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Hey, Cambridge-- when are you going to do Leibniz?
So, for part one. Hegel is difficult. It was, as I learned, his distinguishing mark in early years: "more obscure than Fichte!" was something like a slogan. Pinkard does a marvellous job of showing the diversity and complexity of Hegel's experience (the chapters on his university friendship with Schelling and Hoderlin are especially absorbing) and pulling out some of the more unexpected sources of his thought. (Adam Smith and Gibbon and the New Testament, for example.) Ever since Dilthey more attention has been payed to Hegel's early work and for good reason. Moving from this account Pinkard gives excellent insights into the genesis and exposition of Hegel's notoriously difficult "system." Having been absoloutely dumbfounded by Hegel in the past I think this book is the best possible introduction to what Hegel is up to in his Philosophical work. Pinkard in addition to being keen has some serious philosophical chops so he brings out some aspects of Hegel that get overlooked.
As for the second front Pinkard does a great job of countering some of the more cartoonish and absurd pictures of Hegel: the pioneer of German nationalism, the doddering obscurantist, the proto-fascist conservative. Pinkard does a good job showing how the most common images of hegel are thorough characters whose longevity has more to do with the fact that few people actually read or know much about Hegel. I particularly liked the way Hegel's complex political commitments were mapped out and how the more intimate aspects of Hegel the person (his addiction to whist, his love of coffee) were brought out.
I am given to understand that Hegel scholarship is experiencing something of a revival these days, and by my account Pinkard's biography should be at the forefront of any movement. He deserves a great deal of credit for producing a skillfull, well-written and insightful work on an extremely difficult thinker.
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2) The info in the book is worth far more than the purchase price.
Anyway, this is a great book to learn not only why central planning and regulation of markets fail, but the mentality behind those type of people. This book exposes the myth that National Socialism and Soviet Communism were somehow radically different, and not in reality just different sides of the same coin. I have had many arguments with Lefists on how different socialism is from National Socialism, but with this book I can show them the error of their ways.
To sum up: If you are a market liberal, a fiscal conservative or libertarian, read this book and buy it for any central planning, anti-market advocates you know. If you are a collectivist or anti-market conserviative or liberal, please read this book and try to convince your fellows of the danger of their actions.
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Within the first few pages he disassociates himself from a pure libertarian position, saying he believes that the govenment has an important place in extending freedom. In an afterword he explains "Why I am not a conservative." For people that like to go beyond categorizing everything into left/right left/right like drill sargents Hayek throws a curve. He strongly believes that the feedback from free markets is the only way that society can adapt to change, which would be something labeled "conservative," but he goes into detail about the ways that governments can help make that happen.
I am not surprised that people like Noam Chomsky never seem to mention Hayek. Chomsky carefully selects the facts that help make his case and ignore the ones that are counter to it. Hayek's argments against socialism, or command economies are so good that they pretty much lay the matter to rest. I recently read a speech by Chomsky where he says that because of the unequal distribution of wealth that our "free" markets are just socialism for the rich. Hayek addresses that directly by pointing out that luxuries are luxuries because few of them are produces and only the rich can afford them, but if they are useful or liked people figure out ways to make them less expensively and they become available to everyone. That's just the way it is. How could it be possible that someone could anticipate the breakthroughs humans continue to make?
That is one little nugget from this book. I read once that Maggie Thatcher used to give away copies of this book saying "this is what we believe." For that reason alone it would be worth reading because of the influence her reforms had on not only England, but the thinging of the whole developed world.
Hayek's states his theory in part I of this book, titled "The Value of Freedom". He seeks to explore the nature of the ideal of freedom (liberty) and to explain why this ideal is valuable and worth pursuing. He finds the nature of freedom in the absence of coercion on a person by another person or group. He argues that in giving the broadest scope of action to each individual, society will benefit in ways that cannot be forseen in advance or planned and each person will be allowed to develop his or her capacities. Hayek summarizes his views near the end of his book (p. 394):
" [T]he ultimate aim of freedom is the enlargement of those capacities in which man surpasses his ancestors and to which each generation must endeavor to add its share -- its share in the growth of knowledge and the gradual advance of moral and aesthetic beliefs, where no superior must be allowed to enforce one set of views of what is right or good and where only further experience can decide what should prevail."
