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I don't mean to imply you must have read Nadas to enjoy Robbe-Grillet. Robbe-Grillet is very consistent in his objective observer technique - the senses which are most subjective - taste, smell and touch are all but absent in Snapshots. Some of the shapshots such as The Dressmaker's Dummy tend to require mental gymnastics to visualize the scene precisely as described. Others such as The Way Back are easier to visualize and provide an implied plot line.
This short book is well worth the time to read - either for enjoyment or for a reminder of what was avante-garde 50 years ago.
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As yet another literary technique based on the idea that we mere mortals cannot know anything for certain, the New Novel restricts itself to elaborate physical description (usually visual), disregards characterization in the traditional sense, and ignores symbolism altogether (because objects MEAN nothing, they just ARE). It also plays havoc with the linear time-schemes of conventional novels; if you're familiar with the jumping-back-and-forth plot of "Pulp Fiction" (or if you've seen the notorious art-house film "Last Year at Marienbad," which Robbe-Grillet wrote) then you're already aware of one of the New Novel's most distinguishing features. In sum, it tends to be deeply ambiguous and not a little confusing.
Luckily for Robbe-Grillet, he's honest enough not to set himself up as a dogmatic theoretician. The definition of the New Novel, he claims, must be open-ended; the theory must interpret the fiction, not the other way around. Fair enough, I'd say. I think he's correct in claiming that novelists today can no longer write like the naturalists of the 19th Century; but I also doubt--as he optimistically says at one point--that we'll ever come to view the techniques of the New Novel as a "normal" form of fiction, against which other novels will be compared. The New Novel is just too WEIRD and, unlike, say, the novels of Flaubert, it is difficult to approach it unless you're already familiar with the theories and philosophical ideas it operates under. But then, theories of literature must always take a back seat to literature itself, which is why the curious reader might be better off tackling Robbe-Grillet's fiction first.
"For a New Novel" can be safely ignored by the general reader, but it's worth a look for fans of the French avant-garde.
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I do have a quite large library on the topic, but after I read it, I decided I had to buy a copy, for this book is really a must have for everyone interested in Judaism.
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If you don't already know everything about UML, what it is and how to use it, forget this book. You'll never learn it here. The writing is full-press academic. For example, here is the author's definition of Associations: "An association symbolizes a piece of information with a lifecycle that is non-negligible in comparison to the general dynamics of object intances of associated classes." Wow, that really makes it clear! I especially like how he uses the term he is trying to define INSIDE the definition.
Here's another example: Anyone who has tried to decipher a UML diagram knows the UML notation has many types of arrows with multiples of meanings. The author uses them without ever giving a definition, and in fact, nowhere in the book is a table describing the notation.
I tried to sell this book to my local Half-Priced Books store. They didn't want it. 'Nuff said.
Its pretty well written (even after been translated from its original French), the examples are good, as I've already said, and it seems sensibly organized. Four stars is pretty fair I think. Is it better than the Booch book? In my opinion, probably not - simply due to the fact that the Booch book was written by one of the designers of UML, so you get that valuable insider view - but thats for another review :)
Bottom line : I really liked Instant UML, if you have money to spend on more than one UML book, its virtues are probably well worth a personal or company purchase.
It's concise and to the point, unlike practically all other books on the subject of systems analysis and design, that I had in my hands. At the same time, it manages to give the reader a very clear idea of the concepts behind the pictures. I find the quality of presentation on par with Stroustup's ARM and a few other classics.
This book assumes the reader already knows a lot about systems analysis, but nothing about UML. If this description fits you, it's for you. If you look for an introductory text about systems analysis or OOP, you might need another resource.
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This book is very good organized and well written. Chap 4(connectivity), chap 5(Running Applications), and Chap 6(Monitoring and Optimization) are the most beautiful part of the book. Chap5 can truly help you understand how to run applications on NT, this chapter does a better job than the MOC(Microsoft Official Curriculum). This book also does a good job on explaining the ' File delete Child' conception(page 189).
This book has very little typos which are inevitable and acceptable. For example, in page 203, table 3.15, if you want to change permissions of a printer, you must have Full control permissions, however, table 3.15 shows that you only need have Mana! ge documents permission, not Full control permission.
Another example, in page 397, table 6.12, the stop icon and information icon are misplaced.
Very few questions offered in this book are not designed well(most of them are designed carefully). For example, in page 142, question no.1 and no.2 need to be re-designed more carefully.
In page 230, the answer to question 12 should be B, not A, be careful.
After all, this is a very good training guide, and it did help me to prepare for the 70-73 exam(passed with 980).
I'd like to recommend this book to you.
Rui-Di Chu (FREDDY)
PS: This is not the only book I use to prepare for the 70-73 exam. I attended the class, read MOC, and an Exam Guide from QUE.
In "Snapshots," though, the author generally comes up empty. I just don't know what to think of these stories, which present the reader with a simple sequence of events, elaborately detailed, and then stop. One can pick them apart and find more to them than might be immediately clear, but there isn't much here worth dwelling on. "The Secret Room" is probably the best of an undistinguished lot.
Perhaps the author needed to write these little exercises before he could go on to bigger and better things. I'd advise the interested reader to skip the stories and go straight to the novels, in which Robbe-Grillet's peculiar talent displays itself more fully.