This is what the main character, Zavalita, and the author, try to find out in the book: how, when, where, why, Latin America went wrong. It is a political, social and personal novel. Without a clear answer, of course, Vargas Llosa boldly exposes before our eyes the crap, the misery, the injustice and the depravation that rule life in most parts of our continent. He is unsparing, cruel and realistic. The lives of Santiago Zavala and Ambrosio Pardo meet time and again through a conversation in "The Cathedral", a bar in Lima, Peru. As they tell to each other their stories, they tell the story of Peru in those years. Zavalita is an upper-middle class journalist, the son of a politician, who resigns his social position for idealistic reasons. He is a loser because he refuses to fit in a world like that, where in order to succeed you have to be a part of corruption, pervertion, and immorality. He prefers to be marginalized and isolated.

To tell a chaotic story, Vargas Llosa uses a complex style: jumps in time, different voices from separated times speaking simultaneously. But it is not a hard reading, once you get used to it. The author is superb at eliciting suspense, progressive revelations that give an additional clue into the whole picture. It is fascinating how he reproduces the way people talk in an informal conversation at a bar. Think about it and try to remember your conversations with friends, when sharing a complex story.

If the style is great, the substance is chilling: it is a glimpse into the reality most of us refuse to acknowledge. Wherever you live, you will recognize people in almost every character. While MVLL is an excellent writer, this is definitely one of his best. It is certainly one of my favorite novels of all times, and I strongly recommend it.

Conversation in the Cathedral is a novel of power and politics in 1950s Peru. Two of the main characters meet in an inexpensive restaurant (the "cathedral" of the title) and spend the afternoon conversing about the past. The novel is, for the most part, encapsulated within their conversation, although we are occasionally reminded of some events accessible only to the omniscient narrator.

While somewhat unusual, the structure of Conversation in the Cathedral is most impressive. The vast bulk of the book is dialogue, and a common occurrence is for different dialogues to be interlaced at the level of the sentence with no overt marking in a kind of point and counterpoint. There also exists an hierarchical layering, with events described in individual conversations recounted within the meta-conversation that spans the entire novel.

The narrative includes many jumps in time, with significant events that take place in the middle of the story often not being recounted until near the end of the book. The result is an almost "fractal" narrative, but one that is singularly impressive.

Despite its somewhat complicated structure, Conversation in the Cathedral has an irresistible feeling of movement and once readers become used to Vargas Llosa's sophisticated style, the book becomes more than engrossing. Conversation in the Cathedral also presents the clearest picture of exactly how a Latin American military dictatorship actually works.

While all of Vargas Llosa's books rate five stars, Conversation in the Cathedral is certainly his most impressive.

This is a great novel. At the beginning I found it a little hard to follow the story but once I got used to the author's narrative style, I was spellbound.

It is just amazing how much knowledge the author (in his early 30s when he wrote this novel) displays about Peruvian, and by extent Latin American, society and people's psychology, especially those in positions of power (since this is also a political novel).

The narrative revolves around the story of Zabalita, a journalist from an upper middle class background. Zabalita is essentially a rebel and idealist who renounces fortune and fame out of both political/ideological convictions and parental resentments. His own personal family deceptions and disappointments are somehow projected onto the whole Peruvian society (it is hard to tell the author from his personage).

As it turns out, Zabalita's misfortune is that the vices he resents in his family (his father is an important politician) are inextricably linked to those the author very ably depicts as taking place in Peruvian society as a whole. The author skillfully depicts this reality throughout the novel by showing us his other characters with all their vices; here we have the opportunistic, corrupt, deceitful and immoral politicians.

Vargas Llosa greatly succeeds in narrating Zabalita's misfortune and gaining adepts in his readers (at least in my case) to Zabalita's cause. The climax of the novel comes towards the end of the book when Zabalita and the reader are revealed the darkest secrets of Zabalita's father. This is the climax towards which the novel inexorably unfolded starting with the initial conversations, between Zabalita and one of the main protagonists, in the bar "The Cathedral".

What really makes this novel great is not only the substance of its subject matter but also, and perhaps most important, the way it is expounded. The author reveals his characters (their darkest secrets, their noblest actions and so on) in a very gradual way, eliciting in the reader suspense, and all kinds of emotions at every turn of a page. The way the author weaves his personages, treating one at a time and then relating them, with the way the story unravels makes it so hard to take a break from reading. This is as much a psychological novel as a social and a political critique, and a great one.

