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Leeann's sister, Mary Beth, is also beautifully written. She is the quintessential older sister, protector, and empathetic giver who is unable to receive let alone take, and who nearly destroys herself in the process.
The idea of songreading is both clever and plausible, especially when placed in the hands of a gifted, if untrained, therapist like Mary Beth. And Leeann's using popular music to indicate the passage of time ("Endless Love" had given way to "Tainted Love")keeps music constantly in the reader's head.
Each character is utterly unique and yet as familiar as some part of ourselves. Leeann is the wise eye of the book, watching over her family, wishing she could protect them, and understanding them in ways they can't understand her. Henry, the father, is as odd as any fictional character I've encountered, and yet Tucker makes him make sense, quite an achievement. Mary Beth, the song reader and ostensible star of the book, a hero because of her ability to help others, is both larger than life and completely vulnerable. This is what makes the story so fascinating, watching what happens when a gifted woman like Mary Beth, a woman with a big heart and a big soul, collapses under the weight of her own charity--and knowing, tragically, that her greatness and her grief are so entwined that to starve one would be to starve them both.
This is a great first novel.
It's a great story, and it also has the song reading!! A double treat when you pick up Tucker's novel. How did she think up something as unique as song reading? Everyone who hears about it tells me they have to get this book!
I highly recommend this book to every man, woman, and child (over 12 or 13, not for language or graphic sex but just to understand it) in America. Buy The Song Reader, I know you won't be disappointed!
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This is a very short (58 pages) book, relating the interview of Maria Simma, a devout Catholic, who, for many years, has visits from the souls in Purgatory. These souls will ask Maria Simma to have prayers said for them: a Mass, or a Rosary, or the Stations of the Cross. The author, Sister Emmanuel, interviewed Maria Simma through an interpreter, and," for the sake of brevity and clarity" (page 3), Sister Emmanuel summed up some of Maria's answers.
This book is not a summary of the Church's doctrine on the issue of Purgatory. Rather, the book recounts the answers of Maria Simma to the questions asked by Sister Emmanuel. That Maria Simma has been visited by the souls from Purgatory is confirmed by incidents (not fully documented in this book) of a deceased person relating details to Maria Simma, and her telling the family of the deceased these details. Maria would have all the details concerning the field, or the exact amount of money, or the property and..."the family would be staggered to discover that she knew all these details". (p. 38)
For anyone wanting to discover what Purgatory is like, this small book gives a description of that place by one woman who has had visions for most of her life. Maria must be approaching her 90s, since she was listed as 82 in the year of publication (1997).
The last few pages are a call to prayer for the souls in Purgatory by the author, Sister Emmanuel. The book is well worth the small price, and ... delivered the book quickly.
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The main characters -- 9 year-old Charlie, the narrator, and 12 year-old Graceanne, his sister -- are immensely endearing and admirable. They are growing up -- along with their older sister, 16 year-old Kentucky -- living with their recently-divorced mother on the 'wrong side of the tracks' in a small town in northern Missouri in the early 1960s. Their dad isn't in the picture much -- an alcoholic soldier who beats their mother, he's sent packing early on in the story, and makes himself scarce after his exit.
The mother, Edie, would probably be diagnosed today as being neurotic or psychotic. In her never-ending struggle to 'keep up appearances', she constantly nags her kids about their manners, the company they keep, &c. On several occasions, she asks out loud 'What have I ever done to deserve such demon children?' She takes most of her frustrations with her life, along with her complete misunderstanding of her children, on the intelligent, precocious Graceanne. On several occasions, she beats her until she's bloody. It's easy to understand how the kids would come to see themselves as a burden to her -- if it weren't for their seemingly indestructable spirits.
Graceanne is a tough child with a reputation to match. Near the beginning of the book, Charlie (actually short for Charlemange, which should tell you MORE about their mother), who has a correctable club foot, is musing about being bullied by the other children in town. He dismisses worrying about the other kids with these thoughts about his sisters (from p.9): 'The two worst bullies in Cranepool's Landing were ALREADY exercising their license as family members to beat me silly -- "whale on you, young man" -- on a regular basis, leaving all other potential assailants the status of respectful, but backward, admirers of my sisters' originality and prowess.'
