This is the best Sandman story, without a doubt. I have read each of the ten volumes many times, and have come safely to this conclusion. Brief Lives has more meaning, heart and humanity than any comic book ever produced. This is It. This is the Big One. There are no substitutes. There is no comic book better than this; there is no comic book that means this much. This is also the volume of the series in which all the various past threads begin to converge, forming one tight whole, leading into the last three volumes, World's End, The Kindly Ones and finally, The Wake. If this book doesn't move you, you have problems.

Oh, yes! Change is indeed the topic debated throughout Neil Gaimans masterpiece volume in the highly thought-stimulating saga of the Dreamlord. It is the book that sees Gaiman making his main character emotionally vulnerable (whereas "Preludes & Nocturnes" portrayed his "physical" weakness), thus more human in action, thought and word. By doing this Gaiman's genious sends this fascinating, somewhat inexplicable dark and mute, "human" incarnation of dreams from the rather easily awoken sense of a "sympathetic" prothagonist in action, to the empathetic core of our hearts. His clumsy approach at establishing a dialogue with the elf-housemaid Nuala on his return to the dreamcastle, stands out as proof of change - actions and reactions within this brief conversation bear witness to the Dreamlords waking will to take other beings welfare into consideration, within the limits of all realms.

The turning points are, due to the non-linear narrative, generally spread out through most of the volumes of the Sandman story, but to me the ultimate change of the storyline occurs as Morpheus initiates a final rendez-vous with his human son, as described in this wonderful, and not least powerful, collection of beautiful stories. In short a powerful set of thoughts on the nature of "the word for things not being the same always".

The presence of the Almighty is felt briefly through actions, beyond the control of even the Endless Seven, and dialogues reflecting an inevitable masterplan that will seal the fate of Morpheus as we have come to know him.

I have a soft spot of the Kindly Ones because that was my introduction to Neil Gaiman (I had read about him in Wizard, the monthly bible of the comic book world, but I was young, and stupid, and my ignorance kept me away from revelation), and for The Wake because Micheal Zulli's pencils are exquisite - but whenever I _need_ exactly what it is the Sandman has to offer I turn to Brief Lives.

It's the distilliation - the essence - of what Sandman is about. Some might argue that Fables and Reflections or even Dream Country would be a better representative, a series of stunning vignettes whose swirling, mythic and dream like quality (I'm thinking of the fabulous Ramadan story) are about horror, fate, the depths of humanity and all that good stuff in the great traditions of fire-side story tellers.

But Brief Lives is something even better.

As Mikal Gilmore noted in his introduction to the graphic novel edition of The Wake, one of the seminal joys of the Sandman is hearing Gaiman's voice grow clearer with each passing issue. The progression from "The Sleep of the Just" to "The Tempest" is an astounding one; watching him grow makes any burgeoning and would-be writer both jealous and elated. The entire idea of the Sandman was revolutionary and different and pregnant with greatness (yes, a dangerous term, but applicable) - but it wasn't until Brief Lives that we _really_ saw what this thing could be capable of. Some argue that point occurred in "The Sound of Her Wings" in the first story arc, or perhaps Seasons of Mists, but _anyone_ who has read Brief Lives understands the truth....

This story is breathtaking. It's a romp. It's a ride. It blows you away, grabs you, throws you down forever into the endless sky with a wild rush of words and images (the matching of Jill Thompson to this story is once more pure genius), it picks up a fatal and final inertia that doesn't slow down until the final page is turned - that is, the final page of the last issue of the series. It's from this point that the story picks up speed and urgency. Everything revolves around the central act of kindness that concludes Brief Lives, and all the tragedy and death and destruction and redemption that occur later on are merely a reflection of that single act.

This is _the_ story. Everything before was technically brilliant, possessed of a fresh and blindingly new verve that the comic books medium hadn't seen in quite some time - but it was somehow _distant_. Brief Lives is full of a passionate proximity, a feeling of the here and now, a sense of both the confusion of every day life and miraculously together with that, the grand rush of scope. This is where Gaiman gets his chops.

