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Heisenberg was a Nobel prize winner and the first enunciator of the uncertainty principle that bears his name. For these reasons, his thoughts on some of the consequences of the principle are well worth reading. However, Heisenberg is also known for other, more dark reasons. He was the director of the German atomic projects in World War II and seemed to have little difficulty in working under the Nazi tyranny while many of his colleagues were hounded and executed. He also proved to be an effective survivor, becoming the head of the Max Planck Institute of Physics in West Germany after the war.
This involvement with the Nazis makes the chapter "Encounters and Conversations with Albert Einstein" fascinating reading. From it, you would not know about his record of collaboration with the regime that tried to exterminate Einstein and his ideas. One must read that chapter very carefully and do a great deal of reading between the lines to really understand what is being said. The fact that Einstein was willing to meet with Heisenberg after the war tells a lot more about Einstein that it does about Heisenberg.
This book is interesting as much for what is not said as it is for what is said. This was an opportunity for Heisenberg to say something about his involvement in some very bad things as well as to put forward thoughts about physics. The first was missed and the second was a hit. If you are interested in some thoughts about how physics has evolved this century from one of best practitioners, then this is a book that will interest you.
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As I said, though, for the most part, I do like this book. Just make sure you take it with a grain of salt.
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Baumbach begins by discussing the formative years of the Luftwaffe following the First World War and then discusses certain pressing issues that arose following Hitler's rise to power, issues such as the decision to develop a medium rather than a heavy bomber force, which would have significant consequences during the war.
The author also provides interesting insight into the problems facing the Luftwaffe and rivalries and lack of coordination which impeded the ability for it successfully adapt to the nature of arial combat during the war. His general premise is that had the Luftwaffe developed a heavy bomber force, not persisted in developing numerous time and resource wasting prototypes, and focused on the development on some promising weaponry such as guided bombs, Germany may have been able to beat back the assault on Fortress Europa.
This work, which was first published in Germany shortly after the war, of course has to be approached with a certain degree of skepticism when it comes to his own subjective interpretations of certain peoples and events. All in all, though, it is an interesting read.
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Bawdy, but fun. Sometimes hilarious, sometimes sentimental, sometimes downright heart-rendering.
Certainly a one-of-a-kind, if there ever was one.
I recommend one for the man in your life, just for the fun of it.
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This book is designed as a reference not a study guide.This is one of the best Intranetware books I have read to date.
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Between X-MEN and THE AVENGERS, Roy was learning how to write comics on-the-job! His dialogue is something I can only take in small doses here, as he tries to cram every available space with word balloons, whether it's called for or not. Without Stan's sense of humor, Roy's plots have to stand on their own-- at times it feels like someone imitating a Marvel Comic more than an actual one. Roy improved over time, as his later work on this series with Neal Adams proved.
A strange thought hit me by the end of the volume-- many of the featured villains were "borrowed" from other heroes' series! This is evident in my favorite story here, the 2-parter with Count Nefaria and a group of hired super-villains. You've got The Plantman and The Eel (Human Torch baddies from STRANGE TALES), The Scarecrow & The Unicorn (Iron Man foes from SUSPENSE) and The Porcupine (an Ant-Man & Wasp villain from ASTONISH, for cryin' out loud!). They're all pretty much 2nd-stringers, yet it's fun seeing them almost act like a "team"!
One story has Jack Sparling art in such a different style it looks really odd in here-- all the rest are by Werner Roth. Judging from some of the "off-duty" scenes it appears Roth may have been more comfortable with romance than superheroics (a trait he shared with Iron Man artist Don Heck). One thing caught my attention reading this book-- Werner Roth's version of Jean Grey (Marvel Girl) bears an UNCANNY resemblance to actress Famke Janssen, who played the character in the recent X-MEN movie! It was as though he'd used her for his model-- I wonder if the producers used Roth's art as reference while casting the film?
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