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The quality of the reproductions are excellent as is the text which ecompanies each artist's portfolio.
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Gaby has come to her Red Mountain seeking refuge from a life lived on the edge of violence. Luke throws himself into war zones, saving lives to forget his past. But will saving Gaby destroy him?
Judith Lyons has delved deep into the human emotions of love and fear to create two very strong characters. Her love of the stunning scenary in Colorado leaps off the page and you are with her characters, in their place, on their horses and when it all gets too tense, you too get to feel the soothing calm of Gaby's red mountain.
So grab a copy and follow Gaby and Luke as they fight their demons,and realise that love comes in many guises. Keep an eye out for Judith Lyons, a writer to watch, read and enjoy.
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But Markham was not so easily duped-and he knew that all was not as it seemed at Farthington Hall. He also knew that his only folly would be to leave behind the beautiful and high-spirited Katherine, who was unwittingly scheming her way into his gentlemanly heart...
If you can lay your hands on a copy I would do so. This is a lighthearted and amusing story. Great for a chuckle
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Rarely have I enjoyed a book as thoroughly as this one; I regretted reaching its final page, for the journey it provided was such a delight. Yet the greater truth is that this book is meant to be a passageway, pointing the way to greater spiritual understanding and greater self-knowledge. The truths it uncovers are applicable to anyone who is serious about leading an authentic spiritual life.
This book is an exceptional treasure, offering significant and practical insights on every page.
The Rule was written to practice "Christ's way." Christ said, "Whoever perseveres to the very end will be saved" (p. 97). For Buddhists, Benedict's Rule is about "walking the path to spiritual awakening" (p. 105). That is, both the Rule and Buddhist dharma offer "general guidelines for an inner journey" (p. 1). Judith Simmer-Brown notes that the Rule offers us insight into living a contemplative life amidst the demands of everyday life, or "anyplace you find yourself" (p. 3). From a Buddhist perspective, Benedict's Rule is about learning to live life "so it gets into your bones, under your skin" (p. 34), and about living with "a love of true life and a longing for days of real fulfillment" (p. 36), for this was "Christ's way."
It is evident from this book that "the monastery wall is always permeable" (p. 81). Benedictine monasticism is designed to lead one to spiritual riches on the path of humility (p. 95). It is possible, we're told, to practice a contemplative life outside the monastery walls. "The world is vast and wide," Norman Fischer writes. "Why put on your robe and go to the meditation hall when the bell rings?" (p. 89). Daily practice is "the common ground" for monastics of East and West (p. 124), and in his excellent Afterward, David Steindl-Rast, OSB, concludes that "lay practitioners are running away with the monastic ball" (p. 126). "Step out into the dark night," he writes, "raise your eyes to the starry sky, and you will experience what contemplation was before it had a name" (p. 126).
We find Buddhists and Christians travelling the same "ladders and bridges" in this harmonious book. Buddhist or Christian, this book will appeal to to that monk or nun cloistered in each of us, who is interested in "a life spent seeking the truth."
G. Merritt
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Both Lily Bennett and Aaron Mazerik left Riverbend after high school graduation fifteen or so years ago--she to go to college and marry a wealthy Bostonian; he to just get out of the town where he was "someone's b-------d" and seemingly doomed to self-destruct. He landed in Indianapolis after college, and found his niche helping kids who are just like he was as a teenager. Now they've come home, only this time, he's gotten his act together and she is completely shattered following the death of her husband (though not for the reasons you might think). Suddenly, his old dream of having someone classy and "in" like her and her old dream of having a passionate partner like him resurface.
In addition to the great love scenes (as we used to call them), it's wonderful to meet the teacher that helped turn Aaron around eventually and for Aaron to tell him, "here's what you did that made the difference for me." (Every teacher should hear that at least once from a student) Also, in the final chapter or two, the mystery of Aaron's father's identity is revealed after years of guessing on Aaron's part and stalling on his mom's part. Aaron's mother, by the way, is a piece of work. I'm still trying to figure out what makes that woman do the things she does:)
Aaron's journey here was more fascinating to me than Lily's, for some reason, but I think it's because he's also featured very prominently in "Christmas Legacy", so I "know" him better from having read that book first. Or maybe, like Lily, I just have a soft spot for the underdog. You probably will, too, once you've read this series:)
Lily Bennett, the byproduct of an affluent and happy upbringing (ie. a River Rat), had married into wealth fifteen years ago because she had fallen in love with a Boston attorney. After a disastrous ten-year marriage, she returns to Riverbend to heal and yes, to hide in her newly purchased house and to paint her still lifes. Her actions cause people to believe that she grieves for her husband and she does nothing to correct them for fear of disappointing the town's opinion of her. The truth is, she is far from being the perfect girl they always thought she was.
