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1. Wide scope, including: Neurobiology, neuroethology, molecular genetics, medicine, psychology, color metrics and measurement, philosophy, art, infant vision, and blackness induction. The scope of this book is very broad and multidisciplinary, so it tends to provide consise information about topics you won't find in the other color vision texts. Specific info about chapter authors and content may be found at (...)
2. Excellent graphics. I find it ironic that many books on color vision are not particularly colorful or visual! Let me add my name to the many who have commented on the beautiful illustrations and graphs provided in this book. This striking visual presentaton is unusual for an edited book ; I find myself frequently referring to these illustrations when preparing lectures or writing my own articles.
I would highly recommend this book to those who already have some knowledge of color, and wish to supplement that knowledge with perspectives that are different than their own.
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Have you ever wondered about the meaning of Elvis and his relationship to the destiny of the universe? You haven't. Well we all should have, and the reason why is told in Steve Werner's satirical look at Elvis, prophesy and American culture. The tale unfolds when an unemployed man receives a strange package of ancient manuscript fragments'.could these be the final insights for a spiritual transformation in human consciousness?
Using hundreds of biblical, Shakespearean and literary references, Werner has woven an impressive and at times wildly amusing interpretation of Elvis's role in the Universe as disclosed by the Bible. The Four Horsemen of the Apocalypse are revealed to be Elvis (fittingly, the White Horseman), Johnny Cash (you guessed it, the Black Horseman), Chuck Berry (the Red Horseman) and Buddy Holly (the Green Horseman).
The other major protagonist in the unveiling of the story is an aging waitress, Marie Ishmael, who reveals to Steve Werner the final 'revelations' about Elvis, his destiny and his return!
There are many clever devices in Elvis and the Apocalypse including the author's rich use and manipulation of Elvis (and other rock and roll) songs, be it the impact of 'Heartbreak Hotel' or a play on Moody Blue or Frankie and Johnny:
'Elvis imitated Saul in many ways: two whales in a pod. Saul, a moody man, had spells of melancholy. Melancholy's a fancy word for the blues.'
'Ya see Elvis was a poet, a musical poet. He was a lover, oh lordy how he could love''
The reader goes inside the 'House of Elvis' (can you guess?) and is regaled with clever stories from the 'Age of Elvis':
In the age of Elvis the tenth plague struck, the death of the first-born of Rock and Roll: Buddy Holly, Richie Valens and the Big Bopper. Their plane fell from the sky ' a flamin' chariot consumed in great balls 'a fire.
In Chapter 9: 'The Acts of Elvis' we are taken on a tour of Elvis's movie career while Chapter 16 covers 'Elvis: Death of The King' (do you get the significance of the chapter number?). It's all here in Elvis and the Apocalypse. It is a tale that keeps you on the edge of your seat through a roller-coaster ride traversing a diverse and impressive array of prosaic, important and romantic concepts, including the ominous devil's number, slicin' sand, 'Island King', Nostradamus and Elvis as the symbol of the nation of Israel.
The author uses a pleasant and visually evocative narrative, making Elvis and the Apocalypse easy to read and hard to put down:
The whine of a housefly caught my attention. My eyes were able to follow it and legitimately turn from Marie's stare without my seeming to back down in cowardice'.In the anguish of regret at its own stupidity, it buzzed its wing in a desperate but futile attempt to free itself.
Steve Werner lives in St. Louis and teaches religion and mythology as an adjunct professor.
Verdict: 'Elvis and the Apocalypse' is a very clever, funny and engrossing read. These combined with its imaginative premise differentiates it from most other fiction books about Elvis and provide a strong reason why it is a worthwhile addition to any fan's Elvis library. Brethren, Hail the King - renounce your heretic, neo-pagan ways and embrace the world of an apocalyptic Elvis!
...
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Given the very condensed way of exposing the subjects, some explanations are extremely hard to follow unless you have previous knowledge, but if you know what's going on and are just remembering, it's perfect I should have found it earlier. :)
Published in the Asbury Park Press WERNER ADAMCZYK, 78, of BRICK, died Wednesday at Laurelton Village Convalescent Center, Brick. He was a research chemist and author before retiring. He was a past master of the Rosicracian Order and a member of the Lakewood Maenerchor. Born in Hamburg, Germany, he lived in Spring Lake Heights before moving to Brick 12 years ago. Surviving are three sons, Norbert Adamcyzk, Texas, Werner Adamcyzk Jr., Florida, and Ronald Adamcyzk, Georgia; two daughters, Marion Stecklon, Maryland, and Keri Adam, New Jersey; eight grandchildren and four great-grandchildren.
A memorial service will be held 2 p.m. Sunday at the Lakewood Funeral Home, 6250 Route 9, Howell.
Source: Asbury Park Press
Published: February 13, 1999
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Lipfert, who died in the early '90's, wrote an engaging little memoir. Despite publisher's claims, you'll find little about Hartmann, Barkhorn, or Steinhoff; you will, however, get a new appreciation for the skill of Lipfert's opponents, the Soviet airmen.
Like all of the German memoirs, there is little technical information in the book--if you don't know much about the Bf109 now, you won't know much more when you finish Lipfert's book.
I risked blowing $25 on yet another disappointing book, but I rate it more highly than "The First and the Last;" "Life and Death of the Luftwaffe;" "The Final Hours;" "I Flew for the Fuhrer;" "I Fought You From the Skies; "Heaven Next Stop;" and perhaps even more highly than "Stuka Pilot."
Lipfert first takes us through his initial experiences where it was not only an acheivement to come back in one piece but to actually navigate your way home amongest the vastness of flat land with lack of landmarks was perhaps the greatest acheivement of all. With this book you will see a green pilot who is barely able to land his plane, gradually build in confidence and ability and mature to the cunning and expertise of an ace. There are many aerial combats described of in this book and done in such a way that one felt as though they were actually there in the cockpit with Lipfert, adrenalin and all.
Upon reading this book you start to realize it is sometimes just a matter of luck if you survive a war. For example, Lipfert crashed his plane into a house where his BF109 literally disintergrated with the exception of himself and the cockpit which came to rest some distance from the house, but he still lived to tell the tale.
There are also some lighter moments such as when beer had to be flown in disguised as a bomb strung underneath a Messerschmitt when all the alcohol supplies had run out. Lipfert also admitts to having flown off on more than one mission a bit tipsy!
All in all a very enjoyable book telling you how it was in the air on the Russian front.
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In his introduction, Sollors notes that the purpose of this anthology is "to make visible the most glaring blind spot in American letters." The editors, in my opinion, succeed in this goal. This is a richly diverse gathering: autobiography, myth, short stories, poetry, humor, history, sermons, and more are included. The texts span several centuries, from the colonial era to the 1990s. Each selection includes its own separate introduction. Along the way are many fascinating facts--did you know, for example, that more than 50 Welsh-language periodicals circulated in America during the 19th century?
Some of the selections that intrigued me the most were Omar Ibn Said's 1831 Arabic slave narrative (which also raises interesting questions about religious pluralism in the United States); the Walum Olum of the Lenape, a Native American creation myth accompanied by fascinating pictographs; and "The Tyrolean" (1897), Julian Czupka's humorous story of Polish immigrants.
"The Multilingual Anthology" is a book that truly opens windows onto little-appreciated aspects of United States culture. I also recommend Reinaldo Arenas' novel "The Doorman," written in Spanish by this Cuban exile to the United States.