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On the whole this book has all the characteristics of a pre-glasnost biography, and as such it is far from "intimate", even though the subtitle claims to be just that. There are gaps in the chronology, and especially in the depth of the life description. And because of that, the book lacks tension and fascination, that an intimate biography of the head of state of a complex, and foreign, Russian society could have. Gorbachev is depicted as a fairly decent man, who becomes secretary general because of his qualities and the some what ill defined possibility of a power game. At one points there is the suggestion that perhaps to get into the top job Gorbachev had to do some less than commendable things, but that remains vague, and second guessing, much as the rest of the book, unfortunately.
Sholokhov continues many of the themes he explored in "Virgin Soil Upturned", and the characters are mainly the same. However, I found "Harvest of the Don" a less satisfying read. It's difficult to say why, because all the elements which made "Virgin Soil Upturned" interesting are there in this novel. The main problem, I thought, was that Sholokhov got the mixture of themes wrong, falling into the trap of recounting rural anecdotes and other humerous stories at considerable length. The result is that my attention was diverted from what should have been the main themes of the novel, and I found that the pace of the narrative was very uneven.
I thought that at the end, Sholokhov in part recognised this "fault" by attempting to quicken the pace of the novel and provide a dramatic end. It did not make up for the rest of the writing though. This is a pity - while not actually disliking this novel, I was disappointed.
But like all other great minds, Sholokhov is an aberration: despite being a true blue card-carrying member of the Central Committee and despite the seemingly boring subject, he is genuinely a first-class talent that to me is truly superior to Pasternak and Solzhenitsyn, and approaches the likes of Turgenev and Gogol.
The pacing and humour of his narrative is similar to Dostoevsky -- fast and interesting, unlike Tolstoy who can be boring and didactic. Characterization and local color however is Tolstoyan: you can really recognize even the individual horses and the dogs, and the description of the peasantry and the countryside reminds one of the pastoral passages in Tolstoy.
The gritty and unflinching realism is very honest and peculiarly modern, but always in the best tradition of grand Russian novels: sweeping, panoramic, and places the reader right in the center of the whirlwind of events and emotions.
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