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The book is detailed and precise. It is relatively hard yet light on math and what there is is explained well. It has great graphics and clear explanations that make the most advanced topics easy to visualize and understand. The problems at the end of the chapter are great for review.
It's the best introductory chem book I've ever seen. Better than any chem course.
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Everyone I have told about it, that got it really loved it.
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We used this book as the basis for our church's family Christmas Eve service. The children participated in a recreation of the Christmas stories in Matthew and Luke, and then settled in for a reading of this great book. During the story, we had two people in a camel costume come through the aisles, as "presents" were loaded onto baskets on the "camel's" back. It was a great success, and helped bring alive the oft-repeated Bible stories.
Thury has a great skill of weaving in enough adult humor to keep the attention of even the most holiday-weary parent (this camel complains of his joints, gout and sciatica, which all parents and granparents can relate to after weeks of holiday shopping, eating and "assembly-required" efforts). My seven year old has requested it again and again. Original, enchanting and a great twist on both the Christmas story and "the straw that broke the camel's back." Or did it? The pictures are outstanding.
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Frederick Douglass was a slave on the Eastern Shore of Maryland, not too far from Baltimore where I live. His accounts of the treatment of slaves is indeed frightening. It is very important to note that when Frederick was young he was sent to live in Fells Point Maryland as a house slave. The wife of his owner thought it good to teach Frederick the alphabet. After Frederick learned the alphabet the woman showed her husband. He was furious with his wife, and told her that it you teach these 'niggers' to read they will want to know how to write. If they know how to wright, they might start thinking they are equal with white folks. He then ordered her to stop teaching Frederick anything 'that could interfere with his chores'. Unfortunately the damage was already done. Frederick became obsessed with reading and taught himself to read by studying newspapers in the streets and paying white kids to teach him. Slowly we see Frederick, through his own religion convictions, developing a liberation philosophy through education. Knowledge was his key to freedom, and it eventually led to his escape to the North.
One of the key points of this narration is that the slave owners used methods of controlling slaves which are very similar to the tactics employed by the propaganda machine. For instance, Frederick noticed that the slave masters made the slaves drink on holidays and observed them strictly to make certain that all of them spent their 'free' time drunk. They were always on the look-out for slaves that exhibited critical thinking attempting to hold conversations with their fellow slaves about their condition. Reminiscent of the fabled or not Willie Lynch manual on how to make and break a slave, these slave masters certainly knew what they were doing. The institution of slavery was highly developed, almost a science unto itself. Escaping this was the main theme in the first half of Frederick Douglass's autobiography. The second part deals with his efforts to bring slavery to an end all together by raising peoples consciousness to the inhumanities of the practice. I am indebted to Frederick Douglass for bringing me closer to the reality which African Americans live through day in and day out not only in this country, but also in apartheid South Africa. While I believe that the scolding I got was somewhat well deserved, I do believe that consensual integration is part of a God's work. Overall one finds it very difficult to account for all of valuable contributions this work can bring to the human heart. This is one of those books which makes you want to cry, then laugh, then explore new methods of pluralism and equality. Ironically I married an African American sister who teaches at Frederick Douglass Middle School in Baltimore City. She often tells me how the text books are over fifteen years old, and the computer lab even older. Most of the students see no benefit in the public indoctrination system anyway, but when they do go they are met with ancient resources and apathetic teachers. Another clear indication that we have a lot of work to do on this 'American' notion of equality.
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Also, in "Lady is a Tramp" I used the third person instead of the original first person usage to demonstrate the lyrics. The original "Lady is a Tramp" is written as "I get too hungry for dinner at eight. I like the theater but never come late...etc." I used the third person because it is the more familiar version.
AND AS A TESTAMENT to the timelessness of Rodgers and Hart's songs, listen to the current Ralph Lauren "Romance" perfume commercial. It features James Taylor and Carly Simon singing the opening and closing lines of "My Romance". It's a beautiful, heartfelt song nicely rendered by Taylor and Simon.
Hart wrote lyrics that are cerebral and sophisticated. His compositions are infused with wit and wisdom. He used complex rhymes. An example from "My Funny Valentine": "Your looks are laughable, unphotographable. Yet you're my favorite work of art. Is your figure less than Greek? Is your mouth a little weak? When you open it to speak, are you smart?"
Another example from "Bewitched": "I'm wild again, beguiled again, a whimpering simpering child again...." And yet another example from "Lady is a Tramp": "She gets too hungry for dinner at eight. She likes the theater but never comes late. She never bothers with people she hates. That's why the lady is a tramp."
Hart could be wistful and romantic as in "My Romance": "My romance doesn't need to have a moon in the sky. My romance doesn't need a blue lagoon standing by. No month of May. No twinkling star. No hideaway. No soft guitar."
Hart's lyrics are consistently observant and very often ingenious. They are the perfect match for the variety and intricacy of Richard Rodgers' superb music.
This biography is quite detailed with a number of amusing anecdotes. It is a must read for those who want to know more about this endearing, erratic, and gifted artist Lorenz Hart. His contributions to musical theater are profound and timeless.
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of the first visions of a vanished world.