To Mr. Franco - a good work that simply requires a finer brush stroke. To TMChurch: a more careful read is in order!
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The one thing I did like about this book is Hegel's discussion on the true nature of calculus and other advanced mathematics. Hegel reminds us that most types of calculus, and simple algebra for that matter, are limited in that they require the mathematician to have final answers before he can even proceed, and the mathematical process is usually just an exercise in seeing how one arrives at these final answers. In other words, mathematics is more about tracing the path connecting beginning and end points in an equation, after this end point is already known, than it is about conjuring up answers from nothing. Another interesting aspect of this book is its innovative contributions to the world of chemistry and the origins of the modern periodic table of the elements. Hegel sheds light on the earliest days of modern chemistry, reminding us of the revolutionary processes that led up to our understanding of chemical elements and compounds. We are reminded that everything stems from and starts with the compound, and the existence of the pure elements is inferred later by analysing phenomenon such as "mixing ratios" and saturation/absorbtion capacities. Hegel explains these founding pillars of chemical wisdom which many modern scientists take for granted. It is admittedly interesting to read about the processes that led to the discovery of the now-ubiquitous periodic table.
First, Marx took capital as irrational, and the capital-labor relation as an anatagonistic relation of domination. So part of the problem with Capital involves explaining how capitalism can even function in the first place. This helps us to grapple with Marx's discussion of circulation sans crisis.
Secondly, think of department one and department two as capital and labor respectively and it makes a lot more sense. As with Vols. 1 and 3, every aspect of Capital is steeped in a description of the antagonistic social relations (class struggle) and the forms in which they appear (form here means 'mode of existence', the way in which the antagonistic social relations make themselves apparent to us.)
The reason that Marx investigates the forms of the underlying social relations has to do with Marx's conception of science. Marx uses the term science to denote thought which critiques, which does not assume that essence and appearance (form and content) mirror each other, but are mediated and therefore distorted and not directly perceived.
As for the people who continue to insist that Marx wrote an alternate economics textbook, wake up. The book is not about economics per se, since Marx felt that the separation of the economic from the political, legal, artistic, etc. was a specific manifestation of the capital-labor relation. He critiques this separation and does so, not through a transhistorical set of 'laws' (as so many claim), but through a critique of bourgeois society's own understanding of itself (most prominently for Marx, via political economy.) For Marx, the 'laws' of capital are the forms of motion of the class struggle, not transhistorical, disembodied rules.
A complete argument can hardly be made here, but do yourself a favor if you wish to make a comment on or engage with Marx: read what Marx says. Like any other worthwhile intellectual, Marx takes a lot of effort (an acquaintance with Hegel helps a lot). Unlike most, Marx really was serious, even (especially) in relation to Das Kapital, that the point is not to understand the world, but to change it. Theory can never resolve the contradictions of the practical world, only revolutionary practice, the self-activity of the working class (most of us), can produce a society based on the 'free association of producers', in which 'the freedom of each is the precondition of the freedom of all'. Hardly the vision of a totalitarian.
The economic theory is presented as if it is scientific and that the laws will lead to a replacement of the capitalist system by a superior one. Unfortunately there is no science and the description of the superior system is extremely limited.
What Marx refers to, as laws are hypotheses and effects that are the result of the hypotheses. All examples are based on the idea that a worker works for six hours for a capitalist to earn enough to pay for his subsistence and works another six hours without being paid for by he capitalist. A typical example of a "law" derived from this hypothesis is that when the labour costs of a product declines profits decline. This strange idea is based on the idea that if the total cost of raw materials and machinery depreciation and labour costs are 100 and the labour cost thereof declines from 40 to 20 that the profit also declines from 40 to 20 as paid labour time is equal to unpaid labour time. This leads to the next "law". As the profit declines with increasing investment in equipment the capitalist increases sales more rapidly than the profit percentage declines so that his absolute profit increases. It is obvious that if the volume increases more in percentage than the price declines as a percentage that the absolute profit increases. Marx devotes many pages to explaining this "law". The sentences are however very cumbersome and loaded with emotions that make it very hard work to discover that the laws are mathematical necessities. Marx does not recognise any work having value other than that of manual labour, " only the labourer is productive". He does not consider selling, product development, accounting, figuring out in what to invest, analysing risk taking as work. He therefore considers that all "profit" made is theft from the worker. Marx specifically excludes competition from his theories "actual movement of competition belongs beyond our scope". He nevertheless makes some negative comments like referring to it as " capitalism begets by its anarchical system of competition, the most outrageous squandering of labour power".
