There has been much written about Tukhachevskii as a military theorist and innovator, as well as his impressive peacetime accomplishments (modernizing the Red Army, forming large independent mechanized and airborne forces several years in advance of any Western power). Likewise, there is no shortage of information on his arrest and execution, mostly (but not always) pointing to his innocence.
While the author devotes the second half of his book to these topics, the first half is far more unique in that it covers Tukhachevskii's childhood and career as a combat soldier. He was born into an aristocratic family and, against his father's wishes, enrolled in a military academy. At the outbreak of World War I, he was commissioned as a lieutenant in an elite tsarist regiment and fought courageously until his capture by the Germans. Imprisoned as a P.O.W. until 1918, he finally escaped captivity and returned to Russia, which was now plunging into civil war. Tukhachevskii became a devoted Communist and, at the age of 25, a top Red Army Commander. He played a key role in the defeat of Admiral Kolchak's forces in the Urals and Siberia, and then commanded the final victorious campaign against Denikin's White Army in South Russia. After Poland invaded Soviet territory in 1920 under the pretense of supporting Ukrainian separatists, Tukhachevskii was placed in command of the Western Front. His bold counter-offensive brought the Red Army to the gates of Warsaw where he, in turn, was defeated in a battle that remains controversial to this day. In spite of this failure, the young Red general crushed Polish Marshal Pilsudski's bid to dominate Eastern Europe. His final actions as a combat commander came in 1921-22 when he successfully put down the Kronstadt mutiny and the Tambov rebellion.
I wish that the author had gone into more detail, especially when discussing his sources. I hadn't heard of many of the books listed in the bibliography, and occasionally had to wonder if what I was reading was based on popular myth rather than established fact. However, I still give it four stars because there is, as yet, no other comparable book on the market. It's fast and exciting reading, and well worth the effort it took me to find a copy.
The subject of collectivisation in the rural Soviet Union will no doubt be as dry as old bones to many readers - that was my reaction too as I started the book. However, the Sholokhov explores many complicated issues:
* the view that all property is theft versus the inviolability of private property rights;
* do oppressive landowners deserve any loyalty from their workers?
* the conflict of essentially modernising forces (personified by Davidov, whose background is industrial-urban) with backward "traditional" rural Russia (personified by the locals); and even
* the catastrophic effects of contradictory dictats issued from the centre.
Sholokhov's position (I thought) was esssentialy pro-collectivisation, although he does not spare the reader the real problems associated with it. What does let the book down somewhat is that it's very uneven - there are long passages in which the characters tell anecdotes from their past, some meant to be humerous, others poignant. I thought most of these did not work well and were a distraction. Of course, it's fundamentally a bleak novel - the subject matter makes this almost inevitable. Luckily enough, I seemed to be in the mood!
The basic premise of the book is that different political strategies result in widely differing intelligence strategies, depending on whether the country in question is a global leader or a challenger. Alexseev then argues this case using three case studies from the last thousand years: Mongols vs the Sung Empire; France vs Britain in the eighteenth century; and Russia vs the U.S. in the twentieth century.
The author's thesis is very persuasive, and he has a sound grasp of history, as well as the advantage of looking at much of the material "from the other side" so to speak.
The book would rate higher but for the fact the first two chapters are incredibly hard work. I almost put it down, which would have been a shame as the real value is in the later chapters.
I would recommend if you have not read "Venus Revealed" try that first. If Grinspoon captures your imagination then buy this one and give it a try.
Vice chooses five different Bakhtinian "Concepts", Heteroglossia, Dialogism, Polyphony, Carnivalesque and Chronotope, and builds a chapter around each, illustrating them in every case with Novels or Films, mostly from the 1990's, chosen by her, none of which occur in Bakhtin's work. An example is the "Chronotope Chapter", which uses the Film "Thelma and Louise" as the central example. The reader will search in vain in the chapter and index for authors such as Goethe, Stendhal, Flaubert, Sterne, Hippel, Wezel, Jean Paul and others repeatedly mentioned as examples in Bakhtin's Essay: "Forms of Time and Chronotope in the Novel". This chapter is so far removed from Bakhtin's work, that it is impossible for the reader to get an understanding of his work, which was according to the definition of the Chronotope given by Bakhtin to show: "..the intinsic connectedness of temporal and spatial relationships that are artistically expressed in literature," (Bakhtin - p.84). It becomes questionable to what extent Vice understands the concepts discussed, and unlikely that she has read the examples used by Bakhtin.
It is difficult to understand how students, the supposed target audience of this book, according to the introduction, are supposed to come away with an understanding and appreciation of Bakhtin's work, when practically none of the many excellent examples he uses are even mentioned. Instead the book relies heavily on secondary Literature and current Bakhtin "Scholarship".
I can only recommend this book to readers who are fammilar with both Bahktin's work and subsequesnt studies. I instead highly recommend Gary Saul Morson and Caryl Emerson: "Creation of a Prosaics", a much more worthwhile introduction.
The second book, though written by the same man, using the same reporting techniques, is completely different. It is less about Russia (or the rest of the former USSR) than it is about Mikhail Gorbachev and the wonders he had performed and would surpass in the future. Gorbachev comes from Lincolnesque beginnings. Gorbachev does no wrong. Gorbachev has no antidemocratic side -- unless circumstances force him to act in such a way. Gorbachev is the driving force and visionary architect of the restructuring and opening of Russian society. It's as if one of Stalin's old apologists had been resurrected and put back to work -- with "Stalin" inked out and "Gorbachev" inked in.
"The New Russians" came ten years after "The Russians," and the Russian world had changed utterly in that decade. Ten years after "The New Russians" was published, the outlook for and course of the New Russia has altered radically from what Smith foresaw in 1991, and -- sadly -- not for the better.
An adolescent mash note to the last Soviet dictator when it was published, "The New Russians" is now a period piece. Read it for Smith's anecdotes and style, but look elsewhere for insight on the real New Russia.