I can't recommend this book enough. It's got a winding, willowy wisdom (how's that for alliteration?) that stays with you beyond the waking realms, the kind of gift you return to as the years pass by, something that grows with you as oppossed to on you. Each time I read it I read something new and fresh, and each time I read it I never fail to be moved and inspired.

Brief Lives is what it's all about. Peter Straub couldn't have said it any better when he wrote in his afterword....

"If this isn't literature, nothing is."

What does the average Ethiopian home look like? What is the average Cuban family's hope for the future? How much does a carrot cost on the black Market in Bosnia? Which country has the highest fish consumption per capita? What does the average Japanese father have for breakfast?

It may seem trivial, but these are the questions that Peter Menzel and the creators of "Material World" have tried to answer. And the answers they found are more profound than you might think. 30 very different countries, and 16 excellent photographers, trying to show through images, statistics and interviews how the world's average families live. The differences are astonishing: the financially average Abdullah family in Kuwait is both literally and figuratively a world removed from the Cakonis in Albania.

In this book, created to celebrate the United Nations International Year Of The Family, sumptuous photographs, show each family with their material possessions spread around them outside their homes: while one family's material wealth seems to consist almost entirely of carpets, another's is made up of animals and cooking pots. One family has four cars, another a single and ragged looking donkey. More photographs show each family in the course of the average day, and coupled with data based on interviews, they answer questions such as: do the children go to school? Where does their food come from? What does their house look like? And most tellingly, what is their most treasured possession? More light hearted sections, which explore average televisions, toilets and meals across the world, show at once how alike and different we are.

The creators of "Material World" have sought, and achieved a fine balance. They contrast not only those countries which we know to be rich or poor, but also look at how other factors, such as war and technology, affect families. The information is implicit rather than explicit, conveyed only through the images and words of each family; while the photographers' impressions are expressed in small "photographer's notes" sections, their main function is simply to show us the real lives of their subjects. No judgements are passed, nor opinions given. The reader is left to examine the evidence for themselves.

"Material World" works on many levels. The quality of photography and the compilation of each section make it beautiful to look at - a smart and very PC coffee table book. The statistical information and photographs together provide a wealth of material for use in schools. Flipping backwards and forwards to explore the differences yourself is as much fun as "Where's Waldo", and the writing is so good that "Material World" is a great book to snuggle up with and read. I can only pick one fault with this book: the more trivial statistical data is not always consistent. For example, data on percentages of income spent on food is only available for some families, making comparison impossible. However, this is a small fault. "Material World" is a fantastic book, original, interesting and well put together. Highly recommended to anyone with even a slight interest in the subject.

"Material World" is one of those books that EVERYONE should read. It really is beyond description...deceptively simply yet incredibly moving in its stark simplicity. In these pages about families across the globe, we see scenes from their everyday life. When we glance at the pictures of each family on their lawn surrounded by all of their material goods, the difference between the average American family and the average Ethiopian family couldn't be plainer. We look at the faces on these pages, hear their thoughts on the future, and compare their lives to our own...and suddenly the people in other countries seem real to us, and the faceless people of the news suddenly have faces and thoughts and homes and families. Peter Menzel and all of the others who have worked on this book have done a brilliant and wonderful thing when they created "Material World". They have done what no "You should be grateful..." or "Think of those people in other countries..." could have done...they have made the world real to us.

This book was a required "textbook" in a high school "Science and Sustainability" pilot class my school did in junior year. I remember we generally used the books in class but could check them out to take home if we wanted. I checked one out and din't want to give it back. I think I skipped two classes that day just sitting in the student lounge poring over it, and I think the people reading over my shoulder probably had other things to do as well, but I couldn't put it down, it was so fascinating. So of course I bought my own and I can still pick it up and pore over it for another three hours with the same fascination. It's real life, and the families are real people that you feel somehow close to after reading this. I love this book and show it to everyone. This book will change the way you look at things. Also, for those who think that this book is primarily about material goods around the world, you couldn't be more wrong. Each chapter shows an incredibly detailed portrait of life in another country, and is as wonderful for introducing kids to other cultures as it is for opening their eyes to economic realities. Enjoy.