This is perhaps Vargas Llosa's best novel and a must for all those well-meaning readers in the developed world who eagerly idealize Latin American revolutions without knowing anything about these countries.

The book is based on the true story of Antonio Vicente Mendes Maciel ("O Conselheiro"), a mad prophet of sorts -kind of a weird Christian ayatollah of the late XIX Century- who ignited, in the most remote corner of Brazil, a bloody uprising among the lowly against Money, Property, Progress, Law, Army, Republic and State, and everything else he found oppressive, sinful and evil.

Little by little, Vargas Llosa transforms this obscure anecdote into a monumental epic of Tolstoiesque proportions that not only hooks you on the plot but reveals the richly interwoven tapestry of Brazilian -and therefore Latin American- society; its illusions and delusions, its races and classes, its loves and hates, its fear of the modern and its contempt for the past, and the fanaticism that pervades both attitudes (to date).

I read this mammoth masterpiece during Christmass '94 at the midst of the Zapatista revolt in Chiapas, and it was sad to realize how little have we changed our societies. Our development always seems to engender inequality and our social struggles to defend backwardness and ignorance. Vargas Llosa is acutely aware of this, and he conveys it in his story splendidly, without preaching, without agendas, without aloofness and without letting you put down the book. Should you decide to read it, ask for a few days off!

This is perhaps Vargas Llosa's best novel and a must for all those well-meaning readers in the developed world who eagerly idealize Latin American revolutions without knowing anything about these countries.

The book is based on the true story of Antonio Vicente Mendes Maciel ("O Conselheiro"), a mad prophet of sorts -kind of a weird Christian ayatollah of the late XIX Century- who ignited, in the most remote corner of Brazil, a bloody uprising among the lowly against Money, Property, Progress, Law, Army, Republic and State, and everything else he found oppressive, sinful and evil. In return, the Brazilian government reacted with indifference, disbelief, concern, anger, outrage and total annihilation.

Little by little, Vargas Llosa transforms this obscure anecdote into a monumental epic of Tolstoiesque proportions that not only hooks you on the plot but reveals the richly interwoven tapestry of Brazilian -and therefore Latin American- society; its illusions and delusions, its races and classes, its loves and hates, its fear of the modern and its contempt for the past, and the fanaticism that pervades both attitudes (to date).

I read this mammoth masterpiece during Christmass '94 at the midst of the Zapatista revolt in Chiapas, and it was sad to realize how little have we changed our societies. Our development always seems to engender inequality and our social struggles to defend backwardness and ignorance. Vargas Llosa is acutely aware of this, and he conveys it in his story splendidly, without preaching, without agendas, without aloofness and without letting you put down the book. Should you decide to read it, ask for a few days off!

A través de esta novela Mario Vargas Llosa nos regala una historia real cubierta de fantasias tan bien entretejidas que facilita una lectura fluída que nos hace sostener la última expiración en cada capítulo siguiente esperando que no sea el último.

El personaje principal es El Consejero, un asceta que recorre todos los pueblos predicando la palabra de Dios y sin haberlo planificado se encuentra dentro de una multitud que veía en él al Santo Salvador que los dirigiría en la lucha contra El Mal. El Mal estaba personificado por los Republicanos que, según los seguidores del Buen Consejero, no eran más que El Anticristo que había bajado a la tierra disfrazado de humanos para transformar el mundo: Instaurarían el matrimonio civil, encargarían los cementerios a los municipios (en la época monárquica estaba a cargo de la iglesia católica), y someterían al pueblo a un nuevo tipo de gobierno, la República.

Es así que se origina la rebelión. El Consejero y sus seguidores golpean a unos soldados republicanos y huyen a un lugar desolado, apropiándose de esos terrenos, llamádo CANUDOS. En aquel lugar alejado del mundo -y también de la imaginación humana- forman una sociedad diferente, en la cual nadie tenía propiedades y no existían autoridades. Era una sociedad donde todo era de todos.

