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This book also has a recommendation by Teresa Jordan, author of Riding the White Horse Home, another of my favorite books.
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Then I found myself buying all the Beatles CD so I could listen to the music that was described in the book...
I think the Beatles ARE BRILLIANT and I despair what to think my life would have been without the Beatles!! I just spent the whole day of New Year's Eve listening to various Beatle cds and other sources!! This is a great book! and it's not being published...! :(
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I now write to my angels every day and my life has taken a 180 degree turnaround. The angels love to be God's messengers and I find much comfort in talking to them daily. I thank this book and the authors for opening a new spiritual dimension to my life.
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Second-hand opinions can do a lot of harm. Most of us have been given the impression that The Decameron is a lightweight collection of bawdy tales which, though it may appeal to the salacious, sober readers would do well to avoid. The more literate will probably be aware that the book is made up of one hundred stories told on ten consecutive days in 1348 by ten charming young Florentines who have fled to an amply stocked country villa to take refuge from the plague which is ravaging Florence.
Idle tales of love and adventure, then, told merely to pass the time by a group of pampered aristocrats, and written by an author who was quite without the technical equipment of a modern story-teller such as Flannery O'Connor. But how, one wonders, could it have survived for over six hundred years if that's all there were to it? And why has it so often been censored? Why have there always been those who don't want us to read it?
A puritan has been described as someone who has an awful feeling that somebody somewhere may be enjoying themselves, and since The Decameron offers the reader many pleasures it becomes automatically suspect to such minds. In the first place it is a comic masterpiece, a collection of entertaining tales many of which are as genuinely funny as Chaucer's, and it offers us the pleasure of savoring the witty, ironic, and highly refined sensibility of a writer who was also a bit of a rogue. It also provides us with an engaging portrait of the Middle Ages, and one in which we are pleasantly surprised to find that the people of those days were every bit as human as we are, and in some ways considerably more delicate.
We are also given an ongoing hilarious and devastating portrayal of the corruption and hypocrisy of the medieval Church. Another target of Boccaccio's satire is human gullibility in matters religious, since, then as now, most folks could be trusted to believe whatever they were told by authority figures. And for those who have always found Dante to be a crushing bore, the sheer good fun of The Decameron, as Human Comedy, becomes, by implication (since Boccaccio was a personal friend of Dante), a powerful and compassionate counterblast to the solemn and cruel anti-life nonsense of The Divine Comedy.
There is a pagan exuberance to Boccaccio, a frank and wholesome celebration of the flesh; in contrast to medieval Christianity's loathing of woman we find in him what David Denby beautifully describes as "a tribute to the deep-down lovableness of women" (Denby, p.249). And today, when so many women are being taught by anti-sex radical feminists to deny their own bodies and feelings, Boccaccio's celebration of the sexual avidity of the natural woman should come as a very welcome antidote. For Denby, who has written a superb essay on The Decameron that can be strongly recommended, Boccaccio's is a scandalous book, a book that liberates, a book that returns us to "the paradise from which, long ago, we had been expelled" (Denby, p.248).
The present Penguin Classics edition, besides containing Boccaccio's complete text, also includes a 122-page Introduction, a Select Bibliography, 67 pages of Notes, four excellent Maps and two Indexes. McWilliam, who is a Boccaccio scholar, writes in a supple, refined, elegant and truly impressive English which successfully captures the highly sophisticated sensibility of Boccaccio himself. His translation reads not so much as a translation as an original work, though his Introduction (which seems to cover everything except what is most important) should definitely be supplemented by Denby's wonderfully insightful and stimulating essay, details of which follow:
Chapter 17 - 'Boccaccio,' in 'GREAT BOOKS - My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World'
by David Denby. pp.241-249. New York: Simon & Schuster, 1997. ISBN 0-684-83533-9 (Pbk).
But one doesn't need to focus on the revolutionary aspects of the Decameron to enjoy the book; each of the stories delights the reader with a different tasty morsel, and, you can read as much or as little at a time as you please. Once you get past the introduction, (and that's probably the most serious part of the book, so be sure not to give up before you get to the first story) the stories will make you laugh, make you cringe, and make you sit on the edge of your seat. Inspiring authors from Chaucer to Shakespeare and entertaining audiences for over 700 years, the Decameron continues to delight.
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Along with the Bible, this book is the single most important literary resource you can own. The Merck Manual is broken up into sections categorized along types of afflictions and causes, followed by appropriate treatments. Sometimes the language is clinical and can be difficult to follow without an understanding of the terms but most laymen can grasp enough to administer correct emergency medical care when necessary.
The Merck manual also proves useful when confronting your doctor about your condition or that of a loved one, it enables you to understand the diagnosis and treatment sufficiently to determine if there may be a mistake or a possible side-effect your doctor might not be willing to admit to.
I also recommend "Where there is no Doctor" and "Where there is no Dentist" to accompany this great book.