The book focuses on issues of economic freedom and on the value of the competitive market. Hayek has been influenced by writers such as David Hume, Edmund Burke, and John Stuart Mill in "On Liberty."
Part II of the book discusses the role of the State in preserving liberty. It develops a view of law which sees its value in promoting the exercise of individual liberty. The approach is historic. Hayek discusses with great sympathy the development of the common law and of American constitutionalism -- particularly as exemplified by James Madison.
In Part III of the book, Hayek applies his ideas about the proper role of government in allowing the exercise of individual liberty to various components of the modern welfare state. Each of the chapters is short and suggestive, rather than comprehensive. Hayek relies on technical economic analysis, and on his understanding of economic theory, as well as on his philosophical commitments, in his discussion. What is striking about Hayek's approach is his openness (sometimes to the point of possible inconsistency with his philosophical arguments). He tries in several of his chapters to show how various aspects of the modern welfare state present threats to liberty in the manner in which he has defined liberty. But he is much more favorably inclined to some aspects of these programs than are some people, and on occasion he waffles. This is the sign of a thoughtful mind, principled but undoctrinaire.
I think there is much to be learned from Hayek. He probably deserves more of a hearing than he gets. For a nonspecialist returning to a book such as this after a long time off, it is good to think of other positions which differ from Hayek's in order to consider what he has to say and to place it in context. For example, in an essay called "Liberty and Liberalism" in his "Taking Rights Seriously" (1977) the American legal philosopher Ronald Dworkin discusses Mill's "On Liberty" with a reference to Hayek. Dworkin argues that for Mill, liberty meant not the absence of coercion but rather personal independence. Mill was distinguishing between personal rights and economic rights, according to Dworkin. Thus Dworkin would claim that Hayek overemphasizes the value of competitiveness and lack of state economic regulation in the development of Hayek's concept of liberty.
The British political thinker Isaiah Berlin seems to suggest to me, as I read Hayek's argument, that there are other human goods in addition to liberty, as Hayek defines liberty. Further, Hayek does not establish that liberty, as he understands it, is always the ultimate human good to which others must give place. It may often be that good, but there may also be circumstances in which other goods should be given a more preeminent role when human well-being is at issue. In thinking about Hayek, it would also be useful to understand and to assess his concept of liberty by comparing and contrasting his approach to that of John Rawls in his "A Theory of Justice."
Hayek's book is important, thought-provoking and valuable. Probably no writer of a book of political philosophy can be asked for more. It deserves to be read and pondered. It has much to teach, both where it may persuade the reader and where it encourages the reader to explore competing ideas.
Probably the most important insight in my own personal life runs to the effect that the gap between the wisest among us and the most foolish among us is not as great as the most sophomoric among us think. It is, unfortunately, the last who suffer the cravings of power the most and wish to run our lives for us. This is my paraphrase, Hayek was much more polite.
He also said that English Common Law was a vastly superior system to any system designed by any single legislator or group of legislators because the incentives for individual judges are more directed toward proving their wisdom in the case at hand, in relation to similar decisions rendered by their colleagues present and past--their peer group--whereas the audience which legislators desire to impress are not their own peers and are not truly paying attention to the nature of their legislation and its consequences beyond the immediate moment whether the legislator is trying to impress a king, an oligarchy or the mass of the people. The Common Law had, and still has, a tendency to enshrine the customs of the people, yet evolved customs have shown a tendency to continue to adjust to the will of the people and, thereby, move the opinions of judges along with the changes required by the age in which they are rendered.
Public opinion may desire these changes to be made more quickly, but my study of history shows that society only needs to do two things quickly: (#1) catch and (#2) punish those citizens and non-citizens who attempt to improve their lives at the expense of others.
