors of "Doctor Who". Here, we are presented with another familiar book in a familiar format, which works without being outstanding.

The pentultimate volume in the Doctor Who Handbook series contains exhaustive detail about all of the adventures of the Doctor as portrayed by Patrick Troughton. Since so many of this era's episodes are lost, the detailed summaries are invaluable to modern day lovers of sixties' Doctor Who. As with previous Handbooks behind the scenes and production information is presented along with the often diverse opinions of the three authors on each of the stories as televised.

The second Doctor handbook is invaluable to Dr. Who fans. It continues with the way the other volumes in the Dr. Who handbooks have always been. But this one is ever more so different than the others. It's production details of how the second Doctor was concieved is very interesting, because such a thing had never been done before on changing the lead actor in a TV series with a completely different actor, but yet as the same character (with a new persona than the previous Doctor), was completely unheard of. A huge risk at the time for the BBC, unsure if the regular viewers of the show would accept this change. Reading about this is very unique to know. The usual handbook format is here, and this book's story production focus is on the sixth season story "The Mind Robber" (1968).

The one aspect that is very much priceless is the episode story summaries. These are very good, as I could almost imagine that they were on TV again. Also, the fact that almost all of the Patrick Troughton era of Dr. Who episodes was virtually wiped out from the BBC archives, makes these story summaries ever more so good to read about.

Another great book in the Dr. Who handbook series. The author trio of David J. Howe, Mark Stammers, and Stephen James Walker continue with their reputation as the definitive research team on Doctor Who's history. This was the sixth volume in the series, published in 1997.

The book is a very precice book. there are many chapters covering many of the major subjects of art. My skill have improved a great deal from reviewing this book. The book is a very long piece but its worth the time if you need too, or want to improve your artistic skill in every which way.

It's very clear and the best is that the examples are based on large recognized artist's draws not on author's draws.

I have two older versions of this book which was a required college text for a course a friend of mine taught. This is a thorough and up-to-date volume on the elements of drawing: line, shape, texture, value, gesture, shape, form, etc. What I like best about it is that it is illustrated with a wide array excellent contemporary and historical master drawings that make great examples when teaching a particular concept. I only wish it came with a companion volume of large prints or slides for teaching.
I have many books on drawing but this has the best visuals. Much better than many other drawing books are illustrated with only the author's drawings or perhaps a few Renaissance sketches and focus on only one small expect of good art: rendering representationally. This book brings gets to the heart of what makes good drawing is designed for professionals teaching at the college level but would probably make a good home study course for those without access to college courses.

I also liked the sequential exercises given and have used or adapted some for my own students. Covers a wide array of media from charcoal to pencil to pen and ink and colored pencil.