Graceanne has an IQ of 165 -- and Charlie's is a very respectable 139. The author gives these children -- especially Graceanne, acquired by Charlie possibly simply by being in her presence -- incredible voices. Graceanne's use of newly-absorbed vocabulary words doesn't come across as much as an attempt to show off as it does as a means of asserting her inteligence and individuality in an atmosphere that tends to crush it.
She is also a universally feared and respected softball player. Some of the parents of the other kids even suspect that she's a boy. From p.248: 'She could hit anything that came at her, and she'd slice the ball belt-high through the infield, so close to the player she was aiming at that most players couldn't possibly catch it. A couple of parents complained that Graceanne was trying to peel the skin off their kids; the ball would come so fast and so hard and so tight that the only sensible thing to do was to hit the dirt when they saw it coming...'
There are several notable events in the book -- which takes place over the course of a little over a single year, from April 1960 to July 1961. It is the time of the Kennedys and Camelot, of the boiling pot of race relations in American coming to a head, before Vietnam -- a time of innocence and discovery, tailor-made for an imagination and spirit like that possessed by this young heroine. After her parents' divorce, her mother is forced by economics to move her family to a 'bad' part of town. Graceanne becomes fast friends with Wanda, the young black girl who lives next door -- which brings out some revealing comments and feelings from her mother, showing her to be anything BUT the color-blind person she has professed to be.
There are some tender, poignant moments in the novel as well -- both between Graceanne and her friend Wanda and between the siblings. Little brothers at this age historically do not endear themselves to their sisters, or vice versa. Through the course of the book, Charlie wrestles with what he eventually recognizes as growing feelings of love for his sister. From p.275, he wonders about his feelings that are awakened by hearing Elvis' 'Love me tender': 'I wondered if I loved anyone tenderly. I knew I loved Mike the dog, who you couldn't sing an Elvis song to because he was an animal. And I looked around and saw Graceanne with her doll hair and her glasses and her soft skin and I thought maybe I loved her, who would laugh at me if I sang Elvis to her. It came as a big surprise to me that I loved my sister.'
The novel is filled with moments like these -- but the action sequences never become over-the-top or unbelievable, and the touching moments never become maudlin. The author transposes her vision of this story onto the page with an easy grace and eloquence, touched with humor and sympathy for these wonderful characters. This is a story that can be enjoyed by adult readers -- and indeed, I came away with the impression that it was written for them -- and intelligent young people as well. It's quite an achievement.
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"Drive-By" is a simply-written, short book (only 85 pages) and ideal for young readers (age 10+) who don't like to read very much. Although it's quite sad--despite the somewhat pleasant ending--, there's certainly a lesson to be learned about dealing with gangs and peer pressure. If you liked this book, then you might like "Party Girl" by the same author; it also deals with drive-by shootings and gangs, but it's intended for slightly older readers (12+).
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The chief problem is the brevity of the book; a slim seven chapters and hundred-odd pages. Holly Black's attempt to introduce the characters, build a bit of mystery, sympathetically handle one child's pretty severe abandonment issues, and reach some pinnacle of suspense to keep the reader coming back all fall short for lack of space. I feel very much like I have just read an outline for a very interesting novel.
However, I read this with my daughter (age nine) who paid much closer attention for this than with most books. I credit DiTerlizzi's excellent illustrations that kept her looking over my shoulder the entire time. The weakest of these drawings are equal to the best of Brett Helquist's in Lemony Snicket's Unfortunate Events. I mean that to be extremely high praise, as I greatly admire Helquist's abilities, as well. It is, primarily, her interest that will convince me to buy the next in the series.
My hope is that, with introductions out of the way, book two will cover more ground, build suspense, and magically make my buyer's remorse vanish completely.
Both DiTerlizzi and Black love faeries, and it shows, especially when it comes to presentation. THE FIELD GUIDE comes in the same, tiny hardcover form as Lemony SnicketÃs wildly popular series and is crammed with first-rate, evocative pen and ink illustrations. The suggested age bracket for the book is 6-10, but this is probably being a little generous on the high end of the age scale, as the writing is light and trips along with great speed through the 107 pages. An adult reader, or a well-read child, can work his or her way through THE FIELD GUIDE in less than hour, possibly even less than half an hour.
