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I used this book by reading it aloud to pre-school children who had not yet learned to read. The colorful pictures showing a traditional Chinese culture so different from America generated many questions. We talked about most of pages as we read along in the book. The conclusion is very powerful and offers a unique time to discuss the value of honesty. Religion teachers will find this story to be a good way to segue into discussions about personal religious principles.
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For her involvement in the resistance, Ani spends the next 21 years of her life in prison. Living from day to day with the hope that in time she will meet with his Holiness the Dalai Lama. Her courage & spirit to fight & survive are astounding. This is her testimony for all the thousands of political prisoners still being held in Chinese prisons for 'crimes' such as 'waving a Tibetan flag' or shouting for independence.
This book is another blot on China's human rights record. For similar reading try 'Fire under the Snow' by Palden Gyatso.
But there is something more which matters. This book, like the story of its subject, transcends and crosses boundaries: in form, in approach. It is a novel, a spiritual guidebook, a history of Tibet and Tibetan Buddhism. The tone is mythic: "My country was once at the roof of the world, a place where the great spirits lived." The tone is cinematic: "In a darkened corner of my mind, a small patch of green appears. I watch it grow brighter, larger, until a vast green meadow stretches out at my feet. The meadow is dotted with clusters of flowers and is treeless, except for a willow or two." The tone is intensely personal, acutely descriptive: in prison, "The lice were so bad that I could see them crawling all over the heads in front of me. So thick I could sweep them off with my hand and not make a difference in their numbers."
The story is woven of dreams, memories, Buddhist teachings, horrors re-lived or imagined, and above all details that give it taste, sound, texture, and breath. As a work of art, it breaks all prior boundaries and should be studied by all writers who ever consider telling life stories--their own or anyone else's. If there is any drawback to the book, it is only that we cannot know what is Ani Pachen's voice and what is Adelaide Donnelley's. A Buddhist would assure us that the illusion of separation is unimportant, temporary, superficial. A Buddhist would tell us that Ani Pachen's story, and Adelaide Donnelley's storytelling genius, have become one voice for all of us. As the editor of another woman's life story, I come to this book to learn. I look back at my work and see how much trouble I took to leave Mpho Nthunya's voice exactly as it was, to be merely a secretary, taking dictation from her. I tried to keep my white privilege and sensibility out of the way of her African experience and her African ways of seeing. I think that was a good thing to do. But I deeply admire the merging of voices in the Pachen/Donnelley collaboration. It is a miracle to read, to study, to learn from. I am deeply grateful for it.
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However, that is only the start of what is turning into a bad new year for Andrew. Soon, the beleaguered anti-hero is involuntarily battling slave traders, escaping from prison after being accused of murder, and ultimately is in a fight to the death with vicious pirates, who will stop at nothing to loot a city.
Anyone who reads this novel will have to have a passport because they will be immediately transferred to the mid-nineteenth century Orient. The story line is filled with Andrew's misadventures even as it provides a rich historical perspective of the era. The support cast feels so genuine as they move the plot forward. HANGMAN'S POINT is a great historical fiction that, if there is any justice, will enable Dean Barrett to become a household name.
Harriet Klausner 11/1/98
However, that is only the start of what is turning into a bad new year for Andrew. Soon, the beleaguered anti-hero is involuntarily battling slave traders, escaping from prison after being accused of murder, and ultimately is in a fight to the death with vicious pirates, who will stop at nothing to loot a city.
Anyone who reads this novel will have to have a passport because they will be immediately transferred to the mid-nineteenth century Orient. The story line is filled with Andrew's misadventures even as it provides a rich historical perspective of the era. The support cast feels so genuine as they move the plot forward. HANGMAN'S POINT is a great historical fiction that, if there is any justice, will enable Dean Barrett to become a household name.
Harriet Klausner
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Adventure. Exploration. Human emotion. The thrill of victory and agony of defeat. Or is it feet? (as in cold and frostbitten) Not to mention broken ankles,concussions,and pulmonary edema.As both climber and M.D.,Kamler offers it all up with unique perspectives.
Kamler takes us on the literal and figurative ups and downs of mountaineering, including the tragic Everest storm of '96 when he was the solo medical person on the mountain. The buck stops with Kamler, who as expedition doctor must make ultimate decisions regarding the well-being of fellow climbers with often limited information and resources. He runs a veritable E.R. at the top of the world.