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Make sure you get the second edition.
Though not a Marxist myself, I found this compilation a very comprehensive view of their thinking. It should be sufficient to anyone not seeking to write a dissertation on their thinking.
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Rudiger Safranski does an excellent job of both describing Nietzsche's environments as well as distilling the esentials of his philosophy. Way too many people have mis-stated the Nietzsche message - this is an excellent source to determine what the 'valuable' message is for you.
This is the best book on Nietzsche and his philosophy I've ever read.
Why? Because instead of trying to explain N's complicated philosophical ideas all by themselves (which invariably leads to many footnotes about N's life to try and clarify them), Safranski explains the evolution of N's philosophy along with his life. You cannot help but understand it in this way.
Nietzsche lived the life of an ascetic priest who tried to pull Dionysus *inward*, internalizing the Graeco-Gnostic night journey of transformative self-enhancement, lifelong psychic combat at the frontiers of metaphor and expression. There is so much rebellious kicking and thrashing in N.'s collected works, a witch's wind of wild conjecture emanating from a chthonic whirlpool, that a long, embattled tradition of miscomprehension, accusation, and resentment was bound to ferment in its wake.... In the final year before his breakdown, N.'s landlady heard strange noises coming from his room, and sneaked upstairs to peek through the keyhole. The sight of N. dancing naked like the Hindu god Shiva, teetering on a ground-swell of hysteria, is a popular image (second only to that of a stonefaced, embittered loner pouring scorn on 'the herd' from the separatist darkness of his cold rented room) that Rudiger Safranski aims to dignify, flesh out, qualify, and redact. In this regard, *Nietzsche: A Philosophical Biography* is a boon and a delight, a sure-handed trump to all who doubt the centrality of N.'s thought (most American philosophy departments, monopolized by logicians of the 'analytical' school, do not offer a course on Nietzsche).
Safranski's biography hits hermeneutic pay-dirt, delivers all the important playlets and dramas of N.'s strange and embittered life, the byzantine reversals, the ascetic hardships, the wild years of thought-experiment and self-overcoming as this great thinker pioneered the course of non-analytic philosophy in the 20th century. N.'s passion for conjecture inspired him to structure his life so as to yield Dramatis Personae for thought, a vast cosmological theater of monstrous forces and sibylline potency blazing trails through psychology, aesthetics, philosophy of science, moral theory, and (most disastrously) politics. All philosophical thinking that measures its worth against the great Tolstoyan question 'How should one live?' will ultimately circle back to Nietzsche.
Tactfully, Safranski skimps on the details, focusing on N.'s intellectual development, bringing anecdotal data to bear at strategic moments to help qualify the radical contradictions (and/or developmental reversals) of N.'s ever-flowing deluge of path-breaking insights. When the biographer gets his blood up, his pages glimmer with concise, penetrating analogies, quicksilver correspondences, and (most importantly) stark, evenhanded censure whenever N.'s blazing hubris gets ahead of itself, as in the notorious dogmatic triptych of Ubermensch, Eternal Recurrence, and Will to Power -- a thunderous, fulminating triad of doom-eager pomposity, the fulcrum of N.'s last-ditch hysterics and tragic mental collapse.
What moves this reader most (apart from Safranski's sparkling analytic concordance) is the story of N.'s transformative self-dramatizing putting him further and further outside the loop of human relatedness (even as he penetrated deeper into the chthonic underside of morality, desire, and the historical formation of contingent knowledge-structures). The Nietzsche Syndrome has become an occupational hazard for all lonely, dejected, ego-intensive scholars -- a millstone of toxic self-importance contaminating interpersonal nuance and making the most routine human contact an act of heavy lifting. 'I feel as though I am condemned to silence or tactful hypocrisy in my dealings with everybody.' The chapter focusing on N.'s anguished courtship of Lou Andreas-Salome' is powerfully instructive. Here we see the proud egomaniac so befuddled by his philosophic fantasies (and their ruthless misapplication) that the lonely human being fulminating at their center can no longer break bread with the rest of the species. 'My soul was missing its skin, so to speak, and all natural protections.' N.'s failure to heed Zarathustra's doctrine that disciples should abandon their teachers as soon as they have 'found' their teachings brought N. 'to the brink of insanity'(253) in his yearning for Salome', who, once she understood him, left N.'s side for new intellectual horizons. (In an unsent letter, anguished love-trauma turns to squalid, adolescent rancor: 'This scrawny dirty smelly monkey with her fake breasts -- a disaster!') N. had put so much of himself into speculative thought that the intricate eroto-politicking of courtship and love had become flat-out culture-shock, a strange netherworld of alien ritual and occult formality (exacerbated by a string of spontaneous marriage-proposals to various women during periods of depression and self-doubt).