As far as the new superior system Marx only writes: "But capitalist production begets, with the inexorability of a law of Nature, its own negation". "This does not re-establish private property for the worker but will be based on co-operation and the possession in common of land and of the means of production".
The conclusion "Marxist" countries logically drew from Marxists theories were, (1) the only owner of the means of production can be the state (2) there is no needs for marketing and sales (3) profit can never be justified (4) there is something wrong with competition and that can be avoided by central state planning and (5) our success is assured as our actions are based on scientific laws. In that way they did accept his hypothesis with disastrous effect.
Some examples of emotional language, that makes the book fascinating to read. "Capital pumps the surplus-labour (unpaid working hours) directly out of the labourers", on supervision, " The place of the slave-driver's lash is taken by the overlooker's book of penalties, on profit "the profit made in selling depends on cheating, deceit and inside knowledge" and finally "If money comes into the world with a congenital blood-stain on one cheek, capital comes dripping from head to foot, from every pore, with blood and dirt".
It is fascinating that a book that describes real problems with powerful emotional language can make many intelligent people with good intentions believers without critically analysing the proposed theories. It is frightening that many powerful political leaders applied these theories (with or without good intentions).
Some important points contained in the book include his linking of animal behavior and human morality and comments about the suffering and its consequent blame that become keys to his later works. Also worth mentioning are his comments in 205, Of the people of Israel. Read this section. It is prophetic. Nietzsche saw the Jewish problem in Germany as critical to the coming century. That he became associated with anti-Semitism has been unfair and a travesty.
Daybreak is a great primer for Nietzsche's later, more systemic, works such as Genealogy of Morals and Beyond Good and Evil. Many of his later ideas are interrogated here, in some intances, the arguments are even better articulated.
As emphasized in the extremely well-written introduction by the editors (who do a great job in setting Daybreak in its context among other works by Nietzsche), the main subject of the book is a critique of morality -- what does it really mean to humans when we try to strip it down to its essentials and challenge the many conventions of custom. Nietzsche does not simply treat morality as an interesting subject for a pleasant intellectual dialogue, but rather makes it clear that he is in deadly earnest about how fundamentally important it is, and how our attitudes about it create ourselves and our world. You cannot read this book passively, because Nietzsche writes about difficult concepts that are very much alive today, such as this excerpt from section 149 about the common compulsion to conform to social custom, "The need for little deviant acts":
"Sometimes to act against one's better judgment when it comes to questions of custom... many toerably free-minded people regard this, not merely as unobjectionable, but as 'honest', 'humane', 'tolerant', 'not being pedantic', and whatever else those pretty words may be with which the intellectual conscience is lulled to sleep: and thus this person takes his child for Christian baptism though he is an atheist; and that person serves in the army as all the world does, however much he may execrate hatred between nations; and a third marries his wife in church because her relatives are pious and is not ashamed to repeat vows before a priest. ... The thoughtless error! ... it thereby acquires in the eyes of all who come to hear of it the sanction of rationality itself!"
There's much more of course, and one of the constantly exciting aspects of reading Nietzsche is to experience the way he interweaves discussions of art with larger philosophical concerns. His insights into literature and music are never trivial, and he provides a series of very startling perspectives. Daybreak is not the best known of Nietzsche's works, but it is essential to anyone who wants to engage seriously with his thought.
Nietzsche criticized the Christian moral world view on a number of grounds that he was to develop further in his later works. His basic case rests on psychological analyses of the motivations and effects that stem from the adoption of the Christian moral perspective. In this respect, Daybreak typifies Nietzsche's ad hominem approach to morality. Nietzsche asks primarily, "What kind of person would be inclined to adopt this perspective?" and "What impact does this perspective have on the way in which its adherent develops and lives?"
Nietzsche argues that the concepts that Christianity uses to analyze moral experience--especially sin and the afterlife--are entirely imaginary and psychologically pernicious. These categories deprecate human experience, making its significance appear more vile than it actually is. Painting reality in a morbid light, Christian moral concepts motivate Christians to adopt somewhat paranoid and hostile attitudes toward their own behavior and that of others. Convinced of their own sinfulness and worthiness of eternal damnation, Christians are driven to seek spiritual reassurance at tremendous costs in terms of their own mental health and their relationships to others.
For instance, Christians feel that they need to escape their embodied selves because they are convinced of their own sinfulness. They are convinced of their own failure insofar as they believe themselves sinners and believe themselves to be bound by an unfulfillable law of perfect love. In order to ameliorate their sense of guilt and failure, Nietzsche contends, they look to others in the hope of finding them even more sinful than themselves. Because the Christian moral worldview has convinced its advocates that their own position is perilous, Christians are driven to judge others to be sinners in order to gain a sense of power over them. The Christian moral worldview thus paradoxically encourages uncharitable judgments of others, despite its praise of neighbor love.