So,why climb Everest? Because it's there? Judging from this book, the answer is alot more involved and intriguing. Kamler's insights and recollections really drew me in and kept me going to the last page; it's real life drama that reads like fiction. A must read for those who seek adventure, those who long to, and for those who are not quite sure (like me).
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Highly recommended!
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Herein, you'll find no clients being towed by their guides, no tourist routes, no bottled oxygen, no climber traffic jams, and no Sherpas hauling the author's gear. This book is about the ultimate climb: the hardest route up the highest mountain. Finally, the author and his partners completed the climb for love rather than money.
In Snow in the Kingdom, Ed Webster is a photographer above all else. Like others before him (Lito Tejada-Flores, James Balog, Galen Rowell) Ed knew that publishing his photo-intensive book with a conventional publisher would not allow him to obtain either the clarity or quantity that he needed to properly tell his story So Ed spent a decade rounding up the money, hired the best editors/designers/scanners that money could buy in Colorado (subsequently going into debt), and laboriously began self publishing his own book. We should be thankful that he's been down the road of self publishing before, because this is no amateur's tome. The end result: 150 pages of color photos in five separate signatures! Not counting 582 pages of text¾and even then you can't turn the book more than four pages without being arrested by a new black and white photo! All printed sharply on a 70-pound stock that does the photographer's work justice. If this isn't enough, the author has obtained unpublished photographs of Noel Odell's from Mallory's Everest expeditions, along with a host of pictures taken by other well-known Everest climbers and photographers. If you were to buy such a beautifully laid-out book like this from a conventional photo-book publisher, say Abrams or Chronicle, you'd pay twice as much and get half the text (eg, Bradford Washburn's elegant Mount McKinley opus).
Because Snow in the Kingdom is not just breath-taking photographs of culture and history and real climbing. You will, and I would like to emphasize will, buy this book because Ed Webster gives us his heart and soul on a platter. His is a deeply personal story about loss. The loss of Lauren Husted, a woman he once loved, who died with her head in his lap after their climbing accident in the Black Canyon of the Gunnison River. Loss of his fingers and toes to Everest. And loss of his ability to climb--a talent that sustained Ed Webster for nearly thirty years. Or to put it in one of his fondest quotes (by Elizabeth Knowlton): "To those men who are born for mountains, the struggle can never end, until their lives end¾to them it holds the very quintessence of living¾the fiery core, after the lesser parts have burned away."
This is also a story about climbing the Kangshung Face of Mount Everest in 1989. The route is menaced by hanging glacier avalanches and technical climbing difficulties (famed alpinists Alex Lowe and David Breashears returned to the Kangshung several years later and found that they could not drag up their wealthy client, who later became famous in Into Thin Air for being dragged up the tourist route) and remains the territory of only world-class alpinists. On the way, the reader is given both an in-depth tour to Ed's emotions and the climbing history of Everest, including two of Ed's earlier attempts on the mountain. Through text and pictures, you meet many of the personalities of Everest and luminaries of climbing: Reinhold Messner, Sir John Hunt, Jim Bridwell, Audrey Saukeld, Peter Athens, rock star Billy Squier (one of Ed's clients), Sir Chris Bonnington, Joe Brown, Roger Marshall, Tenzing Norgay (and his son), Jay Smith, Sir Edmond Hillary, Fritz Wiessner; and Ed's Kangshung teammates: Paul Teare, Robert Anderson, and Stephen Venables.
Of course, by the end, we learn the specific price for the 1989 Kangshung Face Team's boldness. Ed escorts his partners, more dead than alive, back down the face. No one is really unscathed, but Ed in particular will never be the same again. I'm not going to spill the denouement here, so the best I can do is encourage you to read the book and find out for yourself what happens, in the most handsomely crafted Everest book ever produced.
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As a skilled journalist, Mann writes clearly and to the point. But this book is more than a journalistic tour de force. Mann has been following the China story since he was posted by the Los Angeles Times to Beijing in 1984 and his experience has produced a depth of knowledge unmatched by any academic China watcher I have read. That knowledge not only shines through in the main text but it is testified to in a notes section full of sources and corroborating detail.