Both Aaron and Lily have their past reputations to deal with and Arnold illustrates this well through their developing friendship. Lily finds it hard to believe, at first, that bad boy Aaron has become a respectable teacher. Aaron comes to realize that Lily's seeming self-assurance is actually shyness. And there is a major conflict concerning Aaron and his mother denying him his birthright. For thirty-three years, Aaron has struggled with the truth surrounding his paternity and he fully believes that it hinders any chance of a relationship with Lily in the most fundamental way.
Arnold is off to a great start with Riverbend and it is to be hoped that the other five authors, whose stories comprise this mini-series, can pick up her thread and continue. Riverbend is a small town but Arnold illustrates it beautifully through her narration. Through her fluid prose, she has shown that she is an artist, like her heroine, but words are her medium of choice.
Another rat, formerly Lily Bennett now Holden married a millionaire Boston attorney who died in a car accident. Lily returned home because living in Massachusetts was no longer the same for her.
Needing funds to finance a sports program for teens from poor families, Aaron turns to the last person he wants to beg for money, Lily. Not only was she a pain, he remembers her father the doctor dropping off cash to his mother. Still, when they meet, Lily and Aaron surprisingly remain attracted to one another. Soon that blossoms into love, but both have demons from the past plus several townsfolk who do not believe the once bad boy is now good enough for the daughter of their doctor.
BIRTHRIGHT, the first novel in the six-book Riverbend series, is a warm contemporary romance that provides a vivid picture of a Midwest town. The story line is fun to read as the audience obtains a glimpse of adults who were once best friends in high school. The lead couple is a charming duo struggling with reputations and other ghosts. The support cast makes Riverbend seem like a genuine Indiana town. Judith Arnold has set a high benchmark of quality that places much pressure on subsequent authors (see THAT SUMMER THING by Pamela Bauer in August) to match or surpass over the next five months.
Harriet Klausner
It seems like no major American writer can do humor anymore. You are either serious or funny. In Podell's collection, however, we see both. Even though her style is distinctly American, I am reminded of some of the new Irish writers, who don't labor under the current American literary delusion that humor and brilliance are incompatible.
Buy this book. You'll thank me when you read it.
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I am a bread baker who likes a plain, "honest" loaf of bread, not enriched with a lot of fruit, vegetables, nuts and cheeses. If I want that kind of bread, I make something like cinnamon buns or a stollen or something. This book is full of recipes that use a variety of these ingredients, and that is a style to which I personally do not adhere. There are recipes that require such things as pumpkin, carrots, and other things not normally found in regular loaf breads.
That said, the recipes in this book are top notch. I have made a few of the more "plain" recipes, and the results have never been less than exceptional. Even if I do not bake in the style presented in this book, I cannot fault the recipes. It's a style issue, not a quality issue.
The book is full of very interesting and informative tidbits that make this book an interesting read in addition to being a cookbook. One section describes the origin of doughnuts (and specifically, the hole in the middle). Another describes an interesting account of where Anadama bread gained its name.
This book has no photographs. Rather, it has lots of pencil drawings to go along with many of the carefully written recipes. The instructions are easy to follow, but the drawings add a nice touch that make the recipes even more complete in many places.
Overall, this book is very well written and organized.
This book has an exceptional recipe for Monkey Bread, the best I have used so far.
If you want a large collection of "plain" recipes, I recommend you look at something else instead of this book. However, if you like variety and you enjoy recipes that make use of unusual ingredients for bread (at least as far as normal loaf bread is concerned), this book will serve you exceedingly well. It's a great book for the adventuresome baker.
The book is broken into four sections including transformed, constructed, extended and digital images. Each section features the work of 4 or 5 different artists. Each artist was interviewed, explaining their techniques and thoughts on their artwork. Four different full-page examples of each artist's work follows, with captions giving information on title, size and techniques used. There is also a gallery featuring examples of seven other artists' work.
Because I like to work with computer graphics I especially enjoyed the digital section. The still life with people in a soap bubble by Olivia Parker is really awesome. I love John Reuter's tile effect Polaroid transfers with nudes of as well. The winged pig of Maggie Taylor is another favorite.
A handy glossary and index are included as well as a directory of artists with addresses. With such a variety of techniques and approaches to art this book is truly inspirational.