People who avoid Hegel because of his highly specialzied terminology or simply dismiss him as irelevant would do well to read this tightly argued work.
There is no way to label Holderlin. Of course, you can say he's precociously modern in his response to early Greek poetry about mortality and the divine, or in his freedom from mere "romanticism," but, truly, Holderlin simply stands apart from--and above--the stream of poetry, and this book is the best way to discover that.
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This version is in the original German. If you are an English reader just look for an english translation. In any case you will be delighted or maybe your life will change as that of mine when I read it for the first time. If the latter applies then you will have soon the necessity of reading it in German (learning German for doing it). I tell you by experience.
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Wrong, wrong, wrong! The pages showed an intellect and heart breathtakingly alive and engaged. Despite forbidding sounding chapter titles the prose was beautifully crafted and spoke to my life, my fears, my evasions. I found the book more akin to a sort of wisdom literature, maybe something Ralph Waldo Emerson could have written towards the end of the 20th Century. I read it 2-3 times. Gave it to friends along with advice to ignore the forbidding title and titles to sections.
Later I searched academic journals for reviews and, as I had expected, found none. There is something discomfiting about Davis' book. Maybe Davis meant to scratch your conscience, grapple with intellectual and emotional honesty and courage, put a tack in life's chair -- do those things, that is, that tend to not get one the big symposia at the academic conference. I'm not sure what Davis meant to do, but I have never read such engaged presentations of the likes of Hegel, et al, that so gently yet so relentlessly made me look at the question of how I live.
So, wandering through the Amazon.com jungle, I was greatly encouraged to see that, 12 years later, Davis' book is still available. Give it a try.
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Lou reported a conversation about the changes in his life in which Nietzsche raised the question, "When everything has taken its course--where does one run to then?" and told her, "In any case, the circle could be more plausible than a standing still." (p. 32). She described his books as the product of "his last period of creativity, Nietzsche arrived at his mystical teaching of the eternal recurrence: the picture of a circle--eternal change in an eternal recurrence--stands like a wondrous symbol and mysterious cypher over the entrance to his work." (p. 33).
This book does not have an index, and the notes on pages 160-8 merely clarify a few things, such as the date of the letter from Nietzsche to Lou at the beginning of Part III Nietzsche's "System" on page 91 which Lou used without the final comment, "be what you must be." The possibilities might not be considered so great. "In that regard, if the sickliness of man is, so to speak, his normal condition or his specific human nature itself, and if the concepts of falling ill and of development are seen as almost identical, then we will naturally encounter again the already mentioned decadence at the culmination of a long cultural development." (p. 102). The ascetic ideal "is also a third kind of decadence which threatens to make the described illness incurable and threatens the possibility of recovery. And that form of decadence is embodied in a false interpretation of the world, an incorrect perception of life encouraged by that suffering and illness. . . . every kind of intellectualism extols thinking at the expense of life and supports the ideal of `truth' at the expense of a heightened sensation of living." (p. 103). "In respect to Nietzsche's own psychic problem, it is of less interest to determine correctly the historicity of master morality and slave morality than it is to ascertain the fact that in man's evolution he has carried these contrasts, these antitheses, within himself and that he is the consequent sufferer of this conflict of instincts, embodying double valuations." (p. 113). Ultimately, "Nietzsche's thought of the Dionysian orgy as the means for release of the emotions" (p. 127) are considered "the necessary conditions for the creative act out of which one shapes the luminous and godly." (p. 127). Nietzsche and Schopenhauer are tied to "the deeply pessimistic nature of the Greeks because their innermost life, as revealed through the orgiastic, was one of darkness, pain, and chaos." (p. 127). Art is the answer, here. "The highest or the most religious art is the tragic because within it the artist delivers beauty from the terrifying." (p. 128). Modern society can hardly be comprehended without accepting that much of what is popular is produced in the attempt to satisfy that desire for art.
Over the years we have heard from almost everyone who was anyone in Nietzsche's life, except Lou Salome. This makes the published reprint of her 1894 even more important for those involved in Nietzsche studies. To say that Salome brings a unique perspective to her work is a bit of an understatement, but those who simply expect this to be memoir of the man she knew will be, I think, somewhat joyfully disappointed. Instead she has written what well may be the first attempt to view the persona behind the works. After giving us an excellent analysis of Nietzsche's philosophy, she comes to the conclusion that perhaps Nietzsche's madness was the inevitable result of his philosophy. Was this, as Nietzsche's sister said, merely a fantasy of female revenge? Then simply compare the last page of her book with the events of Nietzche's last days in Turin, events which she cannot have known. Hers is a provactive and illuminating look at Nietzsche, made more powerful by the fact that she was first to the gate and that the strength of her book is the analysis, not the memories.
As with any book on Nietzsche that comes to us in a foreign language, translation is most important if we are to have not only a working understanding, but also a deeper understanding than we would ordinarily expect. That the translator should be the late Siegfried Mandel is only to the reader's advantage. His translation is crisp and clear. His excellent introduction makes it all the more clear to me that this man is, or should be at least considered, one of the formost Nietzschean scholars of his time. (For further reference, see his excellent "Nietzsche and the Jews.")
This is a book every serious student of Nietzsche should have in his or her library and a book that may contribute to a new vision of the tortured harbinger of the overman.
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Also, whereas most books center on sister Elizabeth and Lou Salome when discussing Nietzsche and women, Mandel provides a deep look at the relationship between Nietzsche and Helen Zimmern, his first translator and herself a Jew. Scattered in between are some revealing tidbits about Nietzsche and sexuality rarely revealed in other studies.
Another strong point is the chapters on Jewish scholars and disciples interested in Nietzsche, such as poet Siegfried (Solomon) Lipiner, scientist Josef Paneth, and journalist Paul Lansky. The chapter on critic Georg Brandes is an absolute gem.
Two Appendix chapters on Nietzsche's thought concerning the Jews contain an excellent analysis of Nietzsche's often confusing writings on the subject.
If you are looking for a serious book on this subject, or if you are looking for just a good book on Nietzsche, this one is definitely one to add to your collection.