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The reading is easy, the writing plain spoken, gentle and clear.
The messages from Sylvia, Francine, and Raheim are vibrant with the reality of life lived in acceptance and understanding. Mother God as the loving warrior custodian of earth ... Azna ... and Mother Nature ... not to trifle with her protectorate ... including our own true selves ...
Father God as Om, original essence, Spirit, so oriented to essence and spirit that he has a hard time appearing in form for long ... on Om's behalf we experience ... with Azna's help we keep the promises we've forgotten that we made before we came ...
With Sylvia's help we remember how to encourage ourselves and others and to be at ease in the natural order, not dominant, not judging, not forsaking our own gifts.
Reading these books ... well, it's a bit like sharing a hot tub with God and Goddess ... almost a trip back Home ... a window into the loving structure of the universe that will not be a surprise to readers of Sylvia's other books. But there's more.
In these books she provides exercises and meditations we can use to help ourselves remain connected to the loving best we truly are and daily want to be.
Five stars to this gracious lady author teacher pastor and thank you to her for sharing these gifts.
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Her life is a shining example for all to strive and achieve their highest goals. It is of particular significance to young girls, who can read about Ms. Earle's pursuits and enter arenas that they might have thought were closed to them. Although the book is geared toward 9-14 year olds, it is an enjoyable read for all who have ever dreamed.
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Never predictable, always suspenseful as to what we will find at each stop along the way, this book is for anyone who has an interest in family, legacies or quilts.
By now we know all the Elm Creek regulars, Summer, Sarah, Matthew and Andrew. The author sweetly addresses the marriage of Sylvia and Andrew as she wakes up in the arms of her new husband, showing that love is for all, not just the young.
The description of the Spanish Flu epidemic of 1918 was spot on and timely in view of the times we are living in. Of course, that particluar flu won't hit us again, but it is a strong reminder of the transitory lives we all lead.
I only wish that we saw more resolution in the situation with Andrew and his children. But perhaps that story is yet to tell. My only fault was that Jennifer has the date wrong for the sailing of Titanic. She sailed from Southampton on April 10th, 1912, not the 12th.
With rich descrptions, and warm characters playing against a cross section of America, I can only compare this book to the experience of snuggling under a cozy quilt while eating warm cookies with ice cold milk. Pure bliss.
Sylvia Bergstrom Compton, director of the Elm Creek Manor, is preparing for her late-in-life wedding to her longtime friend, Andrew. She decides that, instead of making a new wedding quilt, she will use the beautiful masterpiece quilt pieced by her mother, Eleanor. Sylvia's mother died at age 30 and Sylvia barely remembers her, but she does remember the beautiful quilts that adorned the beds of her childhood home. She climbs to the attic of the Manor to rummage through crates and trunks and discovers to her dismay that not a single quilt remains. Sylvia left home at an early age and her sister had sold the valuable quilts decades earlier when the family fell on hard times.
Sylvia's younger Manor employees help her launch an Internet search. Through emails and phone calls, Sylvia learns of quilts in homes, museums and shops that match the descriptions of those she most vividly remembers from her childhood. Sylvia and Andrew set out on a nationwide tour in Andrew's motor home to follow the scraps of information.
THE QUILTER'S LEGACY chronicles the search for her mother's masterpiece quilts and, thus, the history of Eleanor's life in Manhattan and Pennsylvania at the turn of the 20th century. Sylvia learns that her mother defied her parent's Victorian dictum to marry to enhance the family fortune by eloping with the man she loves. The hardships and glories of the early years, from the 1918 Spanish Flu epidemic to the sinking of the Titanic weigh upon Eleanor's family. Sylvia and Andrew ramble through museums, antiques and crafts stores from California to Iowa to Pennsylvania in search, not only of the quilts, but of her mother's past.
As Sylvia recovers some of the lost quilts and resigns herself to the loss of those that can never be found, she rejoices in discovering her own legacy. Women who quilt will revel in the detail and history of famous patterns and the stories they tell. For non-quilters, a door may be opened to tempt one to delve into this intriguing craft.
--- Reviewed by Roz Shea
Years later, Eleanor's daughter Sylvia is dismayed that her sister sold her mother's five beautiful quilts. One of the Elm Creek Quilters locates a website whose purpose is to reunite quilter and quilt. From the replies she gets on the Internet, Sylvia accompanied by her fiancée Andrew set off on an odyssey to find out the history of each of the quilts once they left the family.
Past and present are played out in alternating chapters so that readers get a feel for what Eleanor's life was like and how Sylvia reconnects with her mother who has been gone for more than half a century. Jennifer Chiaverini's fascinating family saga, rich in period detail and showcasing characters who though elderly continue to live life to the utmost. This is a superb novel in a heartwarming series.
Harriet Klausner
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Because "Red Light" was published in '96 the subject of computer oriented work is out of date, but the predictions regarding that arena have turned out to be mostly true. Frustratingly, Ridgeway occasionally makes sweeping or trite generalizations - particularly in the introduction - without presenting information beforehand to bolster his statements. The biggest drawback to this book is that it is geographically focused on New York and New Jersey, which are unique to anywhere else in America. Lastly, while it is often understandable, Ridgeway sometimes uses language that hinders the reader from deciding how he or she feels about a certain situation or person; or he turns the narrative in a negative direction if an interviewee starts to express something positive.
Even so, since I'm interested in human sexuality, our society's dichotomous, hypocritical and confused views on sex, and because I believe in freedom of choice, I thought "Red Light" would provide uncensored insight into the sex worker's life. It did that, though not to the extent I'd hoped. Mr. Ridgeway mainly focuses on the squalid side of the business (e.g. street prostitution and small time go-go dancing), and limiting this exposé to New York and New Jersey says more about the culture of sex work in those areas than it says about sex work everywhere else. However, even within that limited area the authors had their work cut out for them, which they presented in a bold and visceral style that gripped my attention.
"Red Light" will undoubtedly get people to re-evaluate their perceptions of the sex industry. The inherent dynamics of sex work - greed, laziness, male lust, fear, danger, fantasy, and denial - ultimately reveal the banality of commercialized sex.
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Gifted students tend to learn less in the regular class and are often underachievers. This book provides resource materials for a wide range of subjects for helping them to "compact" the curriculum (cut out what is redundant to each) and form flexible groupings so that individual needs can be attended to. It is based on accumulated fruitful applications and it should be a standarad reference for all teachers. (Part of the content could be for American use only.)