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And this is not just an ordinary book. I came accross it one day and decided to give it a go, having read other Plath works. This book is incredible, te utter childishness of it, every time I think of it, it brings a smile to my face. This book is a must-read.
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You cannot imagine what you will find in this book, though -- it is so different from Women's Lib and and the generalized Greek and Roman myths, for example.
Perera discusses the bi-polar nature of women and mythically describes their arrival to Power and The Deep Feminine.
If you are serious about your path of development on the female side, I can't think of a more worthwhile book.
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Hopefully, we'll be able to enjoy Sylvia Nobel's next book very soon.
vicki galloway poormansq2@aol.com
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Would it be possible for me to talk to him either through yourselves or myself?
Regards....Ray Kirton ..Sydney..Australia
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I have to say that I am spoiled to the day. So many of the recipes in here are much better than what you'd get at 99% of any typical Chinese restaurant. I now live in one of the largest cities in the U.S. and it's still hard for me to find food as good as this.
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The poets of "Eight" are Theodore Roethke, Elizabeth Bishop, Robert Lowell, John Berryman, Anne Sexton, Sylvia Plath, Allen Ginsburg, and James Merrill. Each poet's work is prefaced by a substantial individual introduction.
There are many masterpieces in this book. Curiously, I found the most compelling poems to be those that focus on nature: Roethke's "The Meadow Mouse," Bishop's "The Fish," Plath's "Mushrooms," and Merrill's "The Octopus." Poems like these combine skillfully used language with keen insight, and reveal these poets to be true heirs of Walt Whitman and Emily Dickinson (two of the featured artists in "Six American Poets").
Overall, I felt that "Eight" was not as strong as its sister volume, "Six." Although there are many poetic masterpieces in "Eight," there is also much material which, in my opinion, hasn't aged well. The so-called "confessional poetry" of some of these writers strikes me as overwrought. Some of the longer poems failed to resonate with me. I was particularly disappointed by Berryman's "Homage to Mistress Bradstreet," especially since I am an admirer of Anne Bradtreet's own work. Admittedly, this criticism may merely reflect my own personal tastes, but I submit it for the reader's consideration.
The fact that so many of these poets either wrote about each other, or pop up in the editor's introductions to each others' work, sometimes gives the book as a whole a creepy, incestuous feel. And the fact that so many of these poets committed suicide, had long-term mental health problems, and/or suffered from addictions further gives the book as a whole a rather morbid feel. On second thought, maybe this group of eight is a bit problematic!
Still, editor Conarroe has assembled an impressive anthology that I would recommend for students and teachers, as well as to a general readership. Although a mixed bag, "Eight American Poets" contains some truly enduring work by an octet whose legacy is secure.
Like Conarroe's "Six American Poets", the anthology introduces us to each poet with a short biography that is presented before the poet's work. We learn about their lives and come to understand some of the primary forces that have shaped their poetry. I have found that this greatly enriches the experience of reading poetry because I better see the struggles that lead to each individual creation. After each collection, Conarroe offers a list of books and anthologies where each poet has been published so that we, should we wish, can come to know the work of a given poet much better.
This anthology is a wonderful starting place for someone who, like me, desires an introduction to some of the greatest American poetry ever produced. Personally, I feel, after reading this anthology that I have come to truly appreciate the work of Elizabeth Bishop and Theodore Roethke, in particular. I had never known their work well, but suddenly each jumped off the page at me, Bishop for her wonderfully vivid descriptions and Roethke for his intensely moving subjects. Plath and Sexton also really spoke to me, their work so reflecting their lives. Overall, this anthology is superbly worthwhile reading!
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I read it in one sitting, absorbed by Melinda's struggles, by her friend Alex, and by the philosophical themes that underlie Ms. Engdahl's work.
Though it was an interesting story well told, I did feel compelled to dock it a star. The author has a definite bias in favor of space colonization, and all of the conflicts in the novel are weighted towards that.
Poor Janet, the space-phobic biologist, is the novel's strawman (or woman): all of her objections to colonization are so extreme, they are set up only to be knocked down. I felt the same about Melinda's flaws: To arrive at a faraway place without much idea of how people actually live, (particularly when you've never wanted to visit!) isn't provincial, just human.
Another reason for docking it a star is the novel's adaptation of the concept of Manifest Destiny, glossing over the more brutal flaws of that inspiration to expansion.
Ms Engdahl believes that expansion and exploration are a challenge humanity needs to rid it of war (explored more thoroughly in The Far Side of Evil.) However, America's own history proves this is not so; sadly, we bring our problems with us, rather than leave them behind. New territory alone does not solve them.
That is not say there is no value to the idea of space exploration and colonization. It is true, after all, that humanity needs challenges to grow. I also believe, as she does, that a society with too much material comfort, and too little challenge, can become corrupt, even decadent.
I don't agree, though, that space exploration is the only answer. Though the idea is raised only to be dismissed, there is value to the idea of solving our problems before we export them to new worlds. Certainly there are challenges enough here to demand our creatively, commitment, intelligence and courage for generations to come. Perhaps we shouldn't wait to solve *all* of our problems before venturing to other worlds, but we should at least learn how not to exploit an environment simply for what it offers us.
Now back to the story: Unlike so much science fiction, the conflicts and situations are rooted in what is human and believable, rather than some "futuristic" idea of how people should behave. This is what makes the story so gripping. Melinda meets challenges and grows, without coming across as unusually perfect or good. Alex slowly becomes her friend and guide. It would have been easy for his character to come across as two dimensional or insufferable. Instead he is intelligent and fairly wise, but not flawless.
I did feel a little uneasy with the issue of Melinda's longing for Earth, and how that is resolved--or rather, never fully resolved. One thing is clear: changing planets isn't like changing continents; it is going to an environment entirely hostile to humans. Longing for air, water, plants, animals, Earth landscapes, weather, is more than homesickness. It is longing for the very stuff we are made of, and that makes us. I also had trouble believing that her choice must be a one-time all-for-nothing one, since Melinda is something of an heiress, and could therefore afford more than one trip. There was a little too much sacrifice in the resolution of that conflict for me.
In spite of my misgivings, I was moved, left unexpectedly happy and hopeful, by the ending, especially the final paragraph.
Bottom line: If the book is in your public library, get it! (along with her others.) You won't regret it, especially if you know a girl or young woman who loves new worlds and loves to read.
Anyone familar with Engdahl's work understands that she lays a foundation of philosophy and bases story atop this sometimes shaky ground. Her ideals, however, are refreshing. Not hard sci-fi, not entirely romantic, and certainly not pushy, but full of hope and whimsy and thought-provocation. Considering that this was published in 1970, the scientific reasoning (surrounding the journey to Mars and Mars itself) is left open-ended and ambiguous, which I actually appreciate. It gives the novel a sense of timelessness and doesn't outdate recent scientific knowledge. What's left is a charming, charming tale.
We the reader even get our happy ending.
By the way, this was the first novel Engdahl wrote. She had difficulties locating a willing publisher and, while still searching, wrote Enchantress from the Stars. It was this second novel that got quickly swallowed by the Atheneum publishing house who then agreed to also print the much beloved Journey Between Worlds.
So, if this book presents itself, I highly recommend it! It's a fast and fetching read, Absolutely charming.
Don't pass up a chance to read this book.
P.S. They should make this book into a movie!
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That this book should be out of print is a complete mystery to me, not enough violence in it, I imagine. As for the used price above, I can just imagine snuggling in bed with my child and an antique book... Books like this are meant to be read again and again, not placed in a gilded cage on a pedestal.