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of Price's novels are written in the same lilting Southern dialect which is supposed to be charming and I suppose it can be so viewed. Price has created some memorable characters in these three novels, notably Alice Matthews and the old Negro Grainger in this one. At times, the novels are not perfectly organized and the endings sometimes strain credibility. This novel is redolent of family tradition as revealed by the numerous letters exchanged among the protagonists.This novel also has a lot more going for it: students who come and go, who sort of supply "background noise," a trip to New York, some interesting New York characters. All in all this novel is simultaneously worldly and quite localized. Price, interestingly, also has a most liberated view of sex, both heterosexual and homosexual, and these views are openly expressed by both the women (Roxanna Slade) and by the men, and sex is a fairly prominent feature of human relationships in his novels.
Now, as for believability, literature is a tool for the communication of ideas, just as color and light are to a painter. Would you tell Picasso that it is simply not believable for a woman to have two eyes on one side of her head? I would encourage anyone who has questions about the role of believability in literature to read Maupin's The Night Listener. He clarifies that literary truth transcends the believability of the narrative.
In summary:
1) In literature, it is perfectly acceptable to "tell" versus "show" if "telling" is the best way to communicate your ideas.
2) In literature, believability is irrelavant if the amalgamation of words effectively communicates the writer's ideas.
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You'll find many missing points which you can fill from the internet or from magazines or other resources.
Most of the chapters are excellent and are probably all what you might need for your college study like those on trauma, diseases of the thyroid and parathyroid, metabolic response to injury etc.. but there are some which are disasterous like the chapter on breast conditions, but probably the subject itself is complex and controversial anyway.
The text overall is very well written and the structure and design of each chapter is very logical, some figures are not so great though, plus the book needs an update. you might consider supplementing it with Surgical clinics of north amarica for some of the chapters you read.
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The main intention of the author, from my point of view, is to remark that both the revolution and the liberation are a complete farce, that History, as written in books, is a great deal of falsified propaganda. Danel Smiricky and his friends of the jazz band are by no means interested in heroic feats nor care about patriotism but about girls and music.
But Skvorecky gives a moving view of his characters and events, an intimate vision, tender, dramatic, satyrical, funny, critical, full of humour and nostalgia, as only Czech writers can, because I have always found that Czech writers have the incredible ability to combine the trivial with the deep, the ordinary with the remarkable, the comical with the dramatic, the harsh with the tender.
Of course, this novel, being one of the earliest by Skvorecky, lacks the maturity of "The Engineer of Human Souls"; nevertheless, it is worth while to read it and realize that nothing is what it seems and that History is subject to countless manipulations.
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The image reproductions are well done, but be aware that there are not a lot of them....
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This book, about an aging southern poet/professor who brings his only son, suffering from AIDS, back from New York to die at home, is a beautifully written and touching portrait of the characters involved. But more, it is in many ways the typical 'Southern' novel, where the tragic outcome and any hope of redemption are all bound up with family history, race, sex, friendship, the 'wages of sin' and the weight of history. There is a sensibility at work here, as in Peter Taylor's work, that seems, in its particular experession, uniquely southern but manages to be, in its effect upon the reader, universal.
This is a very moving book. The only problem I experienced in reading it was a slight twitch whenever the main character would speak of his own early same sex experiences. In these scenes, the language Price put into the protagonist's mouth seemed artifical and strained, and the euphemisms chosen to refer to body parts and sexual activity were so strange that even a Victorian would have laughed at them. Nevertheless, the story engaged the reader from the beginning and despite the inevitability of the outcome, maintained a strong emotional hold. I was deeply moved by this book, which, like the best of southern writing, left me questioning much in my own life and times.