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Powell worked for three years on "My Home is Far Away" which was published in 1944. She had difficulty with the book, writing and rewriting the various scenes as she tried to fictionalize her biography and turn it into a novel. The book appears in the midst of her New York novels, and it is a throwback in to her earlier books with its setting in Ohio, its focus on childhood, and its bittersweet tone. Powell intended this novel as the first of a three-part trilogy, but the other two volumes never materialized.
Most of Powell's novels seem to me distinctly autobiographical in tone and "My Home is Far away" is particularly so. It tells the story of a family, focusing on three young sisters, Lena, Marcia, and Florrie, their father Harry, their mother Daisy, and, after Daisy's death, their stepmother Idah. There are basiclly three parts to the story: the period leading to the death of Daisy, and intervening period in which the three girls are raised by their father and assorted other relatives, and a the period after their father remarries and the girls are subjected to a cruel stepmother. When they find they can no longer take the abuse, they leave home and come into their own lives.
The title of the novel, "My Home is Far Away" derives from an Irish song that the girls sing with their mother. The title well captures some of the rootlesness of the family as they move from here to there. It also evokes well the longing for a home life and for a stability which the family, and Dawn Powell, never had.
One of the problems with this book is diffentiating the characters of three young girls. On the whole, this is handled effectively. The Dawn Powell character is the middle sister, Marcia, who is plain but highly precocious. The older girl, Lena, is much more sociable and outgoing.
The family moved a great deal from one small Ohio town to another and to different places within various towns. The most effective scenes in the book for me were the pictures of many dingy, run-down hotels and small town back streets during which the girls spent much of their childhood. The father, Harry, was a travelling salesman who, for most of the book, has difficulty holding a job and spending time with his family. He professes to love his family, but doesn't provide well. He spends his time and money hanging around with his friends and, apparently, with women in various towns.
One key moment in the book occurs rather early in it when the girls' mother dies. This scene is beautifully told. Then we see Harry trying to shunt the girls off to various relatives until he finally attempts to care for them himself. The marriage to Idah brings Harry some stability, but at a terrible cost. Idah is a shrewish, jealous stepmother. The two older girls both leave home to get away from her.
This book has some slow moments, but it is a wonderful coming-of-age novel and gives a good picture of the rural midwest. It is good that Dawn Powell's novels are in print and readily accessible. It is intriguing to think how she might have proceeded in the remaining two projected volumes of her autobiographical trilogy.
This was an era that discouraged pity, and would have been dumbfounded by modern 'confessional' trends. The attitudes toward children, would be barbaric today. The girls remained loyal to their father, even as they grew to understand his weaknesses, and they found delight in characters that would be considered dangerous and forbidden today. Their own grandmother, refusing to attend to fire safety, managed to burn down four houses, including her own, from which weeks before the girls had just been removed. This is a story of a triumph of childhood with nothing of the tone of the adult looking back in a lament. In some ways, it is similar to "Angela's Ashes," another horrible experience of childhood, that uniquely avoids the subject of depression and rage. This even holds true for the archetypical wicked stepmother, an unrelenting, hateful woman who sadistically confiscated or forbade any object or activity of pleasure.
The most amazing part of Marcia, is this 'game' she played, when she was in the midst of an ordeal. She could reach down inside of herself and become the person who was devoid of reactions to the current stress and be completely strong and capable of enduring the trauma through to the end. It is a testimony, spoken by a child, of the human spirit, and the infinite manifestations and sources of power by which mankind survives. I will definitely read this book again, for its fresh outlook and restrained economy.
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Secondly, there are several sub-plots each with their own mysteries. There is the uncertain fate of the nunnery's steward who has been accused of being a serf and thus stands to lose his freedom - and that of his children. We do not know who accused him, and why. There is also the mystery about a certain very prosperous man in the village and his wife and family. What are his intents, and those of his wife? Was she really guilty of all that the village gossip alleged?
There are other puzzles to follow - such as who will get a certain piece of land, what will happen to the harvest, and so forth. The depiction of village life, which includes several scenes of cases being decided by the elders, is alone worth reading this novel for. It is rare that mystery novels set in the medieval era focus in such detail on the life of ordinary villeins (the proper term) and free peasants.
I look forward to reading more of Sister Frevisse's adventures. The series will not appeal to all, including those who are more knowledgeable about the period and/or tired of medieval mysteries using nuns or monks as sleuths. To enjoy this book, you must like medieval mysteries and enjoy reading about the nitty-gritty details of convent life (some of which can be less than pleasant).
This is typical of Frazer: the characterizations are excellent and often complex, the background is well drawn and the story is gripping. Frevisse, having more experience in dealing with the outside world than most of her sisters is sent to serve as temporary representative for lands that her convent co-owns. This is a complex job; she must manage to work and share authority with people whose interests are opposed to the convent's. Frazer gives us a vivid account of the machinations that underly the struggle to control land and wealth, even among the peasantry.
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Water wishes is about 3 kids who find a bottle with paper n the sea. These 3 kids realize wishes are not every- thing.
I Loved this book-and I think its the best in the series!If you read them You kinda learn a little about Ancient Greek Gods,and the stories in this series are simply fun!!!!!!I recomened this seies to anyone-even adults,they're a quick and fun read!!!!!Hope this review was helpful to You!
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The main characters, Blanche and Rose, are well-drawn and believable; their personalities are distinct but both likable. Doman also does a good job drawing Bear as a sensitive hulk. The swing dancing scene is one of my favorites! The plot flows smoothly and quickly, with heroic adventures along the way, but nothing that a real person couldn't handle. Sometimes, even if you like a fantasy book, the characters seem superhuman (well, I suppose they occasionally are!). But in this real-world adventure, all characters are true to life.
My one complaint is that Doman resorts to the Nancy Drew technique of having the villain explain his plot to his victim, so that the reader figures out what's going on. Still, it's only her first book (written at age 23 or so), and it's remarkable! I can't wait to see what else Regina Doman has for us.
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Sweet Hearts encompasses several generations of family history in compact prose. Thon mercifully provides a map of Montana and a family tree to help the reader keep track of the cast of characters. The characters' speech is also compact, demonstrating the strained communication among this family.
For the first fifty pages or so, my heart broke about once per page. An image, a turn of phrase, a single word would capture the bleakness inherent in these character's lives. I think that was necessary to open the reader up to the story, to prepare for what's to come.
This is a demanding novel in a number of ways. Most of all, the ending asks the reader to forgive the unforgivable. You can't just read this book as an intellectual exercise--you need to let it take you where it goes, to find compassion for all the characters. It is by no means easy or light reading, but I found it entirely rewarding. This book is worth all the effort.