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An excellent book. A very valuable addition to what must be by now an enormous library of books on the King.
Glasgow, March '99
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If you can grow it, the instructions are listed in this book.
Book contains hundreds of small, but helpful photographs that demonstrate a process or identify some plant anatomy.
Solid information, well worth the money!
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There are some statistics about the country, things about how much money they make, the literacy rate, etc.. none of it boring. the book makes you feel like you are traveling around the world and meeting all of these people. The pictures are also beautiful.
I would recommend this book to anyone who is interested in other cultures and the way that women live around the world.. i would love to find more books like this. It makes me thankful for how much I have and the opportunities in this country that are open to women!
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The book is arranged geographically. Beginning in Siberia, Mr. Matthiessen takes through Asia to Australia and then on to Africa and Europe and finally to North America. There are no cranes in South America (or Antarctica).
The author is at his best when he is combining his wry observations of the people and places around him with an enthusiastic and well-informed account of the natural history of a region. I felt that he was less successful when he lets his righteous indignation get the better of him and begins to make snide comments about the absence of a love of the natural world in Chinese society, the wrong-headedness of various bureaucrats and the corruption of local officials.
It is not as if I disagreed with his point of view, but I knew that I already shared it before I even picked up the book. I can't imagine anyone who had any doubts about the importance of cranes as sensitive indicators of the general health of the environment being won over to the crane's side by this hectoring, doctrinaire authorial voice. But then, perhaps this books is really just an extended love letter to the cranes and to the environment in general. As such, it succeeds wonderfully.
He has produced an unforgettably bleak picture of ecological matters in China, and an optimistic account of our own country's efforts in getting whooping cranes started again. That we don't know what we are doing in dealing with the cranes is shown in a paradoxically happy outcome for them in Korea. Wars are, as the posters used to declare, harmful to children and other living things, and the Korean War was disastrous for humans and for cranes. There is now a Demilitarized Zone between the two Koreas, just a couple of miles wide but running from the Sea of Japan to the Yellow Sea. Human habitation is forbidden in the area, and farming is very limited. Matthiessen is thus able to visit the DMZ's boundary, accompanied by armed soldiers. ("One may visit a North Korean museum that reveals American atrocities, but we decline this educational opportunity, electing to go birdwatching instead.") He thus gets to watch cranes in the "most fiercely protected wildlife sanctuary on earth... an accidental paradise for cranes." Woe to the cranes if peace breaks out.
This volume includes paintings and drawings of cranes by Robert Bateman, lovely renderings that are more compelling than the usual field guide renditions. They complement Matthiessen's fine text. Cranes are long lived, and they often mate for life. Their windpipes are modified like French horns to produce eloquent and distinctive calls. Their size and their pugnacity, for they are protective birds and dangerous to handle, should make us respect them as fellow-citizens of the planet. There is no need to invoke anthropomorphism; there is a spiritual bond between humans and these animals which Matthiessen has movingly demonstrated. He knows, however, that "the time is past when large rare creatures can recover their numbers without man's strenuous intervention," and despite his romantic optimism, his stories show we are strenuously bent on something else entirely.
While Matthiessen is poetic and romantic as a nature writer he is a blunt and critical social commentator. Our species comes in for some stick. We neither stack up well in creation - look at the beauty of an African Crowned crane, the "red-black-and-white head crowned by a spray of elongated feathers on the nape, like spun gold in the bright sun...how wonderful it seems that even the boldest colors of creation are never garish or mismatched, as they are so often in the work of man." Nor do we do so well with what we create - China's Three Gorges Dam will destroy some pristine crane wintering lands and is, according to Matthiessen, "a grand folly of enormous cost." Worse still is that we are such a self destructive species. The dam, he goes on to say, will also cause "social and environmental ruin" in this part of China.
Poignancy, yes, even sorrow at the passing of so many of the last wild and unspoilt areas of the planet, but sentimentality, wistfullness, hopelessness, and inaction are not words that are in this author's vocabulary. Indeed the fact that cranes are the central focus here is cause for cautious optimism. Cranes have always been a vibrant part of our cultural history and remain evocative symbols of our spiritual and creative imagination and are seen as omens of good luck and longevity in many countries.
The fifteen species of cranes (eleven of which are endangered or threatened) have lessons to teach mankind. Matthiessen's recounting of the sectarian squabbling that took place at an international gathering of crane conservationists is illustrative. While economics, politics, and nationality remain common dividing factors among the human participants, more than half of the species of cranes are content to make the Amur River basin in central Asia their common gathering ground.
A powerful book for Matthiessen's writing, the beautiful paintings and illustrations offered in support, and the stories of the cranes themselves - Saurus, Crowned Crane, Brolga, Siberian and the rare Whooping and Japanese Cranes - two of the most endangered species that Matthiessen says are "heraldic emblems of the purity of water, earth, and air that is being lost." We need to conserve, appreciate, and learn from these birds of heaven, and heed the "horn notes of their voices, [that] like clarion calls out of the farthest skies, summon our attention to our own swift passage on this precious earth."
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