N.'s corpus of thought became, in many respects, a resentful war-machine geared to take imaginary revenge on the European culture that ignored his writings (while he lived), rebuffed his passion for radical redirection and reform, and refused to validate his Ubermenschian self-image as apocalyptic cultural messiah. We all know the story of N.'s betrayal of his earlier anti-essentialism for 'the will to power,' his grasping for the brass ring of Metaphysics, for the Type A theoretical entity that would circumnavigate and contain the Universe in its pan-relational sightlines. As Safranski notes, Heidegger would condemn the Nietzschean will-to-power as the last metaphysical gasp of a resentful philosophic priest (an allegation that would close the karmic circle via Derrida's critique of Heidegger's *own* late theorizing). N. was a new Prometheus who sought to reclaim the religious creativity of the Graeco-Christian world and restructure the soul of humanity with a renewed spiritual vigor (played against a neo-Darwinist backdrop of cold-water atheism to keep thinking 'grounded' in a steely empirical pragmatism). Safranski's text conflates every major biographical and critical analysis into a compact, razorbacked, 400-page monster head-trip written to challenge, delight, amuse, and inspire all comers. His suspenseful and compelling portrait reminds us all of why we got into philosophy in the first place.
This is a restorative text, a ritual reminder of philosophy's manifold glories and fallibilities, and a meal served in flames.
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Another excellent piece of work from Friedrich Durrenmatt, the story of The Visit takes place in a ..town in central Europe somewhere; the country is not given (the reasons should be obvious). As the town is on the verge of bankruptcy, with almost total unemployment and a pervasive sense of despair, one of the town's local folk made good comes back, hinting that she will give the town enough money to bail it out: get the factory working again, allow the stores to restock, that sort of thing. The night she arrives, she tells the townspeople that their expectations of the reasons for her visit are true, and that she will give them the money they need. She has one condition: she requires justice in the form of a lynch mob. She wants the townspeople to [take out] one of their own.
The revelation of the intended victim is the major twist here; in many ways, the play's climax is actually this scene, at the end of Act I, and the following two acts are a painfully drawn-out dénouement as we watch the townspeople's changing reactions to the woman and her demand. Unlike The Pledge, in which we see the gradual development of one man's madness, in this case we're given a woman who's arguably mad from the get-go (certainly, she's as obsessed as The Pledge's protagonist is at the end of that novel from long before the beginning of this play), and we watch the way her madness, combined with her wealth, affects the town around her over the course of a few days. Durrenmatt is a master at using small details to show how the community changes its views over a relatively short period of time, and even manages to make the rather horrific journey humorous at times (the play is defined as, and works as, a tragicomedy). We find ourselves alternately sympathizing with and horrified at the actions of the townspeople, and see no conflict in the two attitudes. A wonderful play.
This is an outrageous tale with a strong satiric flavor. The story takes place in Guellen, a European town that has fallen into economic depression and decay. As the play opens the townspeople are eagerly awaiting the arrival of Claire Zachanassian, a hometown girl who has gone on to become super-wealthy. The townspeople hope that her financial generosity will save Guellen. But from early on in the first act, Claire hints that she has a sinister, even deadly, ultimate goal.
