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I would disagree with the above review. Only by learning WHY first, can we learn HOW later. This book is more than a cookie cutter approach to film and video. If you want to "click and drag" your way through an editing program, then true, this book is not for you. Add this to your collection if you want a book that teaches how to see and create film. Sight, Sound, Motion: Applied Media Aesthetics has staying power.

While the biggest complaint I've heard about this book is it's over-reliance on theory, it still does a good job of contextualizing theory into practical application. Thus the title of the book: APPLIED Media Aesthetics. Although I haven't read any of Eisentien's theories behind filmmaking, I suspect that Zettl's treatment would compete rather well, and is probably more accessible for a modern reader.
This book covers all the bases from color and light, time and space and structuring audio to image. Zettl succintcly deconstructs the intelligent mind behind the images and sound of our cultures film and television productions.
Sight, Sound, Motion: Applied Media Aesthetics explains the WHY of film and video production. If you're looking for HOW then turn to another book.

Professor Herbert Zettl has written the most concise manual on why we has film viewers percieve things the way we do. He explains in detail (and layman's terms) how our aesthetics have been formed to interpret the dynamic medium of film and television.
How editing of action from shot to shot creates the illusion of continuous motion. How stagelines work so not to give the effect that your actor is jumping around from one side of the scene to the other. How to crop your shot BETWEEN the bodies natural cut-off points (i.e. neck, elbow, waist) to prevent the actor from looking like a disembodied head or torso.
This book is cover-to-cover insights into what we as viewers take for granted when we watch a good filmmaker's work, but may not consider when faced with the daunting task of mounting a film production and the on-set "reality" problems that dominate the filmmaker's mind when shooting a film.
I first read this book when I was in film school twenty years ago. Since then I have directed many professional film productions and I still review it before starting a new one to refresh myself.
Just as Syd Field's book "Screenplay" is the bible for screenwriting, "Sight Sound Motion" is the bible on understanding what works in film/video and why.

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First comes an essay entitled "On Psychic Energy". This is the most difficult essay in this volume. Generally, Jung discusses his concept of the "canalization of libildo". This is interesting in that Jung tries to redefine "libido" by moving away from its traditional, purely sexual connotation. For Jung, libido is simply a generic form of psychic energy which can be redirected or "canalized" into both sexual AND non-sexual activities, such as religious rituals, dances, chants, and incantations. It is only when our intrinsic need for ritual is supressed that we find our libido forced to direct its energies into sexual perversion. Although the concept is interesting, the writing style of this essay is rather vague and opaque, and if you find yourself bogged down, I strongly suggest you skip this first essay. Don't worry - it's all downhill after this essay. The rest of the book is much more lucid and readable.
Next comes an essay called "The Transcendent Function", which basically deals with the healing breakthrough which is the goal of the patient in psychotherapy. Next is an essay dealing with the "Complex Theory". This essay deals with word-association tests in which the experimenter observes the subjects reations and hesitations when given a word that evokes embarrassing or painful memories. Both of these essays are very useful and informative.
Next we have about three more short but very profound and informative essays. Then comes the centerpiece of the book, a potent and spectaculuar classic of 20th century psychology entitled "On the Nature of the Psyche". This, along with "Answer to Job" is one of Jung's very best essays. It deals with an astounding range of topics, including the limitations and paradoxes associated with epistemology, and the dualistic and paradoxical interrelationship between subjective, inner psyche and the objective/outer world. This essay has much to say about the limitations of our subjectivity, and the degree to which we depend on other people and the outside world to attain consciousness. Jung does an excellent job in demarcating the thin line which divides the outer world and the sum of our subjective perceptions. Overall, this essay is a mind warping trip into a sea of paradoxical mysteries of the psyche.
After a short essay dealing with spirits, we come to a series of three great essays: "Spirit and Life", "Basic Postulates of Analytical Psychology", and "Analytical Psychology and Weltanschauung". These fantastic essays deal expertly with the delicate issue of fate and determinism vs. freewill, and the idea of achieving an objective attitude or "Weltanscauung". Jung warns against attempting to unite everyone under one objetive attitude or "ism". This can only lead to repression, nationalistic, racist, and PATRIOTIC BIAS, and ultimately, war. According to Jung, when one nation unites under an "ism" or Weltanschauung which is erronously believed to be objective and appropriate for everyone, we will end up with a repression of indivdual, diverse opinions at best, and at worst, will have a worldwide tragedy resulting from our quest to force this attitude on other people. (and yes, according to Jung's book, DEMOCRACY also counts as one of those "ism's" that we should not try to force on to other people). Of course this tragedy will be carried out under the banner of patriotism.
Next we have three more short essays which are very good, especially "The Soul and Death". After that, we have the famous essay, "Syncronicity", which is available by itself in paperback if you only want that. This is a fascinating essay dealing with paranormal psychic phenomena such as psychokinesis, ESP, and telepathy. If you want to see more details on this essay, see my corresponding review for the stand-alone paperback version.
Overall, _The Structure and Dynamics of the Psyche_ is a monumental, epic work. A true magnum opus of psychology, I recommend this volume to anyone who is willing to take on a challenge for the pursuit of self-knowledge.



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Paintings, etchings, drawings, and photographs illustrate in no uncertain terms would hate has done to this country. More than that the pictures combined with the simple prose personalizes each inequity that is introduced. For example, "A Rose for Charlie" presents photographs of the community disrupted by hate, as well as that community's response to the hate. From photographs of hate speech scrawled on walls to portraits of citizens mourning the victim of a deadly hate crime present a view of America that could not be farther from the Norman Rockwell ideal we all wish this country would be. For those interested, a fictionalized account of this particular crime can be found in "The Drowning of Stephan Jones" by Bette Greene, which chronicles the death of the young man simply because of who he loved.
It should be an essential book for all classrooms.



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It is a hard cover book, consisting of 300 pages, 28 illustrations and 9 maps that brings back long lost memories of what happened to me some 48 years ago...
For anyone who was a member of a National Guard outfit during these years, it is well worth reading.

Their story, from truck drivers to infantrymen, is thoroughly researched and well told here with oral histories, good maps, useful appendices, and a generous index.. The only flaw noted is the oddly popular error misnaming the National Guard facility as "Fort Robinson, Arkansas". It was, and remains, Camp Robinson. This does not detract seriously from this highly valuable work, which fills a gap in the history of the Korean War and the essential role of the citizen-soldier.
(The "score" rating is an ineradicable feature of the page. This reviewer does not "score" books.)

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I've used this commentary a lot in my Bible studies because it is very thorough and even handed. Lockyer breaks the parables down item-by-item, point-by-point, then summarizes the dominant critical interpretations of each one. Because his treatment is extensive, the commentary for a single parable will often run for several pages.
I appreciate the clarity that his summaries bring to the text. Also, he is careful to admit that we can over interpret things and for the most part, manages to avoid this tendency. He asserts his own interpretation for each parable, but not in a know-it-all fashion.
This book challenges me to think about what God wants us to learn through these stories. They are like little puzzles, and I am fascinated to think about all the different ways they can be interpreted. Also, this book has cleared up some parables that were downright confusing.