Sin embargo, y en replesalia contra aquella rebelión inicial, el Estado Brasileño envia un pelotón de hombres bien apertrechados que son rápidamente reducidos por los pobladores de Canudos al grito de "mueran los perros republicanos". Fueron tres las comisiones enviadas a disolver a aquellos rebeldes que "atentaban contra la seguridad del Brasil". Una tras otra son repelidas hasta que frente a un contingente bastante mayor al de ellos ceden y permiten el ingreso del ejercito republicano a Canudos. "No dejaron piedra sobre piedra". Los soldados se encargaron de desaparecer aquel pueblo que se resistía a ser sometido a las peticiones de la sociedad alienada. Un mundo aparentemente irreal que parecería una increíble invención y que, sin embargo, existió en Brasil a fines del siglo XIX. Un pueblo cuya aparente perfección no fue tolerada por un mundo sometido a la infelicidad y, por lo tanto fue condenada al peor de los castigos: a la desaparición.

Considero, por ahora -a falta de leer algunos libros anteriores y venideros de Vargas Llosa- como la mejor obra de este escritor peruano que ya merece ganar el Premio Nobel.

Es una novela exlente, de esas que le encantan a Benedetti y le salen tan bien. Tiene elementos de critica social pero tambien de amor, de ruitna y de desesperanza. Creo que ese es el gran logro de Benedetti lograr manejar la vida rutinara de los hombres y lograr contar una historia a partir de ahi. Muy recomendable.

Gracias por el Fuego es una obra narrativa que nos presenta una forma de retrato del Uruguay de después de la Segunda Guerra Mundial. La obra está casi en su totalidad escrita en primera persona; de forma que el protagonista, Ramón Budiño, quien es dueño de su propia agencia de viajes, va relatando todo lo que siente, ve, escucha y piensa, durante el tiempo relatado. Mario Benedetti logra, de esta manera, censurar fuertemente el ambiente socio político del Uruguay, y en particular la posición y actividades de su padre en la época. Ramón Budiño retrata con palabras las acciones, sentimientos, frustraciones, y decepciones de cada uno de los personajes que forman parte del drama y la sociedad; donde él, al final, concluye que la solución final es matar a su padre.

Su lectura es amena, como casi toda las obras de Benedetti; cargada de sentimientos de autocensura, de encuentros sexuales muy descriptivos y, del recuento de frustraciones personales. Y, sobre todo, de aquella capacidad de hacerle sentir al lector de que está inmerso en la obra.

Este es sin duda uno de los titulos mas aclamados en los ambitos subterraneos. Con su natural narrativa, Mario Benedetti, nos transporta a un escenario donde el conflicto generacional, llega a su colapso mas profundo, con lo cual el autor pone de manifiesto la situacion que se dio en la politica en los años 70, en la que fue muy comun que los dirigentes populares fueran asesinados por sus mismos camaradas al no poder controlar el complejo de Edipo. La genialidad de Benedetti trastoca al eterno antiheroe Edipo, con el eterno heroe Prometeo, y de esa amalgama surge Ramon Budiño, personaje central, que trae la inspiracion a una sociedad decadente.

Esta es una obra de teatro, concebida como tal, con istruciones (pocas pero presisas) sobre el esenario y el comortamiento sugerido de los actores. Todo esta basado en los dialogos y se tiene una trama muy basica sin grandes complicaciones, como fue la de todos esos presos politicos en america latina. Existen algunos pasajes imprecionates y los dialogos son tan coerentes por las dos partes que no se advierte la tendencia del autor, sino que por sentido comun uno se pone del lado del torturado y desprecia al torturador. Esta obra se puede leer en dos muy buenas horas de lectura pero se queda en la mente duante varios dias y en la conciencia para siempre.

es un excelente libro, en el cual se refleja la situacion de argentina en el año de 1979, donde un preso se le tortura para que de informacion sobre 4 personas, pero gracias a sus altos principios, valores, y por el amor a su hijo se mantiene firme en no dar esa información hasta el final, *derrotando* al capitan.

Simplemente esta excelente, facil de leer, además de rapida

Pedro y el Capitan es una obra de teatro en la que los dos unicos personajes, un militar torturador y un preso politico torturado, llevan adelante un dialogo imposible. Es la historia de un conflicto que va mas alla de lo ideologico.

Reading Mario Vargas Llosa's works of literature is one of the best experiences a reader can have. In "Letters to a Young Novelist" Vargas Llosa shares the name of authors that have shaped his life as a writer, along with his personal insight on narrative techniques, and an unconditional love for the written word. Each chapter presents valuable information for anyone interested in the art of writing or for anyone who enjoys reading a well-written book.