The fundamental misrepresentation of reality offered by the Christian moral worldview provokes dishonesty in its adherents, particularly in appraisals of themselves and others. It also encourages them to despise earthly life in favor of another reality (one that Nietzsche claims does not exist). Still further psychological damage to the believer results from the Christian moral worldview's insistence on absolute conformity to a single standard of human behavior. Nietzsche contends that one size does not fit all where morality is concerned, and that most of the best and strongest individuals are least capable of living according to the mold. Nevertheless, Christians are urged to abolish their individual characters, and to the extent that they fail to do so they reinforce their own feelings of inadequacy.
Nietzsche's picture of Christian morality seems dismal. He regards it as the motivation for attitudes that are self-denigrating, vindictive towards others, escapist, and anti-life. Nietzsche never alters this basic assessment of the moral framework of his own tradition; instead, he continues to develop these themes in all his later discussions of morality and ethics.
In fact, in my view, Garrison is the star of this review since his ability to keep it simple is a tremendous asset. Anyone familiar with the dark mutterings of academics in Austrian academic journals will know exactly what I'm talking about.
Aside from Garrison, the pieces by Rothbard and Harberler are the best since they tackle the central issue of Trade Cycle theory - that any system run by central bankers is inherently unstable since their tinkering with interest rates leads directly to the business cycle. Much better to have a competitive banking system without a central bank and a curency tied to gold. That way credit expansions will never be explosive. Of course, what they don't tell you is that their proposals are inherently deflationary and force deficit countries to do all adjustment when they experience balance of payments problems.
Rothbard's piece sets out the mechanics of the Trade Cycle especially well and everyone should be able to understand what he's getting at without too much difficulty. It's no more difficult than the average economics course on an MBA programme. That's hardly difficult, is it?
Readers wishing to understand the micro-economics of the Austrian school should also check out some of the recent publications of one Israel Kirzner.
And yet, "The Austrian Theory of the Trade Cycle" is a narrowly useful tool. It's like a tire gauge, that means everything when there's a problem with the tire, but tells nothing about gas or oil levels. I see few times when the average production supervisor, Sunday-school teacher or working mom would have occasion to read it.
In the introduction, Roger Garrison spells out the differences between the Austrian School and other movements in free-market economics. The Austrian School emphasizes the role of time in decision making. To think of an example, Joe wants to buy a car now that the interest rates are low. But if the interest rates are high, he'll put his money in the bank and wait a year until he replaces the family car.
Ludwig von Mises' essay, which lends its name to the book, reveals the international character of the Austrian School. The essay was translated out of the French, points back to the British Currency School, and alludes to the contribution of Knut Wicksell from Sweden. This theory was, nevertheless, developed by Austrians, beginning with Carl Menger. References to the University of Chicago and to the Ludwig von Mises Institute in Auburn, Alabama, bring the movement to a home in America.
The key point is that a boom produced and prolonged by easy bank money with government support will sooner or later contract into a bust when the easy money turns hard. Just ask any farmer who bought machinery on credit years ago, when inflation was rampant.
Gottfried Haberler demonstrates that economics is, in fact, difficult to reduce to mathematics. He points to how money is needed at different times as a product moves out of the ground through its production phases to the end user.
In contrast, Murray Rothbard tells us with sparkling satire why we no longer have "panics" and "depressions." He also gives insight on how a change in time preference changes interest rates; interest rates fall if enough buyers become savers.
Friedrich Hayek points to an insidious effect of inflation. Not is it more fun to be a debtor on a fixed-rate loan when inflation is high, but taxable profits are much higher than the profits are worth in reality. Easy money gives rise to inflation.
Roger Garrison finally draws a couple of price/quantity graphs in his summary, savings/investment graphs to be specific. Money created by the government has the same short-term effect as a genuine increase in savings, but genuine savings are lower because savers are coolly greeted by lower interest rates for their hard-earned money. The bust after the boom is a real let-down.
With my MBA from Campbell, this material is clearer and livelier to me than it would be to the man on the street.
