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Herb you done good and got it like none before you.

While this book does not have quite the commercial "spit shine" of other books that address boot camp, I actually appreciated it more than other related books due to the fact that the author recounts recruit training experiences with a bit more honest "true grit" than other accounts. His description is offered as seen through the eyes of a recruit versus the eyes of a detached author as with so many other military books written today.
In addition to a very good account of daily boot camp life, Herb Moore also provides near the conclusion of his book a provoking discussion on why tough training is needed in order to have Marine's ready to handle combat experience. His words ring with an air of wisdom and truth that, again, you won't find as frankly discussed in many other books.
Herb Moore is to be highly commended for authoring this book. If you are looking for a philosophical and detailed explanation of the Corps place in society, I would recommend Thomas Rick's "Making the Corps", and if you are looking for a book that chronicles the training regimen of USMC boot camp then I would recommend Daniel Da Cruz's "Boot", but if you are looking for an engaging and honest account of what boot camp life is like when viewed through the eyes of a recruit than I would strongly recommend grabbing "Rows of Corn" first!
Semper Fi, John G. Kennedy (USMC 1996 - 1999)







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Stern adopts the motif of studying a series of famous trials throughout the series. The excerpts from the transcripts of these cases are occasionally entertaining, often tedious, but always illustrative of Stern's point. Without them the books would not have been nearly as long. In one place in the book on cross, the author gives the entire transcript of a famous cross examination, and then sets it out again with annotations. Was he straining to make the book thick enough to justify the pricetag? Questions of price aside, the author's comments on direct and cross examination are cogent, well organized, and practical. The rookie advocate would do well to heed his teachings, and the old warhorse could also pick up a thing or two to help hone his technique.



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In this work Jung suggests that there is a way for modern humans of Western descent to rekindle an experience with the unknown, transcendent reality. He challenges readers to reexamine their assumptions and preconceptions. He urges readers to examine their own experiences and to analyze them without prejudice or preconception, and Jung reports what he has discovered by so doing.
This volume is recommended to anyone who is ready to move to the next level in their reading of Jung; anyone who is involved with a process of psychological transformation and would like some guidance from a non-religious, "scientific" source, and anyone who desires an overview of Jung in his own words. Those unfamiliar with Jung's work might find this volume a bit intimidating.

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The issue central to the play "Ajax" is whether the title character should or should not be considered a true hero by the Greek audience attending the play. Homer, of course, has nothing to say regarding Ajax's fate in the "Iliad," although in the "Odyssey" when Odysseus encounters the shade of Ajax, the dead hero refuses to speak and turns away. However, in his telling of the tale Sophocles adds an important element to the suicide of Ajax. In his first scene when he is discovered amongst the slaughtered livestock, Ajax realizes that his intentions were wrong and that what he has done will make him look ridiculous; he decides to kill himself, ignores the pleas of the chorus, says his farewells to his son and departs. However, in the next episode Ajax returns, apparently reconciled to life; instead of killing himself he will bury his unlucky sword and live a peaceful life. Then a messenger brings the warning of Calchas that Ajax must be kept out of the battle that day. The next thing we know Ajax is cursing the Atreidae and falling on his sword. The change is significant because it makes Ajax's suicide a more rational act. Instead of taking his life in the heat of his embarrassment over what he has done, Sophocles has the character changing his mind twice and ending his life in the grips of a cold hatred against the chieftains.
This sets the stage for the debate amongst the chieftains regarding the burial of Ajax. When Teucer wants to bury the body he is forbidden to do so by Menelaus, who calls Ajax his murderer, focusing on the intentions behind his rampage. Agamemnon also forbids the burial, making an impassioned argument for the rule of law and warning against the reliance of the army upon the strength of a single man, whether he be Ajax or Achilles. Ironically (and we surely expect no less from Sophocles), it is Odysseus who makes the argument in favor of burial. For Odysseus the good outweighs the bad and it is not right to do a man injury when he is dead. This argument certainly echoes the moral at the end of the "Iliad" with regards to way Achilles treats the corpse of Hector. Certainly Ajax was a arrogant brute, obsessed with self-glorification and unfeeling towards his family and people. But when the Trojan army almost succeeded in burning the Achean ships, it was Ajax who stemmed their attack. For Odysseus, and for Sophocles, it is clear that such a man deserves to be considered a hero and demands an appropriate burial. "Ajax" is a minor play by Sophocles, relative to what little has survived of his work, but it does speak to one of the playwright central themes, which is to find that which is heroic in a tragic situation. Having found that spark in the life of Ajax, Sophocles seeks to redeem the tragic figure in this play.