This book is written as a series of letters to an anonymous, aspiring novelist. Obviously it is fashioned after Rilke's "Letters to a Young Poet", and although somewhat cheeky, the style and tone of these pseudo-letters fit Mario Vargas Llosa's objectives in writing.

Unlike some of the mainstream writing tutorials that are around, this volume, although slight in page length, has genuine and truly original insights that will help your writing tremendously. For example, whereas most writing instructors teaach you to stick to one point-of-view, Vargas Llosa says one of the most unbending rules in fiction is that no novel sticks to one kind of point-of-view, that it subtly changes. There are equally startling and persuasive directives regarding spatial and temporal matters in fiction.

The book is fun to read as well; only a novelist of Vargas Llosa's caliber can dismiss many of the so-called 'classics' and not seem vindictive and/or crazy. To fully understand this book (although not totally necessary), a reader should have at least a passing knowledge of the writers and their works that Vargas Llosa invokes as examples. i.e. Proust, Flaubert, Robbes-Grillet, etc.

If you are an aspiring writer, chances are good that this wry book will be an indispensable guide. Highly recommended.

"Letters" is an adroitly written instruction book for beginning writers. Incorporating an imaginary correspondent, Mario Vargas Llosa writes a series of letters to a young protege sharing his years of literary experience and outlining the principles that make a novel. It is an interesting vehicle for an instruction book and it works. Most books of how to write are overloaded with superfluous detail and have the annoying tendency to be academic in the approach to writing. This book is breezy, conversational, loaded with brilliant insight and fun to read. Sighting loads of examples from classic and not so classic novels he brings to life essential topics of style, voice, time, point of view and other narrative tools that the masters of the novel have incorporated for hundreds of years.

Many of the novelists Vargas Llosa sites for his many examples are unknown to me and he has roused my interest in reading their books. Alas, many of them are not translated into English (at least not that I can find on Amazon). But that does not diminish the satisfaction derived from reading this diminutive book. His best advice to any writer is to be a great reader. An example he has clearly followed himself.

Bennedetti es un autor que nos tiene acostumbrados a lo cotidiano, a lo urbano, al sentir de seres normales ante situaciones que se le dan a cualquiera. Su poesia, a diferencia de lo tradicional, es abierta, amplia, sutil en su forma de hacer llegar el mensaje, pero sin tabues ni complicaciones. Este libro viene en dos ediciones, una de ellas incluye un disco compacto con todas las poesias leidas por el autor mismo. En todo caso, es la mejor recoleccion de poesia de Bennedetti. Disfrutela

This is a wonderful selection of Benedetti love poems made by the author. Very enjoyable even to those for whom poetry is not a favorite genre, as the language is easy, most poems short, and we can all relate with the feelings described. A good start to get acquainted with the wonderful work of this man... the book also makes a great gift to give a girlfriend.

No itroduction is necesary when we are talking about Mario Benedetti. His capacity to comunicate with the reader, the simplicity, and the humanity of his works is what makes him famous all through latin america. "My estrategy is deeper and more simple My estrategy is that same day I don't know how or with what pretext you finally need me" Benedetti. Beautiful indeed

Uruguay has given the world and Latin America, in particular, enormous artists: Galeano, Los Olimareños, Zitarrosa. In the poetry department, Don Mario Benedetti can be crowned as the most impressive Latin American living poet. His lyricism born from the guts of his city, Montevideo, needn't use whimsical words or rhymes. Plain, gutsy verses mix with extremely exquisite phrases, like beatiful tiny drops of beauty on a close-woven bindweed. Yet no fancy words are there to express soft or deep or subtle or moving or furious emotions. Seven decades after his birth, Don Mario demostrates his greatness in this collection of Uruguayan pearls. These words synthesize Don Mario's message: "todo lo que nos duele y lo que somos/existe más acá del horizonte" [everything in us that hurts and that we are/exists on this side of the horizon].

For poetry lovers this is a book that gets in touch with the deepest thoughts within every human being. In "la vida ese parentesis", Mario Benedetti explores de little details that create life as we know it. Touch your soul. Read it :)

SO far, so good! My students enjoy these "proverbs" and lively discussion ensues. Some of the example scenarios using the expressions aren't that great - sometimes a bit elevated for intermediate ESL sudents. So just make up your own...