A must have for people that want a well written and practical guide to the different Genus of carnivorous plants and how to grow them. Well written and not overly technical, The Savage Garden was interesting as well as practical reading for the hobbyist grower. When I received this book, I read it cover to cover, staying up until 3AM.

The Savage Garden was exceedingly well organized and the information was, by my experience, accurate. I particularly like the way he organized the book, with growing information for the Genus and species grouped logically at the end of each section, instead of spread throughout the book. It makes it much easier to use as a reference for growers.

If you own but on book on these plants, this should be the one.

As a grower and seller of carnivorous plants I always try to refer customers to a good book on the subject to delve deeper into the subject. When Peter D'Amato published The Savage Garden I found I had a resource beyond my highest expectations to lead them to. This book is detailed, concise, easy to read, has lots of beautiful photographs, and is designed to let the average person be successful growing carnivorous plants. I can't recommend it enough.

The book is outstanding. It covers most types of carnivorous plants, and has many excellent color photos. It has a section on how to grow & care for each type of plant. From pot size, soil, light, humidity, fertilizers, growing period and more.

A very minor negative - some additional information would have been useful. I wish it had a little more information on the optimal pot size for the plants, some have this info, some don't. And don't expect it to have every complex Sarracenia Hybrid covered, although it does have a lot of them.

Ive read many books on CPs published in the last 50-60 years, and this one covers more, provides more info, and has better pictures. This deserves 5 stars, unlike the typically inflated rating. I use it to research any plants I consider buying. If you're interested in CPs this book would be worth buying. It's a steal at its current price....

Do a net search for Orgel Bramblett of Orgels Orchids in FLA to find another excellent source of CPs.

I first heard this enchantingly wonderful book on cassette tape when i was at art lessons. I would wait impatiently till the next week so I could hear more~ more about the Golux (who resembles only half the things he says he doesn't!) and about Princess Saralinda and the Prince whose name begins with X... and doesn't! This book is full of whimsical wonderful wordplay and contains almost all of my favorite quotes of all time. It isn't very long, but every sentence is filled with some little quips or verbal oddities that, quite literally, made me smile and laugh while reading (a funny sight XD). This book is without question one of my favorites of all time~ a truly wonderful tale that can be read over and over again without ever growing old. Truly classique. I mean, the book that's given me my tagline HAS to be great: "We all have flaws and mine is being evil."

A tremendous piece of literature I was lucky enough to read at age 8. I'm still re-reading it today as an adult and continue to find it imaginitive, without being syrupy or preachy. Our protagonist, the minstral-turned-Prince, must save the Princess Saralinda before the coniving Duke forces her to marry him. The Duke sets out an impossible task for the Prince, hoping that he will perish before he weds Saralinda on her 21st Birthday.

What is so amazing about this story is that each character has so much more dimension than the average fairy tale character. At times the Duke is almost likable and the Prince can be frustratingly unheroic. Even Saralinda escapes from the cotton candy persona of most heroines. Sure, she's beautiful, but she has an assumed cleverness that is presented as normal rather than over-emphasized in a Disney-like way.

I would highly recommend this book to children and adults alike. A note to eight-year-olds: Look up the hard words. It's worth the time. Trust me

...the writing is so lyrical, the characters so funny, and characteristic of thurber, frought with human flaws while still being heroes, and each adventure solved, in the end, by wit and ingenuity. the prose is beautifully tight. it is written, like E.B. White, for the inner ear -- sonorous, and full of Thurber mischief. "I am the Golux, the one and only Golux -- and not a mere device." My eight-year old loves the rhythm. My 11 year old loves the humor, and I love thurber's wink to me about literary devices...for us, this book is always at hand for the sheer joy of reading it aloud.

If you read only one of the three books on Norton the Scottish Fold, this should be it. Not only are the writing style and design of the book better than the other two, it's the most emotional and thoughtful as well. The two previous books tell of Norton's adventures as a series of events, and in this third, Gethers continues that tradition. But he also adds something of a meditation on death and on caring for others. There are moments where it seems to get sentimental, but the feelings are so genuine that you can't help but be moved.