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Perhaps we should ask that question to the Yanomamo themselves, rather than to the anthropologists or the missionaries. Who does speak for the Yanomamo, anyway? Here, for the first time, author Mark Richie allows the Yanomamo to speak for themselves to us. This is truly "a Yanomamo shaman's story," as the book's subtitle says. It is the autobiography of a Yanomamo shaman-chief named Jungleman. He, at least, is weary of his violent society, and fed-up with the anthropologists, too.
Anyone who thinks the Yanomamo culture is idyllic must be a male: The women live in chronic danger of gang-rapes, savage beatings by their husbands, and kidnapping. And men suffer one of the highest homicide rates in the world from the frequent raiding between villages. If you think it's a romantic way of life, why don't you try it?
Non-specialists in Amazonian anthropology may be skeptical of Jungleman's descriptions of the sexual customs of a European anthropologist who the Yanomamo call "Ass Handler." A.H. has lived with the Yanomamo for many years and, says Jungleman, makes a regular practice of forcibly sodomizing Yanomamo boys. Disbelievers may want to ask the opinion of any anthropologist specializing on the Amazon.
This is a gripping book to read: hard to put down, violent (some would say pornographic), and gut-wrenching. Students who have read the other ethnographies on the Yanomamo will recognize that this book has, above all, a ring of truth. New Age seekers will be fascinated by Jungleman's descriptions of the spirit world that shamans have found. Anthropology students will be shocked by Jungleman's insider view of the political internecine intrigues among anthropologists and between anthropologists and missionaries.
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Perhaps the best parts of this book:
1) It builds logically from nothing to a "whole lotta good stuff" (very quickly and clearly).
2) The "translation" of Codd's rules is wonderful.
And this book is appropriate for self-taught learners as well as a classroom setting. In fact, the way this book is written lends itself to an unusually young (for the subject matter) audience.
Great work!
All those theoretical questions you are asking yourself when programming in Access will suddenly be answered, and you find yourself more confident and inspired to develop the best application possible now that you passed this hurdle; at least I did.
The first 3 parts of the book will teach you the relational database model supported by examples on the enclosed CD-ROM. These examples are not to be used as "cut & paste" into your own application, but designed to turn theory into reality easy to grasp! The last part consists of standalone chapters covering essential subjects related to database theory and design, like: Normalization, SQL, Queries and Codd's Rules
You will not find another computer book on Access and relational database theory and design, or any other subject for that matter, which makes use of such clear language. I have read the book cover to cover several times, and I am still impressed. Which makes me ask if we, the readers and buyers of computer books, quietly and wrongly accept badly written books filled with errors and poor language?
If I were asked to make a list of suggested readings for Access and database developers, this would be No. 1.
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The novel begins with Chris Csejthe trying to find a cure for the mysterious disease that started to plague him shortly after the deaths of his wife and daughter. Chris, who narrates the story, then finds himself in the middle of a bizarre life-or-death situation while two powerful vampire "families" (in the mob sense) fight over him. Turns out Chris is in the middle of vampire transformation; neither human nor vampire, Chris begins an adventure of discovering who he is, testing his new powers, and solving the mystery of the tragedy that took the people he loved. Along the way he meets Dr. Mooncloud, Bassarab, Lupe, Suki, Elizabeth, and a whole slew of other-worldly creatures such as elves, goblins, dryads, nagas, knockers, sprites, and many others. All the while, he narrates the events around him with sarcastic humor, literary references and some healthy wariness. Any vampire novel that can weave an enchanting tale of an alternate history such as this while quoting Sappho, Yeats, Victor Hugo, Donne, Wordsworth, Oscar Wilde etc. deserves more recognition! Simmons has created a fascinating world filled with funny, intelligent characters. The dialogue is snappy, the plot is filled with twists and turns, the story is suspenseful, and the book itself is impossible to put down. I am so pleasantly surprised by this novel, and I sincerely hope that Simmons will revisit these characters and give us a sequel! I found this book in the fantasy/sci-fi section, but it easily crosses into horror, humor, drama as well. It has something for everyone: humor, action (you'll find lots of weapons and methods of killing without intense graphic gore), suspense, mystery, fantasy. Buy it, you won't be disappointed.
After reading Blood and Pearls, and sympathizing with newcomer Jagutai's civilized outrage, one has to delve deep down within one's self and wonder: how much of myself is reflected in Khymir? What insight does Mark Rogers have into human nature? How accurate is his disturbing perception and reflection of us?
The city of Khymir's raw violence and celebration of all of the baser human instincts shocks and intrigues the reader and makes him question himself- but that's not all that is unique about this novel, and indeed all of Rogers' work. He gives his characters a flippant wit, provides them with captivating dialogue, and shows us intricate plotlines full of political wrangling, theology, and gender wars.
Read this book if you want to think, and wonder, and squirm.