Though perhaps slightly clich'd à the children at the heart of the story come to a creepy, old Victorian house and encounter a world of mystery à THE FIELD GUIDE is still great fun. Author Black follows all the rules of childrenÃs literature when it comes to establishing her family: thereÃs a missing parent and the kids are nine-year old twin boys and a thirteen-year old girl. Three is always a great number for childrenÃs fantasy, as C.S. Lewis amply demonstrated with THE LION, THE WITCH AND THE WARDROBE and a J.M. Barrie established even earlier with PETER PAN. As mentioned, the high-quality presentation of the book goes a long way toward glossing over the slight nature of the text, as THE FIELD GUIDE feels substantial despite its miniscule size.
It seems clear that DiTerlizzi and Black intend to stake out a slightly younger territory with THE SPIDERWICK CHRONICLES than Lemony Snicket and J.K. Rowling have done. THE FIELD GUIDE is written at a level just high enough to engage the reader, but lacks the density of any one of SnicketÃs books. And the last two Harry Potter novels (THE GOBLET OF FIRE and THE ORDER OF THE PHOENIX, as of this writing) would simply flatten the child-sized, hardcover FIELD GUIDE.
Though there are reservations to be expressed over THE FIELD GUIDEÃs general lack of depth, there are only so many Rowling and Snicket books around. While young readers (and those who are young at heart) wait for the next classic, they could do far worse than to chase some faeries in DiTerlizzi and BlackÃs creation. Five pages in, itÃll hardly matter how slim the book really is, and five pages from the end, one has already begun to think about grabbing the next installment in the series.
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The story is about a teenager named Arden who lives with her brother. Both of her parents died when she was young, so he takes care of her. One day he gets in a snow machineing accident, which really scares him. A week later when his snow machine, and other things are found in the river, she knows he is dead. Or is he? No one beleives her, thinking it's brought on by depression, as she starts to search for her missing brother. This book was captivating, a story like no other. I would DEFINATELY recommend it.
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As I read this book, and diligently did each exercise, I didn't want this book to end. This book has guided me on a journey that I had previously longed to be on, yet feared getting started.
In the week that I read this book, I have uncovered so many beliefs, feelings and attitudes about my family history with money. I also became more understanding of them. I also discovered that many of their self-destructive money habits were also my habits. Our actions were different, but our money beliefs were the same. And at first this shocked me.
This empowered me to feel better about my history, and to forgive everybody. It lifted a load off my shoulders. I realized that this was not about not having money, but really about my fears, my shame, and my not allowing myself to be responsible for what I could do to solve my problems.
Every scenario in this book guides you face what has been getting in your way, and to turn those "obstacles," into what compels you to create a vision of yourself with financial peace of mind.
This book is about using your past to create a compelling life for yourself, one where you have options, joy, balance and authenticity.
The results of having read this book is a huge improvement in my life.
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The women's stories are uniformly heartbreaking; nearly all the authors were victims of sexual abuse. Nearly all grew up poor. Nearly all had minimal or questionable parental support. And about half wrote about abusive romantic relationships. Several of the authors are in prison for killing their abusive spouse and/or significant other. While it was wrong for them to take their husband's lives, it is also understandable once you read their harrowing tales.
I was especially moved by Bonnie Foreshaw's "Faith, Power and Pants" and Diane Bartholomew's "Snapshots of my former life." Both went from unbearable childhoods to atrocious marriages. Both are clearly angry with a system that has failed them. Yet both write of finding hope despite all the indignities life has thrown at them. As a final indignity, Bartholomew developed cancer while writing her memoir. Only then was she paroled for the murder of her abusive husband. It is clear that she was only paroled because the State of Connecticutt did not want to pay her chemotherapy bills.
This book can be harrowing to read but it left me with a sense of hope. Beautiful women exist underneath the prison fatigues, who have survived despite the brutal conditions of the penitentiary system. Each story in this collection moved me in a different way. I can say that about very few books.
In the past, especially being a social worker, I've read many stories about every possible life situation, but I have never read anything like this book. By the end of each story I felt a real sense of kinship and sisterhood with that story's author. I find it impossible to choose which is the most thought-provoking or well-written.
If this book is typical of Wally Lamb's ability to teach and to give of his heart, then I believe he is not only brilliant but the kind of mentor other incarcerated people need working with them. Thank goodness they couldn't keep it to themselves!