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Anne Bronte creates a world in which the drunken, immoral behaviour of men becomes the norm and this may have been startling to contemporary readers - perhaps a reason for the book's panning at the critics. The narrative is built up delicately; first Gilbert; and then the racier, more gripping diary of Helen as she guides us through her married life; before returning again to Gilbert, whose tale by this time has become far more exciting as we know of Helen's past. Helen's realisation of the awful truth and her desperate attempts to escape her husband, are forever imprinted in the mind of the reader as passages of perfect prose.
One of the earliest feminist novels, the underrated Anne Bronte writes in this a classic, and - defying the views of her early (male) critics - a claim to the position of one of England's finest ever female writers.
It tells the story of a young woman's struggle for independence, against law and a society which defined a married woman as her husband's property. The novel, which uses extracts from her diary and narration from her neighbour, is very interesting and quite realistic.
It seems to me that the most interesting thing about the novel, is the build up of tension Bronte uses to sustain the reader's attention. It is stimulating and creates a little excitement in the book.
Helen Graham moves into Wildfell Hall with her son. She is a single mother and earns her living as a painter. Her neighbour, Gilbert Markham, takes a sudden interest in her and wants to find out everything about her. Although she is quite content being friends with him, she wants nothing more. As soon as he becomes too personal, she reminds him that friendship is the principal of their relationship. As they spend more time together, though, she learns to trust him and reveals the truth about her past. She is living at Wildfell Hall under a false surname, hiding from her husband who is an adulterer. The only other person who knows of this is her landlord, who Gilbert learns late in the novel, is in fact, her brother.
One thing which I found gripping about this story, was the build up of tension Bronte used. She took her time, revealing one thing, building up the tension again, then revealing another. She continued to do this throughout the story, and this is what kept me interested. It is a story, in which two people who love one another, are prevented from being together by society and their own natural reticence. We know romance often has this, but Bronte creates a strong desire in the reader for them to be together. She puts real obstacles in the way of their love for each other, such as the fact that Helen is already married and has a child to her husband. This therefore, causes the reader to understand the story more.
The scene is thus set for a true Battle Royal, only in Tilling the battelfields are luncheons and dinner parties, and the weapons fruit gardens and lobster recipes. The results are very very funny, as the genteel of Tilling spend a breathless year thoroughly enjoying each swipe, snub and put down. The hilarious climax has our heroines floating out to sea on an overturned kitchen table, with Lucia's last audible words promising delicious gossip just as soon as she gets out of her current mess.
Benson draws his characters exquisitely well, I found myself flat out liking her. She is an Englishwomen of the 1930's, past her prime but still youthful, who just happens to be blessed (cursed?) with the personality of an Alpha Male. The resulting battle of wits with the formidable Mapp is fascinating; Mapp is clearly not her intellectual equal but through a mixture of deviousness and and cunning manages to pull the carpet from underneath Lucia's carefully laid plans time and again. The supporting characters are equally well written, with best friend Georgie and Mapp's crony Diva especially amusing.
All in all, a funny, entertaining and biting satire that is well worth reading whether you are already a Lucia fan or are picking up a Benson novel for the first time. Highly recommended!
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Some years ago, I was a nursing student and psychiatric nursing seemed to be my speciality, since I had some innate ability to understand the mind. And, ever the nursing student, I continued long after nursing school to learning more about psychiatric illness, especially once I was diagnosed with it.
The book is technical in content, but easy for the layperson to understand, providing they have a good dictionary. Being a nursing student, much of the language comes easy for me, but the layperson can grasp a good understanding of the illness. Their references to Kraepelin were especially important since he was the first to recognized the two poles of the illness.
I would recommend this book to any person diagnosed with Bipolar and their families, to help understand their illness and to know they are not alone.
Instead, I recommend Dr. Francis Mondimore's "Bipolar Disorder: A Guide for Patients and Families", which is up-to-date, thorough, full of practical advice, and written for laypeople; and any of Kay Redfield Jamison's books, especially "An Unquiet Mind."
I have bipolar II and both family members and I have found Dr. Mondimore's book to be VERY helpful.
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George MacDonald, a Congregational minister turned novelist, who seems nearly forgotten now, was one of the seminal figures in the development of Fantasy. His influence on other Fantasy authors is obvious, he was a childhood favorite of JRR Tolkein, who especially liked this book, and C.S. Lewis named him one of his favorite authors. His own stories draw on many of the themes and characters of classical European fairy tales. But where they were often merely horrific and meaningless, MacDonald adds a layer of Christian allegory. Thus, Irene and Curdie are eventually saved by a thread so slender that you can't even see it, but which leads them back to safety, teaching Curdie that you sometimes have to believe in things that you can't see.
The book would be interesting simply as a touchstone of modern fiction, but it stands up well on its own and will delight adults and children alike.
GRADE: A
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Two things the critics generally agree on are that : (1) P. G. Wodehouse is one of the funniest writers in the English language; and, (2) it's almost impossible to explain why. Among the various authorities cited for the difficulty in analyzing humor are Evelyn Waugh and Sigmund Freud, themselves authors of hilarious fictions. Suffice it to say, and I mean this in the very best sense, the enjoyments of the Jeeves and Wooster stories are much the same as those of the great TV sitcoms. Wodehouse created these two great comic characters, surrounded them in each story with oddballs, plunked them all down in trying situations, and then had the inimitable Jeeves extract Bertie and his upper-class nitwit friends from their difficulties through various stratagems and diversions. Though Andrew Ferguson and others deny that there is any deeper meaning or political content to the stories, it is at least notable that the finest young gentlemen in all of England are hopelessly overmatched by life unless Jeeves steps in to save them. The resulting stories have a certain sameness to them--of course, just try watching ten episodes of Cheers in a row and see if it's still fresh and amusing in hour five--but read in moderation they are immensely enjoyable and their very familiarity becomes quite comforting.