Norton's story (all 3 books) is the most moving, tender, wonderful, poignant story I've ever read in my entire life! I can't stop thinking about it, it is that wonderful. It is beautifully written. Mr. Gethers bond with Norton is incredibly loving. If you like cats, you will fall in love with Norton, and you will feel forever indebted to Peter Gethers for bringing you Norton's story. Thank you, Peter Gethers, for the most wonderful 3 books I've ever read in my entire life!

Many may think "Oh, c'mon, some cheesy cat book" but this is by far one of the most incredible stories I have ever read. It is the story of Norton the cat who changed the lives of all he met. Gethers has written other books about Norton, but this is the last we'll ever find, as Norton is now in Heaven. While reading this book, I almost felt I was right there with Norton on his adventures to fancy restaurants and long car trips and spending a whole vacation hanging out with the people at the front desk of the hotel who couldn't bare to let him leave. Norton is incredible, and so is this book.

The PRINCESS AND THE GOBLIN proves yet another of MacDonald's fantasy charmers (q.v. AT THE BACK OF THE NORTH WIND), as the novel presents the adventures (psychological as well as physical) of protected Princess Irene (aged 8) and a brave miner boy with the unlikely name of Curdie. The tale involves the schemes of evil goblins who lurk below the earth, who exult to tease and torture the "sun people" as they call humankind. Can a mere youth foil the callous machinations of these subterranrean fiends?

Princess Irene meets a mysterious but loving old lady at a spinning wheel (have we heard this somewhere before?), while Curdie proves himself a useful ally to her King-papa. Her faithful but outspoken nurse, Lootie, learns some bitter lessons, as she is almost dismissed by the king and (even worse) by Irene herself. Grown ups must learn to believe what they hear from honest children; children must learn to believe what can not always be seen or what makes scientific sense. Any little girl who sees herself as an unrecognized princess can learn to behave with the grace and dignity of a True Princess. Boys will admire the courage and resourcefulness of the miner's son--the only one in the kingdom to realize what the goblins are plotting. A quaintly spun yarn (with gentle edification for children) for readers of all ages.

This wonderful children's novel tells the story of eight year old Princess Irene. Cared for by her nurse Lootie, she lives in a mountain farmhouse while her father rules over the region from a mountain top castle. The local folk work as miners but are beset by the Goblins who inhabit the underground. Irene is saved from the Goblins by Curdie, a thirteen year old miner, and she in turn saves him. The whole thing is told in a pleasant conversational style and is filled with humor, word games, magic, derring-do, and pure wonderment.

George MacDonald, a Congregational minister turned novelist, who seems nearly forgotten now, was one of the seminal figures in the development of Fantasy. His influence on other Fantasy authors is obvious, he was a childhood favorite of JRR Tolkein, who especially liked this book, and C.S. Lewis named him one of his favorite authors. His own stories draw on many of the themes and characters of classical European fairy tales. But where they were often merely horrific and meaningless, MacDonald adds a layer of Christian allegory. Thus, Irene and Curdie are eventually saved by a thread so slender that you can't even see it, but which leads them back to safety, teaching Curdie that you sometimes have to believe in things that you can't see.

The book would be interesting simply as a touchstone of modern fiction, but it stands up well on its own and will delight adults and children alike.

GRADE: A

So many fine reviews here already about MacDonald's powerful text (for children and adults). I would only add that this edition which includes 8 or 10 gentle and mysterious drawings (watercolors?) by Jessie Wilcox Smith portrays the fearful goblins (also Curdie, Irene, and her father, etc.) without weakening the strength of the tale or scaring the young reader. I purchased this book for an avid seven-year-old reader who loved the story and also commented on the "beautiful" pictures. The book is also good to read aloud to a number of children in a broad age range. My too-cool 11-year-old became mesmerized after the first chapter and found himself talking with his younger brother (!) about the story.

This book tells the story of Soviet Yankee I-class missile submarine K-219. This incident happened in 1986 and already then Soviet armed forces were in rather bad condition. K-219 is sent to American east coast for patrol duty and it experiences difficulties from beginning of journey. In fact there has been major problems before this journey. Troubles really start when one of the missiles explodes due to malfunction.

