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It also includes 3 full-blown adventure scenarios and 3 adventure seeds. I've only run one of the adventures, Lost and Found, twice at conventions. This adventure has always run beautifully with both those familiar with the Disc (even those more familiar with it than I) and those who are not. Warning, though, the laughter that erupts from time to time at the table tends to distract those at the surrounding tables who opted (silly people that they are) to play something else!
This book is a joy to read, even if you're not planning on running a game in the Discworld setting, but is, of course, primarily intended for those interested in running a game in the setting. I would note that you really need to own GURPS Discworld (or the Discworld Roleplaying Game, as it's now being called) to use it.
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book. The words of Yeats and the photos of Le Garsmeur combine
to transport you to another time, another place...and where else
would you rather be than exploring that Emerald Isle with its
famous bard? Turn off the TV; put some Irish music on the stereo;
pour a glass of red wine and sail away. I guarantee you'll be
planning another trip to Ireland after this experience.
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With survival of the Holocaust still the focusing event of the last century, its' ability to make man look at man has not been described so intensely until now. Now I am sure there is a God, as only He could have saved us from ourselves.
Incredible writing, as difficult as it can be, but worth every hour required.
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It is nearly exhaustive in it's laser precise attention to the statue in the text, and equally well illustrated with photos of parts of the statue that the average tourist will likely never be able to easily see in person at the Louvre.
The photos throughout are mostly in a large format, making details that otherwise dissapear in small illustrations visible, such as the cracks and wear and tear of time. There are also numerous unusual and rare pictures from the history of the statue included (such as the faux replacement left foot created in plaster, but ultimately removed).
It also includes a brief mention of other noteworthy statues of the goddess Aphrodite in the collections of the Louvre.
The only possible downside for most interested readers is that the book is written entirely in French; there does not appear to have ever been an English translation published.
Never the less, if you are even remotely interested in the Venus de Milo (and you know who I'm talking to) then the French language is very likely not much, if any, of a hurdle at all.
The reader can gain a further appreciation for the beauty and history of this particular statue, and it will likely further interest the reader in finding out more about other great works of art.