What I particularly like about this book is its uncommon commonsense. Mann refuses to be swept off his feet by the "romance of China" -- a romance that repeatedly over the last century has discombobulated the thinking of American policy-makers, business executive, scholars and journalists. Stolidly eyeing the authoritarian reality behind all the fine words and sumptuous banquets that Beijing bestows on influential visitors, Mann constantly reminds us how sorry has been China's record on human rights in recent decades -- and how cravenly Washington has sought to sweep that record under the carpet.
This book is important too for its worldly wisdom in repeatedly showing the ease with which the Chinese system can manipulate America's money-driven and short-sighted political system. None of this is particularly surprising to those of us who have been watching U.S.-Japan relations in recent decades -- but it is rare for China experts (and still rarer for Japan experts) to highlight how the East runs rings around our Western democratic institutions.
Essentially this book is characterized throughout by a show-me attitude to the American intellectual community's vapid determinism on East Asia. As Mann repeatedly points out, China is far from being "bound" to converge towards Western values. Quite the reverse, thanks to the comprehensive mismanagement of American trade policy in the last fifteen years, China is now in a stronger position than ever to flaunt its rejection of those values.
First published in 1998, this book has already been around for a while. Don't be put off. "About Face" has no sell-by date. It is a modern classic.
-- Eamonn Fingleton, author of "In Praise of Hard Industries: Why Manufacturing, Not the Information Economy, Is the Key to Future Prosperity ."
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They're difficult questions and Ridgeway does as credible a job of the philosophical answers as anyone can, with his acceptance of life and death, and change. However, his denouement at the end, that we should live each day as if it were our only one, felt flat. We've heard it before and it's been boiled done to a kitchen plaque cliché that I've always found irritating when it's not further explained. I don't think I'd plan on spending my only day on earth wondering if the roof should be redone this year or next and booking dental cleanings, as I'm doing today. My grudge with the cliché is that it seems to imply that we should regret whatever it is we've been doing up to now, rather than accepting that some days are simply going to be filled with the mundane details of living. It also holds an inherent suggestion that we should seek pleasure. But the kind of pleasure that makes life worth living is an elusive phantom and comes only after we've sought experience. Pain or regret may also result, regardless of our intentions. We have to embrace the experience regardless of outcome; if it's pleasurable, it's a bonus and we've earned it. Jonathon tried to focus on the experience rather than the goal or glory at the end, and I think that's what was meant in the book, but perhaps each of us sees it differently.
But Jonathon's effect on people was the result of more than what he did, it was the result of his personality, and Jonathon simply being Jonathon. We all affect the people we contact each day. Whether it's for good or ill is up to us. Partly because of his own innate goodness and partly because of his efforts, Jonathon had a positive effect on the people who know him. The lesson I would take from his life is that we could all have a similar impact if we made the effort to be nice - and I apologize for the lackluster word, but there it is - nice. The circumstances in which I first met him was one where egos could become inflated, inflamed, or deflated in an instant, and the silly posturing and puffy tempers certainly were a contrast to Jonathon's calmness. It's an odd thing, given that I didn't know him that well and it's been a long time, but I am still influenced by him and try (not always successfully!) to behave in difficult situations as he would have. Our lives do indeed affect others.
The book focuses on personalities, and that gives it a heart and poignancy which are often lacking in adventure stories. As for his journey with Asia Wright, it begins in Nepal, continues on to Mount Kailas, across the Chang Tang Plateau in Tibet, and ends at Asia's father's grave. The book is nicely-written and over-all the description is strong enough, although there were places where it lacked the vitality that would really bring an area to life for me. I will say (and this truly is surprising, since he recounts a fair number of disasters, not to mention numerous other assorted miseries) that Rick Ridgeway managed the impossible - he made mountain-climbing sound appealing even to me.
This is a moving story of not only the loss of Rick Ridgeway's friend and climbing buddy in an avalanche in the himalayas where he also almost died but an account of his return voyage with the friend's twenty year old daughter to where the avalanche had occurred some 18 years before. It is a travel narrative, mountaineering book, great insights on Nepal and Tibet with interesting sidetrips through his memories, trips to Patagonia, being in a Panamanian jail when he was but twenty and what it taught him...etc. You have got to like this guy! A perfect read for the introspective armchair adventure traveller who loves Asia; which is the name of the twenty year old girl who finds her father's grave and her way in life on this trip.