GRADE : A+
But, these "episodes" still aren't as stale as some of those viewable today in primetime. Most are unpredictable, and the situations are unique (somewhat due in part to the time period, but also because they are realistically presented.) All the characters are likeable, even though they each have a teeny bit of deviousness, but that makes them more human. Their funny and they aren't plastic. They aren't completely real, but they aren't completely paper-made either. They're just plain entertaining.
The last chapter of this book is the tip-topper of the whole novel. Just like a good show, it brings everything together. You wonder throughout just what Jeeves' angle really is, and in the end you find out. I can't wait to read another installment!
Carry On, Jeeves contains eight of the ten stories available in the print version (the remaining two stories appear on My Man Jeeves), so completists will want that, but for pure enjoyment, you can't go wrong with this. Even the titles Wodehouse writes are funny, my favorite being "The Rummy Affair of Old Biffy." They simply roll off the tongue.
The stories here include "Jeeves Takes Charge" (chronologically the first as it tells the story of Jeeves' entry into Bertie's life). The others, namely "The Artistic Career of Corky," "Clustering Round Young Bingo," "Jeeves and the Unbidden Guest" (about a young cousin of Bertie's who goes wild under his wing), and "Jeeves and the Hard-Boiled Egg" are all classics of the Wodehousian genre and show Jeeves at his problem-solving best.
This would easily appeal to the casual Wodehouse fan, and is perfect for long road trips or any other situation where a laugh is needed. Wodehouse exceeds all others in humor and, one assumes, will remain that way for centuries to come.
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This book, plus the willingness to practice card conjuring in private and then actually perform the tricks for friends and families will get you there! I ran one trick 4 or 5 times for one of my colleagues the other day; her only response: "Oh, I get it, it's a trick deck right? They're all the same card, right?" Nope. When I turned over all the cards (revealing a genuine deck) her jaw simply dropped.....
Keep in mind it was written before TV, so you must be a enthusiastic reader and a magic lover. It requiers a lot careful and minucious reading and re-reading, but only because of its very precise explanations.
The next step after studying from this book, is watching a good magician perform the sleights so you can have an idea of speed and timing.
Buy it only if you are truly commited to learning non self working card tricks and sleights.
If I had to throw away all my magic books except one, this would be it.
It teaches the basics of card magic: shuffles, palming, the pass, glimpses, etc. But more importantly, it covers the real secret of magic: how to entertain and amaze. There is more to a card trick than meets the eye, and this book covers those things.
Each chapter teaches a sleight (or sleights) or a principle of magic, and then a trick (or tricks) utilizing that sleight.
I still use some of the tricks from this book in my performances. The tricks taught are all excellent and absolute stunners in the right hands.
Besides the general chapters, there are two chapters on flourishes, one on routining an act, and one on platform tricks.
I highly recommend this book to all students of magic. It is a classic, and an excellent choice for the beginner. Even if you are an expert, you should own this book, as it will enrich you as a magician.
The Royal Road to Card Magic is one of my favorite books in my magic library.
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Richard Sharpe is a well developed character, an everyman that developed not only into a super warrior, but also into a superb leader of warriors.
In this novel the author gets right down to the story, and wastes no time getting to the heart of the story. The writing is straightforward and clean.
Highly recommended
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Meanwhile, the survivor of a shipwreck in the Mediterranean aroused the interest of a British Andrew Drake. Drake descended from a Ukrainian nationlist, whose mission in life was to strike a humiliating blow against the USSR, and the shipwreck survivor provided him with an opportunity to do just that.
Somehow, the different threads spun by the author in the book came together, climaxing with the world being held hostage to an all-out war between the Eastern Bloc and the Western Bloc, or the greatest environmental catasthrophy yet.
The author did not stint on fleshing out his characters, providing them with ample description, motivations and attributes that the reader can just imagine the kind of actors and actresses that would be cast if this was a movie.
Plot development were fast and furious sometimes, yet deliberately slow and detailed at others, paced out well like the different variations of a symphony, but never a dull moment.
In the end, it will be up to our hero Adam Munro to save the world from the various catasthrophies, and the numerous twists in the end came round a blind corner, hitting the readers where they least expect (unless of course, they've been reading way too much thrillers like me who managed to guess a couple of them).
The character development in this novel is excellent. Frederick Forsyth has a way of bringing out the personalities of the main characters very well. His knowledge of geography really shows that he does his research before he writes. I like the way the book goes from one country to another carefully discribing what is going on but not always telling the reader how it's related to the plot until later. There are quite a few surprising moments which keep your attention. There are points were you may think the story is going nowhere and then there is an abrupt change of pace with no warning.
It is books like this that can turn one into an avid reader of espionage novels.
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The story involves a top ad man who finds his task of developing a campaign for the colonisation of Venus dramatically undermined by dark forces. In this complex stew of industrial espionage are competing ad companies and the underground conservationist guerillas. The mystery moves along at a good clip although it sputters a bit towards the end.
Overall this book touches some deep issues along the lines of Aldous ('Brave New World') Huxley, and has a satiric (and weird) feel like the works of Philip K. ('Ubik') Dick. Certainly a minor classic in its own right.
Although the political aspects of the novel are important, don't forget that really, the Space Merchants is a humorous book in addition to being a work of science fiction. It's just brisling with irony, and because of this, it is a fun read as Mitch takes a darkly comedic ride from the very top to the very bottom and tries to get back on top again. In conclusion, buy this novel, even in this lousy edition, and then repurchase it in hardcover. It's worth the effort.