I have lent my copy to many friends and guard my ownership - pity it is out of print should not be at all.
The group of 25 authors is full of noteworthy names: Chinua Achebe, Ruth Prawer Jhabvala, Jorge Luis Borges, and more. The themes in the anthology include love, marriage, parenthood, oppressive governments, art, religion, economic struggle, ideological conflict, and cultural dislocation. The modes range from fantasy to stark reality--there is violence and serenity, beauty and grotesqueness, sorrow and humor.
I especially loved the Chinese stories, which give a vivid portrayal of life under the Communist regime--it's like a real life dystopia. Other strong selections include Yukio Mishima's "Acts of Worship," about a professor's pilgrimage; Isabel Allende's "Clarisa," a colorful character study; and R.K. Narayan's "A Horse and Two Goats," a story of cross-cultural miscommunication. Overall, I would recommend this book both as a classroom text and for individual reading. Recommended companion text: "Caribbean New Wave," a short story anthology edited by Stewart Brown.
Asian history doesn't get any better than this!
the characters out of the book and spend some time with them over tea. This book is destined as a best seller.
When I got to my conference, I gave the book to the first person I met who was also writing about the people of the Chinese Cultural Revolution. I wanted to share it with everyone.
So, now I'm on-line to get a new copy. I don't want to be without it.
It's like reading Proust's Rememberance of Times Past, but not so long. Each detail is mined for its resonances, memories, connections, meaning in the past and in the future. What's the meaning of her parents' clasped hands? What does it mean to drink green tea? Why do people we barely knew sometimes come to mean so much to us? So much meaning in the small details of everyday life.
It's a great book for a book group to read - if you're like me, you will be dying to talk about it with friends as soon as you finish it. It's the best thing I've read this year, and I read a lot.
List price: $26.95 (that's 30% off!)
Although the greater part of the book was very thorough, I have some caveats about those parts which are not as acceptable. The beginning covers a brief history of Chinese swords (mainly of the jian variety). I'm not sure if this is a misconception by the author or a mistake in editing, but some of the pictures misrepresent the weapons they are supposed to illustrate; a slight rearrangement would fix this in most instances, but the fact that they are not arranged properly may result in trouble for the less cautious reader, or for the amateur. I further disagree with some of Yang's descriptions of the jian; the paragraph about the "blood groove" in especial. Although he is a respected martial artist, I maintain that those writers who know little about the weapon itself should write less; knowledge of its use does not, in many cases, signify knowledge of construction/history.
Yang does not go into as much detail as I would like in some aspects; the martial merit of some techniques should be explained more deeply. In many cases, he suffices to say that these techniques were efficient and worked, but did not really provide any reason besides vague references to balance or qi.
However, I am impressed with the thoroughness with which Yang tackles the subject. He covers basic stances, guards, and attacks, and depicts three very detailed forms (he dedicates approximately 100 pages to the first!). I was also pleased to note that he included the hanzi for many of the terms he uses, although he uses the English translation of the terms throughout the text rather than the Pinyin; e.g. he would refer to the Horse Stance rather than to Ma Bu. As something of a purist, I would rather see the Chinese than the English, but some may prefer the contrary.
One last point with which I was pleased was his enthusiasm to warn the reader that his book is NOT a comprehensive manual, and that actual instruction is required to reach any real level of skill in jianshu. I agree with this whole-heartedly. Even though this book is excellent for beginners, no beginner should rely solely on it to attain skill.
Overall, a very decent book indeed; certainly worth a look, and a good foundation for building new skills or for refreshing old skills.
List price: $15.95 (that's 30% off!)
Sima Qian had the ability to accompany the emperor on his visits to the provinces where he was able to record the "barbarian" tribes and lands which were brought under Han rule by Emperor Wu. In Sima Qian's records we also have evidence of the penal system and the conditions in the prison system. Qian wrote very detailed descriptions of these penal conditions for he had an intimate experience with them, having been punished for his "attempting 'to deceive the emperor'" (xii). He was accused of using "veiled" words in his description of Emperor Wu, which was Qian's way of criticizing the emperor using language and words that were not outright critical, but inferred disapproval of the emperor and his actions.
The purpose of his official history is to record things so that the people who will be reading the history will be able to understand their past. This need to understand where one comes from helps states and individuals determine how and why they got to where they are. He organizes his accounts thematically, he discusses the military, generals, and he offers a geographic and ethnographic account of the peoples in the various "barbarian" provinces as well. He repeats himself often in order to get a certain point across.
The second way in which official histories are used is that they teach people important lessons. As Thucydides articulated in his Peloponnesian Wars Book I:
It will suffice if my work is judged useful by those who wish to gain a precise understanding of past events because, due to human nature, such events, or ones resembling them, will occur again at some time in the future (Thucydides, 1.22.4)
Basically, if you don't understand or study history, and the mistakes that were made in the past, then you are doomed to repeat them. He is very detailed in his descriptions because the more detailed a history is then the more accurate it appears to be by those who read it.
In contrast to Tacitus, the Roman historian who wrote about the Roman frontier, Sima Qian's descriptions of the barbarians occupying the Han frontier lands is more accurate, possibly because he was able to actually visit and see "first-hand" these barbarians whom he writes about, whereas, much of Tacitus' description came from second-hand sources, and usually merely stereotypical.
As an official history of the Han Dynasty, this book serves its purpose. It allows modern historians a semi-accurate look at what life was like along the borders of Han China. As a source, Sima Qian has recorded a history which makes a valiant attempt at staying clear of certain stereotypes which other historians such as Tacitus could not avoid, that of the uncivilized "barbarian". Rather, Qian's description of the frontier peoples is written from the barbarian perspective, therefore more reliable.
This is a five-star translation of a five-star book - China's first major work of history, dating from 90 BC. The Qin portion makes up only fifteen or so of the Shi Ji's 130 chapters, but tells the story central to the moral vision of the whole work. This is the rise and collapse of China's first imperial dynasty - Qin is in fact the name from which we derive "China."
The book is a remarkable commentary on human pride, intrigue, strategy and revenge; it also has an eye for detail and anecdote. To cite just one case, a minister is humiliated and driven from his kingdom; and ultimately takes revenge, as prime minister of a neighboring kingdom, by forgiving his persecutor, inviting him to a banquet, and then forcing him eat a meal of hay and water. There is also a detailed description of the tomb of China's First Emperor (the central figure of this book, whose career becomes exemplary of the folly of brutality and suppression of free thought); which has since been made famous by the discovery of the ceramic army of Xian.
The intrigue and suspense is very good. There's a mysterious sub-plot concerning an old manuscript. The pace of the story-telling is very exact and intricate. The plot is fantastic in a way, but just credible enough.
You shouldn't miss this book as it will bring you hope and strength to fight for the misfortune. Quote from Lucy, ¡§Ah Wor gave her life to me will help you cope with areas in your life, no matter what difficulties you encounter. The opportunity to make the best of things is held out if we will work hard for it.¡¨ So friends, don't give up and live richer.