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Just such a report has since be published (2000). I had the great good fortune to discover Walter L. Friedrich's volume Fire in the Sea while browsing the various Amazon links from another book on geology. Although it's not an in depth geological or archaeological survey of the research on the island, it is an excellent compendium for the page length of what is known about it with respect to these two topics. Above all it is an approachable discourse on the tectonic history of Santorini, both ancient and modern. There are wonderful photos of the various vistas around the island-many of which I recognized from my own visit there--and several maps that show the development of the site through time. Reports of volcanism and earthquake activity through the ages are included from earlier authors that give an almost biographical character to the story of Santorini or ancient Thera, and there are several illustrations of Minoan art work that help recreate the character of the island prior to the eruption for which the volcano is most noted and often cited, that during Minoan times ca. 1700 BC. At the end of the book in Appendix 1, the author has included one of Plato's Dialogs discussing the ancient tale of Atlantis with which the island has been linked by a number of researchers.
I found the book to be an excellent discourse on the geology of the island but was a little disappointed in that there was so little about the archaeological site of Akrotiri, especially as geologists-including Dr. Floyd McCoy, with whom I worked and who is mentioned in the volume-have been very helpful in illuminating some of the events of the city's last moments. The excavation site is fascinating, as the structures are preserved in places up to second stories. The faulted stair case (p. 70) is included and is one of the most emotive sights in the devestated city, but a more thorough discussion of the site and what is believed to have occurred there during the eruption that ended its life is a very stirring tale, one that could have lent a greater sense of the moment to the reader. It would also illustrate how the activities of archaeology and geology are integrated to generate productive results. Although the author discusses in brief some of the concerns of the modern inhabitants of the island, I would also have enjoyed more photos of the modern towns in the area, since I suspect they are very like those that have existed on the island since antiquity. A discussion of their own history and likely future would have added a sense of continuity to the tale of Santorini
Ash particles from this 1980 eruption in Washington State's Cascade Mountains were thrown high enough to be caught up in the jet stream and deposited in a fine-grained plume that extended all the way around the world. This prompted publication of tongue-in-cheek picture postcards that proclaimed, "Don't come to Washington: Washington will come to you!"
But since the book was originally published in Germany, the authors may be forgiven for expecting comparisons with Stromboli and Vesuvius to have more interest for their target audience. An Indonesian author of a similar book might well have focused on comparisons with Krakatoa.
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The introduction and preface are the most valuable parts of the book.
Much of the book is only of historical interest. His history of Greece, Rome, Israel and the Germans cannot be taken seriously anymore. There are racist and jingoist views in this book that seriously date it.
On the other hand, the book clearly expresses Hegel's spiritual philosophy of an evolving God who learns from the history of the world that is his thought.
For those who are looking for an introduction to Hegel that is written in his own words, this book is invaluable.
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There is also "A Glimpse Into Heidegger's Study," which consists of photographic reproductions of several pages from one of Heidegger's copies of Hölderlin's poems which show Heidegger's marginal notes to Hölderlin's poem "Griechenland." Perhaps the most accessible of the essays is "Hölderlin's Earth and Heaven," in which Heidegger meditates on this poem. Written by Heidegger when he was almost eighty years old, nearly all of the themes of the earlier essays are revisited in it: the forgotten question of the meaning of be[-ing] [Sein], our intimacy with nature and its mystery, the poet's calling, the provenance and essence of language, the sense of the holy on earth, the uniqueness of human presence among things, the spiritual core of experience, the omnipresence of the Greek philosophical tradition in Western sensibility, the primacy of thinking in existence, the meaning of belonging to a cultural heritage, and human historical destiny.
These essays are not literary criticism in the ordinary sense, although they have by now inspired a generation or two of scholars (beginning most notably with Jacques Derrida) who undertake various forms of textual analysis of works of philosophy and literature. As Heidegger notes, the essays "do not claim to be contributions to research in the history of literature or aesthetics. They spring from a necessity of thought" (p. 21). What, then, are these commentaries? They are not explanations of Hölderlin's poems, prose versions of his poetry; rather, they are Heidegger's efforts to get at Hölderlin's thought, which, like anyone's thought, he believes, remains and must remain a mystery. According to Heidegger, "we never know a mystery by unveiling or analyzing it to death, but only in such a way that we preserve the mystery as mystery" (p. 43). We should also note that, for Heidegger, authentic poetry is not a literary genre alongside drama and the novel, but is rather "the founding of be[-ing] in the word" (p. 59). The nature of poetry, Heidegger says, is ontological, not linguistic; its source is remembrance [Andenken] or "reflecting on something, [which] is a making firm . . .. Remembrance attaches thinkers to their essential ground (p. 165). In another place, Heidegger call this making firm or thickening of thought in recollection or reflection writing [Dichten] in the basic sense or "poetizing thinking," which Heidegger further characterizes as an activity of that special individual, the poet's poet (p. 52), who is situated "between" (p. 64) human beings and the gods. The poets, whom he calls demigods (p. 126), are analogous to the chthonic gods Heidegger finds reference to in the fable " Cura" (Hyginus), which he cites in Section 42 of Being and Time. In that text, we recall, Heidegger finds an early preontological reference to Sorge [minding, also translated as care], which he takes to be the fundamental feature of existence.