This book was interesting for several reasons. First it gives the reader a view in what kind of shape Soviet Navy was during last stages of communism and how politics were always most important thing and everything else came only after it (maybe). It also gives reader view how US Navy hunts submarines, how well (or bad) USN and other branches of service ie. US Air Force in this book co-operate. Also for once one of the bad guys is American; commander of US attack sub USS Augusta.

Text was easy, fluent and fast to read and photo section is ok for paperback (pics are clear enough to really see what kind of monster K-219 was). One thing that bothers me after reading this book is that if Soviet Navy was in such a bad condition during communist era in what condition are Russian Navy vessels today? Luckily their ships and subs rust most of the time in port due to lack of funds.

A very informative story of a real reactor accident on a Soviet Sub during the Cold War. Great for anyone who enjoyed Clancy's Hunt For Red October. Very dramatic for nonfiction, the courage of a few to save the group was shown throughout. Unfortunately the book is over quickly. As soon as you're really into the feeling of being tightly cramped into a Russian sub, the book is over. Still an exciting read for anyone interested in sub life, and death.

Through my work as Exec. Asst. to the Exec. Dir. of the Navy League of the U.S., I met member Peter Huchthausen when he introduced Igor Kurdin to the NLUS as an associate member. I became their liaison. Through this I have worked with young hero Sergei Preminin's high-school teacher, who created a small museum to his heroism. Then on 8/4/97 at a dinner in his honor at the Officers Club of the Naval Academy in Annapolis, I was privileged to be seated at the head table with and to meet the brave Russian sub commander, Igor Britanov, who saved our East Coast from a Chernobyl, and probably thus headed off WWIII. I was honored to be made a member of the St. Petersburg Club of Sailors and Submariners that evening. Peter Huchthausen did painstaking research, as did his coauthor Igor Kurdin to create this book. It is riveting, utterly compelling, heart-wrenching, and true. Although I have read it three times and highlighted much, plus viewing the HBO slightly-altered and less grippingly true rendition, I still weep for these brave men. This is the sign of a well-written book! It captures vividly the heart and soul of these men, and what they courageously endured. To read of them and meet them in person is to love them for their bravery and decency. I have never seen a face radiate more goodness than Captain Britanov's. I highly recommend this book to everyone I engage in conversation on the subject. I only wish that it had received much more publicity, in hard and soft cover.

Giovanni Boccaccio THE DECAMERON. Second Edition. Translated with an Introduction and Notes by G. H. McWilliam. cli + 909 pages. Penguin Classics. London: Penguin Books, 1995. ISBN 0-14-044629-X (Pbk).

Second-hand opinions can do a lot of harm. Most of us have been given the impression that The Decameron is a lightweight collection of bawdy tales which, though it may appeal to the salacious, sober readers would do well to avoid. The more literate will probably be aware that the book is made up of one hundred stories told on ten consecutive days in 1348 by ten charming young Florentines who have fled to an amply stocked country villa to take refuge from the plague which is ravaging Florence.

Idle tales of love and adventure, then, told merely to pass the time by a group of pampered aristocrats, and written by an author who was quite without the technical equipment of a modern story-teller such as Flannery O'Connor. But how, one wonders, could it have survived for over six hundred years if that's all there were to it? And why has it so often been censored? Why have there always been those who don't want us to read it?

A puritan has been described as someone who has an awful feeling that somebody somewhere may be enjoying themselves, and since The Decameron offers the reader many pleasures it becomes automatically suspect to such minds. In the first place it is a comic masterpiece, a collection of entertaining tales many of which are as genuinely funny as Chaucer's, and it offers us the pleasure of savoring the witty, ironic, and highly refined sensibility of a writer who was also a bit of a rogue. It also provides us with an engaging portrait of the Middle Ages, and one in which we are pleasantly surprised to find that the people of those days were every bit as human as we are, and in some ways considerably more delicate.

We are also given an ongoing hilarious and devastating portrayal of the corruption and hypocrisy of the medieval Church. Another target of Boccaccio's satire is human gullibility in matters religious, since, then as now, most folks could be trusted to believe whatever they were told by authority figures. And for those who have always found Dante to be a crushing bore, the sheer good fun of The Decameron, as Human Comedy, becomes, by implication (since Boccaccio was a personal friend of Dante), a powerful and compassionate counterblast to the solemn and cruel anti-life nonsense of The Divine Comedy.

