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Darren Clarke New Zealand
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After I had completed a four week seminar at the Euro Center Language School in Alexandria, Virginia, my teachers gave me the best training marks a student ever got there: four `10's. Nevertheless, American native speakers were still able to detect my German accent in my English. Then I found Ann Cook's AAT in a book store in Washington D.C. I started an intense training. Recently I attended an English class in Munich, Germany, where I live. The teacher, an American from New York, wanted me to leave the class room because she thought I was an American who wanted to pull her leg by coming to her class. By the way, it's never too late to start with AAT: I'm 60 years of age. Anybody can do it if he or she tries hard.
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First Night, An Anthology of Romance Novellas, is the real thing.
The four stories in First Night are original novellas by four new writers. Each of the stories is brilliant. Honey Clover by Pauline Shannon is exceptional in every way. I've recommended it to all of my friends and now I'm recommending it to anyone who likes to read romance fiction that is sharp, sexy, passionate, interesting and polished.
Jen Safrey's Fate and Firecrackers is a sharp little ditty that reads very quickly. I like that the lead female character is a drummer and the lead male character is your typical hot Latin lover.
Bobbi Lerman's Providence is a coolly thoughtful story with a nice air of mystery and magic about it. It is a time-travel, and I enjoyed that it didn't get bogged down by ridiculous excuses for how the time-travel occurred, it instead focuses on building the relationship between the two lead characters.
MaryAnn Mangini's Renaissance was the most serious of the four stories. The detail in the story about Venice is rapturous. I very much enjoyed the characters.
Overall, First Night is the best anthology I've read in a long time.
Honey Clover by Pauline Shannon and Providence by Bobbi Lerman are opposites in season (spring and winter) and in content (Providence is a time travel; Honey Clover is set firmly in reality with science as a supporting character.) Both stories share lovely writing styles and the authors have created heroines that are smart, alluring and complicated enough to be extremely interesting.
Fate and Firecrackers by Jen Safrey (summer) and Renaissance by Mary Ann Mangini (fall) are also opposites. Fate and Firecrackers is a fast, scintillating read that heats up quickly and explodes at the end. Renaissance is a longer, lanquid story that touches every sense.
The heros are fantastic, the heroines are cool, and the stories are unique. I sincerely enjoyed this book.
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However, "Too Big to Miss" goes far and beyond the story. With a sense of both humor and mastery over her material, Ms. Jaffarian has something to say about the politically correct prejudice against fat people as well as the bias against anyone who is different. In the book, there's a romance between Odelia and a paraplegic, Greg Stevens. Gently, we are reminded of the humanity of these characters, while never once forgetting the strong story line of the plot. We root for Odelia in her quest for the murderer, and we also root for her as she breaks stereotypes and establishes a relationship. She's not only a good detective, but also an inspiration to anyone who has ever felt "different". I thank Ms. Jaffarian for writing this book and look forward to her next. Recommended.
I am now hooked on Odelia Grey as well.
Ms Jaffarian writes wonderfully with great unforced detail and original metaphors. Her characters suck you in to care about them from page 1.
Not only is this a great mystery but it also takes to task a cause near and dear to my heart -- fat prejudice. Odelia shares many of the feelings, fears and negative self talk prevalent in the mind of the plus-sized female in our thin obsessed society. Throughout Odelia's journey in finding out answers to her friend's death, she grows stronger and more self assured as a person.
This book is a great mystery all by itself but if you are a plus-sized woman, it is a must read!
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With an extremely warm tone and a welcoming voice, Ms. Glassman invites the reader into a wonderful world of mystery and healing. The book eschews tawdry spells for love and revenge and concentrates instead on the real essence of vodou--deep spiritual communion and communication.
The book encourages the reader to explore the world of spirit on many levels and provides ample information in order to establish effective contact with the lwa. It also explores the history of the religion and details rituals from the simple to the extravagant. These rituals can provide a new peace and sense of awe that will leave the reader breathless.
For those who have worked with Ms. Glassman's tarot deck, the information provided relating to the various lwa will heighten and strengthen knowledge of and communication with the lwa. Adding to the descriptions featured in the tarot book, the book takes one that much further on the road to understanding and communicating with the powerful and beautiful lwa.
You will not be disappointed in this book. I give it my highest recommendation
Ms. Glassman's approach is unqiue. She frames her exegesis and celebration of Vodou as a spiritual autobiography. Her persoanl journey helps us understand the religion that she studies, and appreciate its intensely personal transformative power.
VODOU VISIONS is appropriately and vividly personal. But Ms. Glassman also places Vodou in its culture, and in world culture. Her work demonstrates both the singularity and the centrism of Vodou. This is a book that is scholarly in its essence, and historical in its scope.
It is also a book that is remarkable in its art. Ms. Glassman is a stunningly gifted writer. Her prose is brilliantly intelligent, and entirely original. Her artwork is breathtaking, and sublimely interrelated with her thought and her uses of language.
Almost everyone who has reviewed VODOU VISIONS has praised it in appropriately warm and respectful terms. One reviewer, whose comments generally are highly positive, maintains that VODOU VISIONS replicates Ms. Galssman's earlier book. I have reread Ms. Glassman's earlier book (which is superb, and I cannot understand the reviewer's charge. The two works seem to me to have nothing in common, other than high distinction and exceptional scholarship and artistry.
VODOU VISIONS is without question the most compelling work on its subject to appear in recent years. Experts and readers new to the subject will relish this utterly wonderful book.
Glassman, a Mambo and Vodou convert who lives in New Orleans, presents the religion here as sort of a Haiti-New Orleans synthesis and introduces a spiritual practice without orthodoxy (if there is such a thing as Vodou orthodoxy). The book is illustrated with the artwork from Glassman's previously published New Orleans Tarot deck.
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