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Congratulations to a fellow PA author....
It is the early 15th century and is the story of Jean Le Drapier, who is a crippled man with his own "magical powers" (ala Merlin) and a French nobleman Gilles de Rais. Gilles is "destined" one day to fight alongside the Maid of Orleans herself; he will also become the progenitor of the Bluebeard legends! As in the actual story, this novel examines the internal political, social, and religious struggles among the people of France and does so in a most appealing manner!
As the story begins, Guy de Rais, who is poaching on illegal grounds, accidentally shoots in the hand a young peasant boy, Yann, who, naturally (or "unnaturally") becomes infected; the wound cripples him and he begins to have fits and see visions--he sees the salvation of France through Joan of Arc, among other "sights." There is the traditional hermit, who insists that de Rais become resonsible for the child's upbringing. (De Rais has a son named Gilles, who grows up with Yann.) And while this may be reminiscent of Mary Stewart's Merlin/Arthur trilogy ("The Crystal Cave," etc.), Chamberlin's story stands on its own.
As the story progresses Yann and Gilles explore--and embrace--the Old Religion and during ritual ceremonies, Gilles tatoos himself (chin: blue--hence, "Bluebeard"). Guy de Rais attacks these rituals (he is not an advocate of the Old Religion) and mortally wounds the hermit. Yann issues a curse (they all die soon after!) and inherits the shrine. The beauty of fiction is that the author is permitted to take liberties and Chamberlin does with the historical accounts; but no matter. This is fiction--and fantasy fiction at that--and as such the author has created an exciting, compelling work. We can only encourage her to publish the next episode. (Billyjhobbs@tyler.net)
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To the unknowing, Nichols narrative may seem a bit too cheerful, frivolous, or shallow, but his book is intended to entertain the reader--this is gardening mind you not the aftermath of war. To the extent he able to do so, Nichols kept the events in the DAILY MAIL out of his gardening books. As a result, some readers today can mistakenly think him an English prig who had no concern for life outside his own back yard.
MERRY HALL begins one afternoon when Nichols and his 'man' Gaskin stumble across a derelict Georgian manor house and it's grounds. Nichols is overcome with a desire to restore the house and rebuild the grounds. He has been living in London and until that fateful day was more or less settled, but now he wants to "move beyond the Tudor world" and into the world of the Georgian Manor House. He buys Merry Hall and thus begins his adventure.
MERRY HALL was written about six years into the project. By that time Nichols had undertaken the restoration of the foul smelling pond just off the music room and won the support of the able Oldfield, the gardener who came with the house and grounds. The book is an interesting mixture of personal anectdote, observations about the various neighbors who have their own opinions of what Nichols ought to restore the house and grounds, insights into elements of garden design, practical advice about various bulbs, shrubs, garden ornaments such as urns and benches, and observations about greenhouses and cats.
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Her unique and fresh writing style should not be overlooked either. She wrote this book at a good time in her life as well, it is reflective and filled with the insight and intelligence of years and experience.
I guess I've read this book three or four times now and it never gets old.
I also recommend Ms. Johnson's novel, In the Night Cafe, another skillful invocation of the Beat period.
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1. This book focuses on the development of the Philosopher's Wool yarns and is written by the owners of that company. It provides wonderful photographs of their distinctive designs and very excellent instructions for re-creating the attractive sweaters.
2. In addition to patterns, there are lavish illustrations, clearly drawn, showing the tubular knitting technique, whereby sweaters are knit seamlessly in the round and then cut to create open jacket fronts and button-down vests. This is similar to the Norwegian method of knitting, and well described with excellent hints.
3. The yarns (admittedly all Philosopher's Wool products) are appealingly presented to show colorways. If you aren't going to knit one of their projects, or if you don't succumb to the temptation to buy their wool, you can use these colorways with any other yarns. The photographs of yarns and model sweaters are really excellent. The book format is large, so the photos are detailed and beautifully rendered.
4. The concept of random yarn changes to create a complicated colorwork background, which is used by such top designers as Kaffe Fassett, is well described and charted. In particular, the Trillium sweater shows how to change yarns on a foreground flower and background stripe to achieve a sophisticated look that belies the relative simplicity of the technique.
The story of how this Ontario couple started their successful business is inspiring to read. Even though this book is geared to their own wool and designs, anyone who likes to do colorwork knitting can use the techniques and examples given in this book to branch out on their own ideas. In summary, a book of useful techniques for colorwork knitting that can be applied to other types of yarns, if you choose.
I recently had the pleasure of meeting both of them at a yarn show, and they are truly wonderful people, always ready to give a helpful hand in any way they can. Their book is chock full of info, to say nothing of the many pictures and patterns that are incuded. Five stars aren't enough for this one!
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Rinaldi, in her classic style has taken an event in history and built a wonderful, captivating story around it. No matter how old I get, as long as she keeps writing, I will be reading. I highly suggest you do the same. If you are have never read her books before, this is a great place to start.
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Following the instruction in this book, there is no wrong way or result. In fact, it brings the fun back to the art, the main reason why I picked it up in the first place! There's plenty of time and exercises for experimentation and developing a feeling of how the watercolor works, rather than heavy logical technique of mixing colors, brushing strokes, etc. Best of all, this book only require minimum equipment with only 3 brushes and 4 tubes of paints!
I highly recommed this book for someone who is a beginner and sensitive about their art, like me. I'd recommend this also for children or adult who have been having a bad experience in painting/drawing in the past. It has surely encouraged me to paint some more, without guilt. A truly enjoyable book!
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