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Most of the novels Christie wrote as Mary Westmacott are semi-autobiographical, or reveal conflicts or persons present in her own life. Christie fans will want to include this collection of novels for insight into the author's life, thought processes, and internal emotional struggles. The other novels in this collection, especially "Giant's Bread", are also excellent novels, but the collection would be worth reading just for "Absent in the Spring."
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This book is quite different from the earlier books. This story contains social commentary, as seen when the family meets Peregrine Overmantle, and the introduction of more fantastic elements, such as a household ghost. It's quite interesting to imagine where Mary Norton might have gone, had she had the time to write more Borrowers stories. Anyway, this is a great book, and well worth your time and money.
You will notice that the Author's Note and Afterword, written by author Holly Littlefield, are probably about as long as the entire text of the actual story. The story is written at an elementary school level, but clearly the historical events are beyond the scope of such readers, therefore necessitating the detailed background. The story, illustrated by Mary O'Keefe Young, touches on the horrible working conditions, but does not really communicate the inhumanity of the sweatshops. The two young girls are the daughters of immigrants: Minnie's family is Jewish and Tessa's is Italian, and Minnie frets that her father would not accept her having a non-Jewish friend. But Minnie knows that things are different in America, which is always a worthwhile attitude to impart to children. The fire and its aftermath take up half the story and the manner in which the two young girls escape the fire certainly rings true; indeed, Littlefield based her story on the account of actual survivors.
I think this story would have worked better for an older age group, with the story fleshed out to something more like a novella in length. The immigrant life style could be explored in much more detail to greater effect and the same would be true for both the working conditions at the factory and the fatal fire. Junior high girls would be able to relate to this story and appreciate its historical, social and personal significance much more than younger students who would have trouble fully appreciating Littlefield's ambitious subject matter.
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"Aurora Floyd" follows the history of the heroine of the same name, who has a shady past left in France. Aurora, unrestrained morally in her youth, hides some secret, but still attractive enough to make the two heroes fall in love with her. Without telling the nature of the secret, Aurora, strong-willed and candid, a gives a clear warning to one of them, proud Talbot Bulstrode, that he may one day regret his rash action if he dares to marry her. While he vanishes from her to marry other woman, tame and tender-hearted Lucy, the other suitor meek John Mellish succeeds in winning her heart, and he immediately marries her, not knowing her secret. As the time goes on, however, her hidden secret emerges from the past, and finally catches up with Aurora, living now quietly in a countryside. She must face the past, but how? While she is tormented by the sense of guilt, her husband began to suspect something wicked is going on, and he too began to suffer.
The story is melodramatic, but it is the merit of sensation novels, the genre in vogue during the 1860s, and Braddon, as she showed in her previous (actually written almost at the same time) "Lady Audley's Secret," is very good at handling the subject. It is notable, however, that the author intends to do something different this time, spending more pages on the analysis of the psychology of the characters. The result is a mixed bag; sometimes she shows good descriptions of characters with a witty touch, which reminds us of Thackeray, the story sometimes gets slower because of too much philosophy. Compared with the fast-paced "Lady Audley's Secret," her new experiment may look somewhat damaging.
But as a whole, the book is agreeable, and after you finish two-thirds of the book, Braddon makes the plot speedier. The last part includes one of the earliest examples of detective story, and a good (but short) portrayal of detective Joseph Grimstone's work is still fascinating. But the greatest merit of the book is its sub-text dealing with incredibly violent passion of Aurora, whose image is clearly mocking the typical angelic image of Victorain women. One of the book's scenes, in which the heroine gives a shower of blows with her wrip to her stable-man who bullied her dog, caused sensation and scandalized some critics. The description is still impressive today.
In conclusion, "Aurora Floyd" is a fairly gripping story, even though it is not the best place to start reading her books or Victorian novels. If you think you are familiar with those Victoraiin novels, or want to read one of the effect following the impact of Bronte's "Jane Eyre," try it.
Trivia: Braddon lived long (died in 1915), and before her death, she even watched the filmed version of her own "Aurora Floyd." Her life story is as intriguing as a story she wrote.
[NOTE ON THE TEXT] Oxford University Press's "Aurora Flyod" uses the later edition of the book while Broadview Press's uses an earlier edition. The former one is considerable changed from the latter, so for the academic use you must be careful.
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CRYSTAL TREE tells the tale of a bunch of little girls living in a farming community in New England. One little girl, Nancy, is staying with friends of her parents while her ill mother recuperates, and the series of books details her adventures there.
These books are great in the Happy Hollisters/Bobsey Twins sense of books. Everyone's happy, no one quarrels or gets their feelings hurt, and all the children and adults are satisfied with the simple things in life. This book details Nancy's reunion with her parents and Nancy and her friends embarking on a sleuthing adventure to determine origins of the house into which Nancy and her parents will move.
The books are fun, happy, and easy to read. I enjoyed my little trip down memory lane immensely, and will share these books with any children who should come into my life.
This book presents an age-appropriate look at the life of Child within the context of the time and place in which she lived. The author's description of the characters' "thoughts & feelings" ("Lydia wondered what her life would be like with Mary.") and use of conversation add to the readability of the book in a way that may be unacceptable in a book for a different age group.
As a former 5th grade techer, I think this would be an ideal book for 4th & 5th grade girls who would be interested in learning about the strength and power of one woman to affect the times in which she lived.