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Sadly -- however, Juana's comet soon loses its glow -- a victim of envious others and timely circumstance, she is forced to spend her short life struggling with/against the temptations of: the tender touch of an hermana's hand, the (al)lure of a soulful "cell-mate's" lips, and the unforgettable "chiaroscuro of an unspeakable love."
It has taken Gaspar de Alba's courage, creativity, imagination and interpretation to "kick the habit" off this "patron saint of rebellious women" and offer her well-rewarded readers a fresh, new look at a mujer who poured passion onto her written pages, using a quill that drew both ink/blood and inspiration from a heart's well of loneliness and love!
Juana's "re-creator" (Gaspar de Alba) gives us with her: calla lilies, comets, a meaningful medal and a long lost letter of professed and requited love -- significant symbols of very beautiful sentiments -- in juxtaposition to a hauntingly powerful and disturbing storybook tale of a young Juana's innocence/childhood lost.
I cannot find the words to sing the author's praises loudly enough! After my third reading of these pages, the passages still move me! --- perhaps that, in itself, says it all.
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Unable to put the book down, I continued reading the introduction, savoring each word ... each insight ... each revelation that Pythia shared from her own experience. Her reflections on "growing up in the Catholic Church and as a student in a spiritual organization headed by a man" resonated within my soul. Like her, I grew up Catholic and always felt that the religion diminished my ability to serve as an altar girl and worship fully as a whole spirit. Her comments on the power of the goddess movement affirmed my unique spiritual path and creative expression. She helped me see that they were "a beautiful quilt made from discarded fabrics." By the time I finished the introduction, a light had reappeared in my spirit and a bond between a reader and an author was solidified. So I did what any smart person would do ... I purchased the book.
In the weeks following my purchase, the book became the magical elixir I was seeking to awaken my spirit and unblock my creativity. The first chapter on courage introduced me to Judith Jordan's concept of "supporting courage in others." It reminded me of how my mother has been a never-ending source of support. As I have matured, I have been able to return the gift. Together, we share a "courage connection." This insight guided me in completing my short story about a mother-daughter relationship. I greatly appreciate Pythia's selection of stories that illustrated the "courage connection." My favorite is the story of Jane Holmes Dixon and Diane Rehms. It confirmed what I always knew ... that next to Creator, women friends are one of the greatest sources of listening ears, compassion, prayers, and affirmation. Pythia's section on Warrior Queens from History featuring Sojourner Truth made me smile because she is a personal ancestor that I call upon regularly for strength. It also helped me embrace my own personal motto. After reading the story of Isak Dinesen's motto, "Pourquoi Pas? (Why not?), I declared it to be mine. The written exercise on writing the epic of my bravest deeds was cathartic. Making the list took some time. At first, I judged what were my bravest deeds. In the middle of the process, I threw caution to the wind and allowed my pen to dance across several journal pages that I can now use when I get frustrated or feel like I want to quit. The exercise itself was a demonstration of courage. The list of epic deeds paints a picture of a heroine that I can call my own ... me. The exercise on invoking an invisible companion reconnected me to the power of one of my personal goddesses, Sekhmet, a Kemetian/Egyptian goddess who represents courage.
Often times, I move through life so fast that I forget to acknowledge the importance of women friends serving as "faith-holders" in my life. Pythia's second chapter on faith refreshed my memory when she shared her friend Susan's explanation: "women act as faith-holders for one another. What she means by this is that a true soul sister can help her friend stay focused on her quest to live her best life and fulfill a cherished ideal. By doing this, a woman helps keep faith in her friend's unlived potential, even when the rest of the world is doubting or rejecting her goals as impossible dreams." This passage was eye opening because I have not always made the wisest decisions in who I have selected to be my friends. It has become my measure of friendship.
Pythia taught me that selecting "faith-holders" is as important as maintaining an arsenal of inspirational faith walkers. I have added Jane Holmes Dixon to my personal arsenal. Her faith walk journey led to her participation at the Democratic Convention as a panel moderator despite peer discouragement. Completing the exercise on creating a testament of faith gave me a blueprint of beliefs and convictions that would ground and guide me as I pursued my creative projects.
The chapters on courage and faith were the most instrumental in my spirit's awakening and creative breakthrough because they helped me surrender and trust the divine process. I learned how to be a holy vessel ... a soul sister manifesting courage, faith, beauty, love and magic.
I have purchased this book as a gift for many friends of different religious backgrounds, and all have treasured it.
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I believe that the author did such a wonderful job in telling a story of a common occurrence with babies, as well as helping children to understand SIDS with a little description in the back of the book. The pictures and the story are just so touching that it would be so easily explained to a young child what Sudden Infant Death Syndrome actually is. If any child has ever lost a brother or a sister to SIDS the author does a great job of explaining that it is not their fault no matter how they felt about the baby.