This translation is by a somewhat unlikely team. I knew Richard Pevear for his stunning, that is the only word for it, translations of great Russian masterworks such as The Idiot, The Demons, The Brothers Karamazov, Anna Karenina and the Master Margarita. These superb translations were undertaken with his wife, Larissa Volkonsky, and I urge you to grab one. They are somewhat controversial, particularly for a generation of readers who grew up with Victorian and Edwardian translations of the Russian masters. They are very close to the Russian and have an almost breathless immediacy to them. But the ARE different. ...P>So why all this talk about the Russians? Because Pevear (with an able assist from Herbert Golder) has done for the Greeks what he did for the Russians.... but this translations fiery. I have ALWAYS loved Ajax. I recently read a version of the Iliad to my three young nephews. And they each had their favourite. Achilles, Diomedes and Hector. But they each knew, that in a pinch? when the chips were down? when things get ugly? Who do you want beside you in the phalanx? That's right. That big brute Ajax. Bulwark of the Greeks. A killing machine. Taciturn. Implacable. "Even in death", writes Golder in his introduction, "in his sublime Homeric moment, Aias is famous for what Longinus called his 'eloquent silence': the refusal of his shade to speak to Odysseus in Hades." Now you HAVE to love that.
And who doesn't secretly admire him for the incident involving Athena. She took her position alongside him in the Greek line and when he saw her, he blasphemously urged her to move on saying, "Go, stand by the rest of the Greeks. The line won't break where I hold it." Yo!
Sophocles story deals with his death. And it is in his confrontation with his death that his greatness emerges. And he is given one of the greatest speeches of antiquity -- and Pevear's translation is breathtaking:
"Great, unfathomable time
brings dark things into the light
and buries the bright in darkness.
Nothing is too strange, time seizes
the most dread oath, the most hardened
mind. Even I, whose will
was tempered like iron, unbending
in action, for a woman's sake
am become a woman in my speech."
And, later in the same speech,
"For even the most awesome powers
submit to authority: snow-tracked
winter yields to the rich growth
of summer, dark-vaulted night
gives way to the shinning, white-horsed
brightness of day, a blast
of appalling winds stills the seas's rage,
even all-overwhelming sleep
binds only to let go. Then how
shall we not learn wise restraint."
Oh...my...god.
Here's the skinny on this. Trust me. This is a GREAT story. It is a GREAT play. It is a GREAT translation. And it is about a GREAT hero. Golder writes, "...for the values of endurance, tragic solitude, and heroic hubris -- the basis of the permanent values of the democratic city -- Aias is the paradigm."
...







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There are not a real Integration about Discrete Event and Continuous Complex Dynamic Systems. Only a Discret Event Systems Specification (DEVS), nothing more that DEVS. The book is anything but no visual simulation, no numerics management, no probabilities, no DAE-equations, no research operations, no object simulation, no ...
The DEVS concept born with the promise of join different formalism in the 70's (join discreet and continuous simulation), but yet the concept actually in the book is very primitive and not consider real numerical methods in only one layer (remember that many real commercial simulation software is not based in DEVS concepts. Why?, -Maybe, the DEVS concept have a rigorous and innecesary strictness in the framework concepts in modeling and simulation.)
For other hand, this book have bad thigs and good things.
Bad things:
- The algorithms presented are only fragments of pseudocode like C++ (or Java?). Where is all framework code?.
- The concepts are not in a today systemic/cibernetic vision. This is bad, because the definitions and concepts are yet of 70's. (the book is a second edition, where is the change?).
- Actually the DEVS is considered the corner stone of basic theory of discreet simulations according to autor and others, but in a book there are not real simulations for probe the theory.
- Where is THE continuous complex dynamic systems?.
- Lack of code production of real numerical and computacional methods.
The good things:
- If you don't know what is a DEVS this book is your resp.
- Is a source of excellent ideas, in special the study of Quantization and the Systems Design and Environments of M&S (IV Cap.).
Finally, the best of book is not the DEVS concepts (the book is 80% about DEVS), is the math-way how the Autor try define a basic Simulation Framework independent of the model.
Because the above, is a must have in a simulations books.


If you are familiar with the set-theory and the system theory (dealing with inputs and outputs) and looking for the simulation methodology from any IO system view, the book must be the best book to you.

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The "half mystic" in the title is Rabbi Herbert Weiner (Reform), who describes his personal interactions with various Jewish mystics and schools of thought, ranging from the highly academic university professor, Gershom Scholem, to the Breslover Hasidim in Israel, to an eccentric old scholar living in obscurity on East Broadway. There's a fascinating interview with the late Lubovitcher Rebbe (Menachem M. Schneerson) back in the days when he still met with seekers one-to-one, a personal invitation to a Belzer Hasidic wedding celebration, and a dip in the holy mikveh used by 16th-century Rabbi Isaac Luria. Especially interesting are Weiner's experiences among various Hasidic groups in Jerusalem, in a more spiritual time before the "ultra-Orthodox" became so highly politicized. In short, the book is a sort of travelogue through two critical decades, bridging the kabbalah from the last generation to remember the pre-Holocaust world, and into the modern era. For this reason alone, it's a very valuable testimony.
But don't get me wrong --- this book is not just history. Weiner's quest is as valid today as it was over 30 years ago. Interwoven with his personal experiences are clear explanations of the teachings, given in the context where he first received them. His quest to unravel the secrets is your quest also. Little by little, the book teaches you about kabbalah in a very practical, down-to-earth way. Highly recommended!


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It is however a rather interesting story of the dual coming of age of a woman and a society in a time of dramatic social change. This book provides the missing link between Jane Austen's era where the notion of an independent woman encompassed little more than a woman who did not automatically marry the first man of means who proposed to her and our modern era where we fully accept the notion of a "man-equal" female character like Heinlein's Friday. And the transformation is a most interesting, exciting, and at times enlightening one. As Ann Veronica wanders through the political and social landscape of Victorian England we are exposed to the rather startling sentiments of the time and the rather harrowing and bold adventures she undertakes in her journey to freedom, as well as to a panoply of interesting characters (like the man hating Mrs. Miniver and the absolute cad Mr. Ramage).
This book is not for everyone, but it is a very worthwhile and entertaining read if you can get into it.