There is a pagan exuberance to Boccaccio, a frank and wholesome celebration of the flesh; in contrast to medieval Christianity's loathing of woman we find in him what David Denby beautifully describes as "a tribute to the deep-down lovableness of women" (Denby, p.249). And today, when so many women are being taught by anti-sex radical feminists to deny their own bodies and feelings, Boccaccio's celebration of the sexual avidity of the natural woman should come as a very welcome antidote. For Denby, who has written a superb essay on The Decameron that can be strongly recommended, Boccaccio's is a scandalous book, a book that liberates, a book that returns us to "the paradise from which, long ago, we had been expelled" (Denby, p.248).

The present Penguin Classics edition, besides containing Boccaccio's complete text, also includes a 122-page Introduction, a Select Bibliography, 67 pages of Notes, four excellent Maps and two Indexes. McWilliam, who is a Boccaccio scholar, writes in a supple, refined, elegant and truly impressive English which successfully captures the highly sophisticated sensibility of Boccaccio himself. His translation reads not so much as a translation as an original work, though his Introduction (which seems to cover everything except what is most important) should definitely be supplemented by Denby's wonderfully insightful and stimulating essay, details of which follow:

Chapter 17 - 'Boccaccio,' in 'GREAT BOOKS - My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World'
by David Denby. pp.241-249. New York: Simon & Schuster, 1997. ISBN 0-684-83533-9 (Pbk).

Ten young Florentine noblemen and women escaping the Black Death in Florence in 1348 entertain themselves by each relating a story per day for ten days - 100 entertaining stories in all, mostly set in and around medieval Florence. Although famously naughty, none of these stories strikes a modern reader as more than mildly erotic. Rather, they consistently astonish by their thoroughly modern message that women are as good as men, nobility doesn't come from birth, sanctity doesn't come from the church, and - above all - true love must never be denied. Amazingly, Boccaccio often delivers this message while pretending to say the exact opposite; sometimes he presents very sympathetic characters who get away with things thought scandalous in his time, offering a mere token condemnation at the end, while other times he depicts someone actually following the accepted code and committing some horrible act of cruelty in the process. Either way - and despite his claims to be upholding convention - we always know what he really means, and apparently he didn't fool too many people in his own day either.

But one doesn't need to focus on the revolutionary aspects of the Decameron to enjoy the book; each of the stories delights the reader with a different tasty morsel, and, you can read as much or as little at a time as you please. Once you get past the introduction, (and that's probably the most serious part of the book, so be sure not to give up before you get to the first story) the stories will make you laugh, make you cringe, and make you sit on the edge of your seat. Inspiring authors from Chaucer to Shakespeare and entertaining audiences for over 700 years, the Decameron continues to delight.

For a book to be even considered to a classic; then it, i.e., the book has to stand the test of time (and by so been read, pondered on and enjoy by several generations). The Decameron (Oxford World's Classics) by Giovanni Boccaccio, et al is one of these few books, e.g., The Odyssey, Thus Spoke Zarathustra et al. The story follows a plethora of storytellers whom all have gone to the countryside to escape the plague. The stories are filled with bravura, vigor, fortitude, a bit of sex and many other subjects (that are all written with an uncanny ability). If one considered oneself to be a scholar or a learned man then this book, i.e., The Decameron (Oxford World's Classics) by Giovanni Boccaccio, et al, is a must have; since not owning or having read it, then one as a person/scholar/learnedman must be considered less then civilized.

