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Roderick and his sister Pamela leave the hustle and bustle of modern London looking for that perfect house on the English coast. What they find is the beautiful Cliff End. From their first meeting with the sweet and lovely young Stella Meredith who's grandfather owns the house we know there is a larger mystery here. This is a good novel that slowly unfolds as we learn of Stella's mother Mary and the beautiful Spanish girl Carmel who was seduced by Stella's father.
Who is the appiration that appears at the top of the stairway and why does the sickening cold always precede it? Why are there moans of anguish coming from the room that used to be the nursery? What is the real mystery of Mary's death? What about that Mimosa scent that comes with the moaning?
This all slowly unfolds as Roderick and Pamela attempt to solve this maddening riddle to an otherwise wonderful house they don't want to leave. Why do things get more stirred up every time young Stella is there? Roderick has fallen for the sweet Stella and must find out.
What makes this such a good book is it treats this in a straightforward story of ordinary people thrown into extraordinary circumstances. There are the diversions of colorful friends who try to help including the use of a "spelling glass" in a seance. This all takes place in an entertaining day to day life in the English countryside kind of way which makes this what it is, the finest English mystery/ghost story/romance ever written.
Go out to your garden or your patio and pull up a chair in the shade with a big glass of iced tea and enjoy something truly origional. This is a great light summer read.
Steve Nelson
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Berry and Rachel are two strong female characters, that overcome numerous hardships, but always help each other through them. Their troubles seem to grow and grow, and even the strong characters of Simon and Fain get drawn into their bad luck.
This book is full of romance, intense action, and lots of suspense. I couldn't put this one down!
Enjoy, I'm off to read Annie Lash now! Watch for my upcoming review.
The story shares the fears and concerns of a little boy whose mother is pregnant. The author skillfully manifests the boy's concerns into a surface worry that he doesn't have room on his mom's lap as her pregnancy progresses. Obviously, this is a manifestation of his fear that she won't have time and/or attention for him, but it's not played up. I really liked this approach, as most pre-schoolers have an indirect way of expressing or understanding their fears. It helps me as a parent remember that my child's concerns might show up in subtle ways.
Very well illustrated. I also liked that the characters weren't white. It's hard to find children's books that aren't about mainstream white families. (We're caucasian but try to stock a diverse book stash so our kids learn about other cultures.)
Highly recommend this book.
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Gide examines the cost of Alissa's self-restraint, and of her devotion to a religion which she believes makes a virtue out of self-denial. I suppose that in Gide's terms, Alissa is rejecting her own humanity, and preventing both herself and Jerome from experiencing the totality of their existence. Alissa's devotion to her beliefs creates no happiness for her or for Jerome.
In many ways, this novel could be seen as a companion to "The Fruits of the Earth", in which Gide recommended the people should experience all they can.
G Rodgers
At first a couple seems so intimate that can marry themselves. He has realized, however, that she began to detach him gradually. Naturally, he has suspected whether she has another boyfriend to be a little jealous, or has felt lonely because of her emotionless conversation. Abruptly she confessed her decision to be apart from him.
The conclusion is against my expectation. He never felt deeply heartbroken and she never loved no one except him in the world.
After finishing to read it, I felt mysterious of the fact that there was such a surprisingly pure lady in the world, who felt the world problematic. The strait gate, however, seemed strict and cool for a young school boy, while being regarding as divine and beautiful.
Strait is the Gate hit me so hard with the agony of its characters that I felt pysically ill as the novel went on. Like Gide scholars say, the book is the counterpart to The Immoralist. While in The Immoralist, Gide portrays hedonism taken to an extreme, in Strait is the Gate, he takes self sacrifice to its heart-tearing conclusion.
The story's main characters, cousins Jerome and Alissa, grow up together reading poetry aloud in the gardens of their home. They fall in love with each other--both out of admiration for the other's religious devotion. However, they are kept apart for long periods of time and their love's fervor is lost entirely to religion.
While reading the story as told by Jerome, I can't help but want to scream out "don't just sit there--do something!" But it ends up being too late, and the helpless feeling of the characters--in being unable to regain what they were once on the brink of--hurts us as we read of its effects on Jerome and Alissa.
Not only is the content of the story meaningful, but the style is smooth and image-conjuring (at least in the Dorothy Bussy translation). This is a change from what I experienced in the first pages of the Dover Thrift Edition of The Immoralist (but don't let that keep you from The Immoralist!) Instead, Strait is the Gate is nearly as clean and clear as Justin O'Brien's translation of The Stranger by Camus.
I give the book 5 stars--quite easily. About Gide's other work...
I find "The Return of the Prodigal Son" to be absolutely brilliant. In his retelling of the bible story, Gide describes the feelings of the atheist towards God (to Gide "God" was not a creator, but the goal of humanity), the church, religious friends and family, and to other religious questioners. His story is so touchingly honest and subtle that I cannot read or even think of the end without tears coming to my eyes.
Five stars for all of Gide's stuff.