I loved this book mainly because of the story. I was so sad when I read this book and then I thought of all the little kids and parents could really appreciate this book if they had lost a sibling to SIDS. I have never experienced a loss like Stacy and her family but after reading this book I have a little bit more of an understanding and sympathy.
I liked this book cause it really told how little kids act like when they do get a new sibling. They do tend to be jealous and feel left out because the baby gets all the attention. I also like this story because it has a different twist to it. It is tragic the baby dies but it does happen and I think that it is good to have books to explain to little kids about things like this. It had great, very realistic pictures that really followed a long with the story.
I think the author was trying to get across the point that things like this happen but in a way children can understand it. I don't think children should be blocked off from bad things that could happen to anyone and this story really seems to get that point across. It also seems to say something about cherishing the time you have with someone because you never know when he or she might not just be there.
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By Lois Lowry
This book is about two siblings named Caroline and J.P. who do not agree on anything and who's parents are divorced and live in different parts of the country. They have to go and visit their father, his wife, Lillian, Their son, David(Poochie) and their twins Holly and Ivy. They hate their father and are prepared for a terrible summer with him. But in the end their summer is very fun and eventful and they want to go back to their fathers again as soon as possible. Also their visit breaks up their war and they have a summer without any fighting.
I liked this book a lot and there are many things I like about it. One thing I liked about it was that it was very eventful. Like when they are on the plain going to their dads house. Also I like how there is a lot of detail. For example when it explains what the twins look like it explains every little mark on their bodies including the mole on the back of Ivy's shoulder.
I would recommend this book to someone who likes realistic fiction. I would also recommend this book to people who are at an medium to fast level of reading.
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As she grew older, fame of her learning spread, and she moved to Mexico City, where she became a favorite at the court of the Viceroy and Vicereine - the attention she received there fanned the flames both of her intellect and her emotions. She joined a religious order and took her vows believing that it was the only way to further her in her quest of knowledge, and in her pursuit of literary expression. She didn't count on the incredibly, rabid opposition that she met - not only from the Church hierarchy, but from within her order, from other nuns who were jealous of the attention she received, and terrified of her intelligence. She was a threat to too many people who held power. Change frightens people - especially those who see it as a threat to their own position and influence. There's an old saying that 'absolute power corrupts absolutely'. I think in the case of Sor Juana's persecution by the Church, one could observe that 'absolute power breeds absolute paranoia'. If she had not, finally, succumbed - at least in part - to the will of the Inquisition, she would no doubt have been martyred. Some might say - and it's a valid observation - that, without her books, her writing materials, and her scientific and musical instruments, without any contact with the outside world, she died a martyr without being subjected to the gibbet or other tortures. The intellectual torture of repressed expression, imposed on one who had so much to express, was a death sentence in itself.
Sor Juana's sexuality has been discussed in many forums - it is, after all, a valid and vital part of anyone's personality and life. The film concerning her life - I, THE WORST OF ALL - is based on SOR JUANA, or THE TRAPS OF FAITH, by notable Mexican poet and author Octavio Paz (he being another treasure of Latin American literature), and approaches the subject of her sexuality very obliquely (I'm amazed that the film bears an 'R' rating). SOR JUANA'S SECOND DREAM, on the other hand, tackles the subject head-on, in a very open - but tasteful - manner. The author discusses her viewpoint briefly in her afterward, with a couple of references to Paz and others - she sees their attitudes as 'homophobic', that they distort truth of Sor Juana's life and work by turning a blind eye to her sensuality. She makes it very clear that she respects Paz and his work - but that she disagrees with his assessment of Sor Juana, as well as that of some other scholars.
What emerges from the author's viewpoint is a very readable, engrossing work. The sections of the novel that deal with Sor Juana's sexual orientation - her relationships with other women, her views of men in general, and the lifelong, ongoing struggles within herself - make this a very LIVING work, bringing to life the subject in a very human way. Given the prejudice that still exists in matters of sexual orientation, one can only imagine how much this was magnified in 17th century Mexico. Sor Juana's story is a testament to her achievements in literature and science, as well as to her own courage - courage in facing not only her accusers and enemies, but in her own psychological and emotional self-examinations. She was an amazing woman - an amazing human being, an amazing scholar - and she would be thus in any day.
The book is a long one - at over 400 pages - and goes a long way in bringing to life the everyday routine of the convent, as well as the atmosphere and intrigues in the court and Church. The characterizations are well drawn and patiently, carefully created - none of them come across as flat or stereotyped, which is a great relief in a novel of this length and scope. I found it to be both entertaining and enlightening - and I would recommend it to anyone interested in a story of a heroic, intelligent woman - or, for that matter, anyone in search of a good read.