This book is really cool. I am very pleased indeed to recommend it for those studying proverbs. The author of this book, Mr. Harry Collis, is so smart. He presented a very good number of common English proverbs in a genius way of learning. It is to learn and have fun in the same time. He really wants his readers to sit down, relax, read, learn, and laugh!!!

He, first, had had his book illustrated with vary funny cartoons, which make the readers zealous to read and read. Secondly, the readers, then, will read a dialogue and within each dialogue they will learn and comprehend a proverb in the same time. Namely, both the proverb and its meaning are clearly explained inside the dialogue, not to mention, they are bolded.

I am sure that those whose mother language is not English will find studying proverbs as well as idioms is much easer than learning English vocabularies.

(...)

It's a good book to learn both English language and English way of thinking.

And with beautiful illustration by Mario Risso.

Sometimes, the most serious and deep messages are hidden in the form of light and funny literature (one book that jumps to mind is "Gulliver's Travels"). In this simply genial novel, the Peruvian military has a problem: the garrisons of the Amazonic regions are very short of women and feeling extremely sexual, so rapes are mounting. This, of course, is bad PR for the Army and a real problem for the chiefs. They decide to create the "Special Service", a well-oredered and efficient ring of disciplined prostitutes who will satisfy the soldiers' needs and erradicate the problem of rapes. Who is the perfect man to be in charge of the Service?: Captain Pantaleon Pantoja, a model solider, who lives with his lovely wife and his mother-in-law. Pantaleon is a sober and righteous guy, enemy of prostitutes, bars and fights. He is also the most efficient manager of the Army. He is dismayed at the task but, always disciplined, puts all his intelligence and efficiency to it. The learning process proves problematic for his marriage: since Pantaleon knows nothing about the night life, he has to learn it by visiting sordid brothels and buying drinks to informants. Of course, when he starts arriving home in the morning, extremely drunk, his wife gets very disappointed. But he convinces her of the importance and required sacrifices of his new mission. Eventually, the Special Service becomes the most efficient branch of the military, and it gets famous. The very funniest parts of the book are the official reports where Pantaleon informs to his superiors of the successes and problems he has in his job. The official language describing absurd and outrageous situations is just great. Of course, things get out of control, with dramatic but funny consequences.

The plot is rapidly developed, with the surfacing of a sect of fanatics as its counterpoint. These sect crucifies people and animals, and the story includes a harsh criticism of the Church as parallel to the Army. The reader wonders: why is it that Vargas Llosa decided to intertwine a satire of military discipline with another one of religious fanatism? And the conclusion is that it is an extremely smart and witty novel, hilarious and troubling at the same time. The characters are really, really great, including Panta, his wife, his mother-in-law, some of the prostitutes, and some of the officers. Great book by a great contemporary author.

A tale of prostitues and jungle. Stay clear of the arc for crucifiction jump former dog channels.

If you want to obtain a flavor of Peru this is a must-read. You could summarize this book by saying that it is a sex-related excellent comedy. However, I think this book is much more than this. Vargas Llosa provides a wonderful profile of our idiosincracy, values, and fears. In addition the style is agile. Vargas Llosa tells the story using military communications, radio programs, and personal letters from different characters so that you get everybodies' point of view. I strongly recommend it.

Reunir toda la poesia de Benedetti es una idea genial. Así uno puede disfrutar de todos sus poemas sin salir de un libro y conocer algunos menos afortunados en popularidad pero igualde buenas. Benedetti es un agasajo para los ojos, para la razon, el intelecto y el corazón. Nada puede decirse que sea no sobre de un libro tan completo y exelso como este.

Mario Benedetti, es sin duda alguna uno de los mejores analistas poetas de la vida humana Latinoamericana de nuestra epoca. Es la pasion y amor hacia la realidad de nuestros pueblos,de nuestra gente! es la vision del amor que se traduce en poesia.

la poesia de m. benedetti es la expresión de pensamiento profundo a través del lenguaje sencillo. con las obras de esta antología m. benedetti construye ventanas en su corazon por las que los lectores podemos mirar, luego construye puertas por las que podemos entrar y como nos sentimos a gusto volvemos una y otra vez.