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Yardley was an egotist, and never hesitated to take first person credit for work actually performed by subordinates, according to people who knew him. In any case, it makes a great read!






My favorite section in the book was titled Reciprocity, in which the author distilled the ingenious economic system of Hawai'i to less than two pages, and still managed to convey the complex social trait of the Hawaiian culture, uku.
It is with this sense of uku that I wish to say mahalo to Herb Kane for his gift of pictures and words, and also pass his gift onto you, the next reader.

ANCIENT HAWAII is a beautiful and understandable look at Hawaii before the arrival of Captain Cook. One would have to travel the world to see this collection of Herb Kane's paintings and drawings, and spend hundreds of hours in the library to get this sort of understanding and feeling for the precontact Hawaiian world.
Herb Kane is the real thing. The book is for everyone.

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He seems to have been something of a curmudgeon; at least, he was extremely reclusive and had a reputation for shooting cats. But at some point in his life he must have come to some sort of deep mystical realization.
Otherwise he couldn't have written this book, which reads like a Western version of Shankara. This is philosophy in the grand old style, and it's one of the high points of British idealism.
Bradley's argument doesn't always hold up in its precise details. He doesn't, for example, think that "relations" are real because (he says) they lead to an infinite regress. But Royce replied to this pretty adequately in an appendix to _The World and the Individual_. He also states firmly (and I think correctly) that there's no conceiving reality apart from experience and there's no duality in experience between subject and object. But support for this claim isn't exactly forthcoming. (Timothy L.S. Sprigge does a much better job with it in _The Vindication of Absolute Idealism_.)
But the essential structure of his argument is sound and could be carried through again with a different set of examples (the standard logical paradoxes, say): the world of our ordinary experience turns out upon inspection to be contradictory, so it can't be fully and finally real; what _is_ fully and finally real is a nondual Absolute in which all those apparent contradictions are resolved through that very nonduality.
Well, Bradley puts it better than that, of course, and his prose style is very pleasant to read. This work is also excerpted in James W. Allard and Guy Stock's collection of Bradley's _Writings on Logic and Metaphysics_, so if you want to read a shorter version, check that volume out.
Anyway, the point is, don't ever let anybody tell you there isn't any nondualistic wisdom here in the West. In a different time and place, Bradley would have been revered as a guru -- a prospect that in all likelihood would have made him cringe, so it's probably just as well. But he's clearly trying to articulate a vision here, and few writers have tackled "rational mysticism" with such philosophical flair.
I doubt that Shankara would have shot cats. Fortunately the similarities run deeper than that.





Braun tells the complete story of Gaitán...the politician who boasted that he was not a man...he was a village. The author painstakingly demonstrates the enormous importance Gaitán played among the poor. Moreover, Braun also does an excellent job of showing how Gaitán filled a gigantic void in Colombian politics. Unfortunately, the assasination of Gaitán triggered the conflict that haunts Colombia to this day. In my professional opinion, this is an spectacular book and must be read by everyone with a special competence in Colombian - American affairs.
Bert Ruiz



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this book without reservation. I've recommended it to and
foisted it on friends for years now. Many of them react much
the way I do: there isn't anyone else like Frank O'Connor.
The stories are lyrical, sharply and humorously observed, and
told with elegance in an easy but precise idiomatic diction.
O'Connor always gave his work the test of being read aloud,
and this care for the sound and cadence of his prose shows
on every page.
Finally, there is O'Connor's feeling for people. Reading the
stories, one gets the impression that he was an intelligent
but fundamentally kindly, generous man. Even when a character
in the stories does something that seems objectionable, he
never loses sight of that character's humanity.
Any selection of one's "favorite" stories will be personal.
To an interested reader, I would say, "Read them all." To
friends who ask, I add that they should start with
"Guests of the Nation" and "First Confession." These
aren't his "best" stories, but I've always liked them
both, they are typical of his best, and one must start
somewhere.
When I've given 5 stars to a book, I've often had to argue
with myself as to whether it deserved it. Not for this one.

It's not that they make you happy, exactly, but they give you a sense that life is a more worthwhile thing than you might have felt before, stranger and more full. Frank O'Connor has more stories that give me that feeling than any other writer I've read in English - The Drunkard, My Oedipal Complex, The Mad Luceys, The Ugly Duckling, Don Juan's Temptation. He gave me the same feeling I got when I read Tolstoy and Chekhov for the first time: this guy is onto something: he knows the secret, and if I just read closely enough I'll figure it out too. Well, no luck yet - but each time I read one of O'Connor's stories I feel like everything around me is both more sensible and more mysterious than it used to seem, which is possibly all the answer any book is going to give.


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I can't wait for him to publish another volume to come out so I can add it to my collection.