This is a colorful, richly peopled dark comedy. It's full of arresting dialogue, suspense, and grotesque characters. A major theme is the tension between capitalistic greed and the Western humanistic tradition. The play is also about sex, lies, and injustice.
With her artificial body parts, bizarre retinue, and colorful backstory, Claire is one of the most remarkable characters in the history of drama--perhaps the most commanding female stage character since Lady Macbeth. She is charming yet sinister, grotesque yet oddly sympathetic. The creation of this character is, in my opinion, a great triumph for Durrenmatt.
For companion texts, I would recommend the following: "Rene's Flesh," by Virgilio Pinera; "Bedside Manners," by Luisa Valenzuela; and "The Doorman," by Reinaldo Arenas. Each of these works is, in its own way, as bizarre and stimulating as "The Visit."
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By Nietzsche's standards, the perspectives presented in the book are fairly measured, and the author's voice is not nearly as shrill as it would become ten years later, in his last books. Because Nietzsche settles at a high level of generalization, some opinions do sound narrow-minded and prejudiced. In this, Nietzsche was also a victim of his time and culture: his comments on women and "the youthful Jew of the stock exchange" are not intellectuals gems, to put it very mildly. Some of his other opinions, on marriage, for example, also strike me as strange. Overall, this is a book by an all-too-human philosopher, yet it is a path-breaking work, a precursor to existentialism and post-modernism, written in a style that can appeal to the reader sheerly as good literature.
Another issue for Nietzsche is the examination of the appropriate roles for science and art in human development. Anticipating contemporary thinking,he proposes that the brain has two competing/complementary functions. One, whose main product is science, brings an immediate sense of power to be able to understand what was not understood before, and what is not understood by many others. As an after-effect, however, it brings a sense of despair and depression, that previously-held illusions have been destroyed. The other half of the brain, the artistic sense, which he also calls the will to falsehood (not in a negative sense)presents possibilities, creative syntheses, or holistic images.
For Nietszche,human evolution proceeds by each individual maximizing the potential of each part of his brain, constantly generating new creative ideas, and then subjecting them to relentless analysis and criticism. This is the method Nietszche himself uses. He warns, however, that it requires incredible energy and strength to constantly be aware of and examine one's basic assumptions. Many who try will fall, (as Nietszche himself did) but, anticipating Darwin, he describes a process whereby the strongest, those most capable of enduring physical and psychological adversity, are the ones who survive and pass on the benefits of their growth.
Read this book if you are feeling depressed, read it if you are feeling strong, read it if you are feeling bored, read it if you are feeling overstressed, read it if you want a really good time, read it one page per day, read it all at once, read it in your own way, but my recommendation is READ IT.
Most of the ideas on this book prevail up to his latest works, unlike previous essays which are later diminished by Nietzsche himslef. If you like this book read "The day Nietzsche Wept", if you liked that one, read this one. Let us face the truth: Nietzsche is a great thinker, specially for his time.
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This book is a masterpiece, one of Nietzsche's most beautifully written books in which he paints a picture with witty and glamorous aphorisms. Many themes such as the Eternal Reccurance and the Death of God come into plsy and we get a glimpse of Nietzsche's nihilism. My advice is to read Ecce Homo and twilight of the idols before develving into this book. Nietzsche called it his most personal of books, and from reading it and studying Nietzsche myself I believe it to be as well. But that does not mean one should start with this book. One needs to learn and get personal with Nietzsche and gather an understanding of his concepts and ideas before anyone should dive into this work.
It is a masterpiece, but a work that is substantial and one of his longer works. Take a test drive with Nietzsche and if you want to read more, go and read this work.
The Gay Science is a pivitol book for Nietzsche because it is the first in which the tension between the spiritual seeker and the atheist becomes manifest. Gone is the skeptical pose of "Human All Too Human"; instead we have the anguish of a man torn between two conflicting ideals. The tension, while it ravaged Nietzsche, did produce some brilliant ideas and unforgettable prose, even if it did not ultimately lead to a liveable philosophy.