As an Armour enthousiast and a former Armored infantry man, I have a number of books about German armours in World War II,
however, this book is definitely one of the best one. Furthermore, Authors are best experts in this subject.
they explain each tanks' brief histories,specific features and combat services.Despite it's brief representation of each single tank and deficiency of diagram .This book deserves high compliment due to its relatively low price and quite useful appendices which explain tank armament ,engine,armourammunition,optical equiment and radio equipment with numerous photos.First edition was printed 1977 and it 's still in print. if you find this book (it's not easy to find in a local book store)in a book store ,Buy it . you won't regret

This book ranks as one of the most informative of the German Wehrmacht vehicles. The essential data is provided along with the corresponding picture.( The interior turret views of the panzers is a rare treat not often present in many similar books!), and the reader is able to see the multitude of different armored designs introduced throughout the war. Even a listing of what kind of vehicle using what brand of radio is provided. Maybe what really shocks is the production number of Germany's Main Battle Tanks comes no where near to as many as both the U.S and Russia produced, giving credence to just how good these weapons and crews had to have been to hold the Allies off as long as they did.

This reference is without peer. For the enthusiast, gamer, professional historian, or anyone else with an interest, this is by far the most complete, interesting, and authoritative book ever published on German AFVs of the period. Exceedingly well researched, extremely well illustrated. Wonderful data on construction, performance, manufacturing history, operational history, and unit markings. Why, the appendices alone are worth twice the price of the book. Purchase it now before it goes out of print again.

Dorothy L. Sayers wrote some of the best mystery novels that ever appeared in print. In fact she wrote most of them.

Gaudy Night is mainly a novel of Oxford, despite its being ostensibly a mystery. Harriet Vane is the main character of this novel, though of course Sayers' best creation, Lord Peter Wimsey, plays an important part in this book. The dialogue is as clever and wonderfully piffling as ever, the story thought-provoking, and best of all it is here that Peter is finally successful in wooing his Harriet. (The punt scene! And the finale...)

There never was a better mystery writer. I would suggest, before reading this, that you read Strong Poison and Have His Carcase for the full effect. Oh, and follow Gaudy Night up with Busman's Honeymoon.

This book is amazing: not only does it comment intelligently on just about every human life issue, but it does so while being a very competent murder mystery, and consistently enjoyable to boot. Gaudy Night is the novel that shows the world why Dorothy L. Sayers is the master. Her style is as beautiful as always, and this third book in the 4-book Harriet Vane/Peter Wimsey series is a fascinating piece of whodunit mystery fiction, a commentary on the single-sex environment as well as the place of women in education and education in women, a treatise on love, and a breathtakingly realistic and satisfying romance that anyone who's been following Harriet and Peter through Strong Poison and Have His Carcase will appreciate. The fourth and final book, Busman's Honeymoon, is the only thing that could possibly crown Gaudy Night, and I recommend them both.

I think anyone who's pondered the very real problems in reconciling Harriet and Peter and how Sayers could approach them while remaining true to both will feel as I did--bought the book, liked it, will keep it.

Dorothy Sayers has frequently used autobiographical experiences as a starting point for her writing - as an example, "Murder Must Advertise" was set in an advertising agency and based on Sayers' own experiences in the field. Here again, Sayers goes back to her past days as an Oxford student at Somerville College and this makes "Gaudy Night" a unique entry in the Lord Peter Wimsey series. Harriet Vane, an Oxford alum, attends the Gaudy, which is a reunion of past students and is asked by her old professors to turn her talents as a detective writer to practical use. Someone is terrorizing the faculty and students of the college by sending vicious anonymous letters. The college is terrified of this leaking out to the press and giving education for women a bad name, therefore discretion is vital. Rather relectantly, Harriet accepts and comes down to Oxford to stay for a term. She discovers that the perpetrator is not now satisfied by just sending letters and is moving on to more serious offences like trying to burn the books in the college library, destroy the works of the faculty and eventually attacking certain faculty members. Harriet struggles with the realization that the perpetrator may be a professor as well as with the realization of her growing feelings for Lord Peter Wimsey. The actual unraveling of the mystery is fascinating by itself, but I was particularly intriuged by Sayers taking the opportunity to discuss issues such as society's view towards University education for women, and the need to maintain one's own identity, even in a serious relationship. "Gaudy Night" is therefore a truly feminist work and Harriet's internal struggle between her love for Wimsey and her desire to maintain her independence is something all women can identify with, even today. Although she is hard to like at times, being prickly and sensitive to a fault, we can all sympathize with her predicament. In a nutshell - absolutely fabulous and required reading for all Sayers fans!