For the existential analyst, however, the most remarkable passages are found in "'Remembrance,'" where Heidegger presents a brilliant, albeit brief, phenomenology of shyness or retraint [Scheu] [ (p. 153). The context of the discussion of restraint is Heidegger's description of the nature of the poet, who thinks back to the origin of the rivers, that is, to the origin of the poets themselves, those unique individuals who mediate between what is of this earth and the gods (p. 126). The poet is characterized by restraint. What is restraint? It is not bashfulness [Schüchternheit] or timidity, Heidegger explains, nor is it based on insecurity. Instead, restraint is a keeping to oneself that is marked by a concerted reserve in the face of that about which one might easily be facile. Restraint is a keeping to oneself that guards something precious, for which one feels great affection. What evokes restraint first causes the poet to hesitate and withhold what he or she might be tempted to make available without further ado. The heart of restraint is forbearance [Langmut]. Restraint is a model of what human presence might aspire to. In an age when self-assertion and "attitude" are accorded pre-eminence among the behaviors associated with success, fulfillment and self-realization. It contrasts with childish demands for immediate gratification and the unwillingness to postpone gratification. It is also seen in the capacity to wait-for answers, for a solution to life's everyday demands, for resolution to the congenital ambiguity of life on this earth, and for change in psychotherapy.
"Restraint is that reserved, patient, astonished remembrance of what remains close, in an intimacy that consists solely in keeping at a distance what is far off and thereby keeping it ever ready to arise from its source." The references to intimacy and distancing are familiar from Heidegger's other writings, where they are associated with be[-ing] [Sein] and its source. Given the relation of thinking and be[-ing], restraint is "knowing that the origin [of be[-ing] in its source] does not allow itself to be experienced directly." As Heidegger understands it, the fundamental tone of restraint, then, is humility with respect to our grasp of what is going on. "Restraint determines the way to the origin" of be-[-ing]. It is both our way out of inauthenticity and the way in to the source of be[-ing]. Moreover, Heidegger adds, restraint is "more decisive than any sort of violence"--including interpretative violence in psychotherapy.
Finally, there is Heidegger's notion of recollection, which is not a retrieval of the past, as it is in psychoanalysis. Instead it is way of moving into the future by taking over one's destiny, authentically and with resolve. The poet's experience, once again, provides the model of this kind of recollection, which might serve all human beings, who, as Hölderlin says, "dwell poetically on this earth."
Although one may criticize Heidegger's investment in Holderlin's writing and life as partial, and perhaps as conceptually manipulative, the book offers a fascinating engagement
with the life of words.
A fair criticism of this book might note that Heidegger draws parallels between Nietzsche and himself (Being and Time: being = will to power; time = eternal return), and that this suggests he may be reading more than is really there. But considering how cryptic some of the original writings are, he'd almost have to. In his own defense, Heidegger does all his thinking right before our eyes, so to speak, and I'm satisfied that any possible invention on his part is true to the original concepts.
Where this book really shines is in its handling of the eternal return. This is Nietzsche's most troubling idea, and many commentators treat it as mere novelty and move on. I must confess that I used to think it was Nietzsche's Achilles' heel; a sort of personal fancy that he worked into the background for giggles. But Heidegger proves the opposite to be true. It is really the mature fruit of Nietzsche's whole project; and along with the will to power, a truly exciting and profound view of the phenomena of life.
Beyond Good and Evil opens with a section on the 'Prejudices of Philosophers', in this he under takes a critique of the philosophical traditions. Unlike previous philosophers, Nietzsche does not select an issue or notion and analyze it, in the process distinguishing his views from those of the previous writers and erecting a body of concepts that form a system of thought. Instead he calls into question the very basis of philosophizing. His targets are philosophers themselves. He claims that philosophers merely pose as persons seeking the truth.
Nietzsche considers religion as 'neurosis', it involves an unnatural self-denial and sacrifice. He is not unaware of the advantages that religion brought to human society, even as it has debases human nature. He believes it has helped create a variable social order. By demanding we love each other. However his attitude towards religion is that it represents a stage in human development that must be over come.
Beyond Good and Evil is not an easy task to read. I admit that there are parts of this I I had trouble understanding and often it was a frustrating read.