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The early part of this book is set in Shanghai in the 1930's. Anna lives there with her parents--Joseph, the son of missionaries, now a smuggler and millionaire, and Genivieve, the composed and graceful beauty. When Shanghai is taken over by the Japanese at the beginning of the Second World War, Anna and Genevieve escape to California, while Joseph cannot bear to part with the city he loves. Again and again he choses Shanghai over his family, and Anna resolves never to let him into her life again. But when Anna is an adult, he reappears and she reevaluates her resolution to shut her father out.
This book was magical. Anna's relationship with her mother is every bit as compelling and complex as her relationship with her father. What I really felt this novel stood for is the proposition that your parents' love guides your life from the cradle to the grave, long after they are gone. To me, one passage in the book stands out more than all others. Anna says, "My parents have been gone for more than 20 years, and every year I feel their love more strongly." I can't even write about it now without tears coming to my eyes.
The writing is so beautiful and the imagery of Shanghai is so rich. Also particularly beautiful is Caldwell's description of the various gardens that play a role in her story. This is a book to be read slowly, savored, and then passed on to your mother, father or child.
This book tells of Anne Schoene?s relationship with her speculator father. It tells how his love for the city of Shanghai made Anne feel enchanted when he showed to her as a young child, disillusioned when he could not protect her from its wartime horrors, and abandoned when he chose it over life with Anne and her mother. It tells how he wormed his way back into her after being forced to leave Shanghai for good.
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Working with numerous lojong "slogans," this book is about awakening one's heart through tonglen meditation practice. Chodron writes in the Preface of her book, "if you have ever wondered how to awaken your genuine compassionate heart, this book will serve as a guide" (p. ix). We learn that through tonglen practice, "everything we meet has the potential to help us cultivate compassion and reconnect with the spacious, open quality of our minds" (p. 81).
Life is full of "raw material for waking up" (p. 64). However, it's also up to each of us to wake up, Chodron observes (p. 69). Starting wherever we are in life, Chodron's instructive teachings encourage us to "lighten up" (p. 17; Chapter 15) and allow the world to speak for itself (pp. 25; 29-30). Chodron challenges us to contemplate lojong slogans including: "Always maintain a joyful mind" (p. 92). "Be grateful to everyone" (pp. 8, 56). "Drive all blames into one" (p. 50).
Reading this insightful book is like having a heartfelt conversation with a wise friend. For me, this is what makes reading Pema Chodron such a rewarding experience. If you like the engagement this book offers, I also recommend Jack Kornfield's A PATH WITH HEART and AFTER THE ECSTASY, THE LAUNDRY.
G. Merritt
At a very difficult time in my life, I just kept starting at the beginning every time I finished reading it. I felt as if I knew Pema Chodron personally by reading her books. And having read everything of Chogyam Trungpa's that I could find prior, I had a strong grasp of the foundation from which she learned, but that is certainly not a prerequisite to benefiting from her teachings.
I would also strongly recommend her earlier book: The Wisdom of No Escape.
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Eric Hansen has scored with this book, and I've recommended it to probably 40 people and given it as a gift to 5-6.
Read it and enjoy in - on many levels.
"Motoring with Mohammed" is a book in three parts. The first bit is true adventure, storms at sea, a shipwreck, a desert island, the revelation of character among the survivors, brigands, and an unlikely rescue. It's great writing, deft and light, touching beauty and terror.
The second, and major, part of the book recounts Hansen's return to Yemen ten years later to look for a personal treasure he left on the island. In truth, not much happens, but in Eric Hansen's hands it always manages to not happen in an interesting way. His introduction to the local narcotic "qat", his subtle dance with intransigent bureaucracy, his unwise wanderings in high, misty mountains and along the edge of great deserts of The Empty Quarter make this a great read.
Hansen never meets an uninteresting person. Even the hostile and the dull are intriguing or comical in his hands. He gets to travel with sheep and mystic woodsmen, to meet an ageing Frenchwoman under a tragic spell, a toilet inspector, and the ghost of his grandmother. Along the way, he gets to play with his favorite theme: the essence of "destination". He doesn't labour it, but you know what he means.
The third, and briefest, part of his story is an unexpected twist, which neatly closes the circle even if by that stage we hardly require it.
A friend of mind informed me that Yemen ranks bottom of the world for gender equality. Certainly no woman could have written this book. The more reason for us to be grateful for this window on a little-known world. Eric Hansen has written a beguiling and joyous story. When you've finished enjoying it, seek out his even more extraordinary account of his Borneo travels, "Stranger In the Forest". But with all these books, don't expect to hang on to your copy for long.
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It was interesting because: it was kind of a backwards story of Little Red Riding Hood which I thought was something new instead of the same old story; I liked how the children in the story out-smarted the wolf by tricking him into allowing them to pull him up in a basket in a tall tree and that's how they captured him and killed him; and I thought it was neat that other countries have this story also, their story, though, is different in some ways but a lot a like in others.
The wolf wants to eat the three sisters. The girls solve their problem by tricking the wolf. You'll have to read the book yourself to see what happens.
If you like this book, another book by Ed Young you might like is "The Lost Horse."
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As a businessman, I found especially interesting the chapters on the quirks of the local economy, on the experience of foreign investors, and on the city's sputtering efforts to build its financial markets. In each case, her analysis is right on as she makes clear what is going both right and wrong. She observes, for example, that while the local economy has grown respectably in recent years, overly interventionist bureacrats have trampled Shanghai's efforts to build its own brands and to nurture technical innovation. On foreign investment, she offers us the condensed wisdom of most of the smartest people operating in Shanghai today. And on the capital markets, she recounts great tales of scandal and unfulfilled dreams.
Here and elsewhere this is a book filled with fun and revealing stories that show the real fabric of a city in the midst of revolutionary change. Some of my favorite tales come in the chapter on the return of the vices, where Yatsko tells all about her nocturnal explorations. We learn, for example, how kept women in China, known as "caged golden birds", keep themselves amused while the master is away by renting "little wolf dogs", or younger pretty boys with slick hair and cute suits.
Shanghai's re-emergence is a great tale, rich in heroes and villains and a bizarre mix of the city's spectacular visible, physical progress and its profound failures. I so wish this book would be read by all overeager urban and national leaders so that they could realize both what they should do to build their cities as well as the tragic consequences of trying to do too much.
Yatsko has captured Shanghai's fastest socio-economic changes since it lost the luster as the most prosperous city in the Far East early last century. With her solid knowledge of economics and first-hand experience, the stories are credible and the analysis is insightful. Whereas "old Shanghai" has aroused most scholarly interest due to its relation to modernity, Yatsko's depiction of Shanghai's rebirth in the 1990s also offers a unique hindsight on its past.
Although I wish I could have read this wonderful book earlier, it's not so late in the sense that I now know more interesting places
I have been visiting Shanghai since 1982 and have had an office in the city since 1995, so it is a particular pleasure for me to find an author who not only obviously shares my great love for the city, but who also chronicles the remarkable changes and array of paradoxes that define the city in such a compelling and engaging manner. So whether you are a business person looking to understand the business environment in Shanghai or an armchair traveler looking for insights into the rapidly changing culture of one of the world's largest cities, New Shanghai is a wonderful passport to the real world of Shanghai today.
Bryan Batson, President, The China Business Group, Inc., Boston, MA
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