Not actually a "letter," though it had to be originally presented as such for him to be allowed to write it while in prison, *De Profundis* is Wilde's masterpiece--one has to have really lived and really, really suffered to have written it and it's amazing that he achieved it.

I only very recently read it--and "got" it. It rings true to me, and is very, very moving and "profound." It ain't summer beach reading.

Wilde is still and will probably always be best known as a "Personality"--that and the author of a couple of decent period plays, a short novel, a few stories, and lots of forgettable poems and such. But THIS--THIS is IT.

He really WAS a great writer, it turns out, after all.

One of the most famous - and infamous - letters in all of literature, De Profundis is a strange little piece of work: either much more than it appears on the surface, or much less. It is something I think everyone should read, if only for its insight into the human character, particularly that of one under great personal suffering. Wilde wrote this extraordinarily long letter from prison to Lord Alfred Douglas, his friend, lover, and the man who - by all accounts - was the reason Wilde was in jail in the first place. Despite repeated assertions in the first few pages alone to the contrary, Wilde seems reluctant to blame himself. He clearly blames Douglas to the hilt, and harbors a certain bitter resentment towards him. And yet... he clearly still hold much dear affection toward - and even loves - Douglas. He still seems to be asking for forgiveness - despite the fact that, by all accounts hardly excluding his own, he was the man wronged. It is quite clear from reading this letter that, desite the view history holds of him, Wilde was clearly a man of very high moral character. Certainly, one would not put Wilde atop a pedastal as the zenith of ethics - he himself says that morals contain "absolutely nothing" for him, and clearly admits - and is proud of - his having lived the high life to the hilt during his youth - but Wilde was a man of principles, and he stuck to those principles to the tragic, bitter end. Perhaps you might say he carried them too far. One gets the sense in reading this letter - or a biography of Wilde - that, not only could he have stopped his immiment imprisonment, but could have severed his ties with Douglas completely - had he wanted to. Apparently, he had his own utterly compelling reasons for not doing so. Whatever the case, Oscar Wilde is one of the most fundamentally and perpetually interesting characters in the whole of history. A self-described man of paradoxes - Wilde was subsequently the true essence of his time, while also being far ahead of his time - De Profundis makes for required reading by one of the most endlessly fascinating individuals you'll ever read about, and also provides a startling - indeed, perhaps too much so - insight into human nature.

De Profundis, though long for a letter, is not a long work in the conventional sense. Consequently, as many editions of Wilde's collected works are available, buying this on its own may be deemed questionable. I highly reccommend purchasing a Collected Works of Oscar if you have not done so already - it's well worth the price - but, should you desire to have more compact editions of specific works, an edition such as this will be privy to your needs.

Ah, me...one doesn't know which to be more irritated
and exasperated with: whether it be Walt Whitman doing
his dissembling shuck-and-shuffle about the children
he had sired (to throw off a probing, serious John
Addington Symonds) -- or Oscar, in this "j'accuse," which
he should have spoken while looking in a mirror, rather
than writing it on paper to Lord Alfred.
This is without doubt a fascinating, horrifying,
and yet in places humorous, "piece de Miserere mei"
(to combine a bit of French with Latin).
If one chooses to believe Oscar, his only fault
was weakness in "giving in" to Lord Alfred. Oh,
come now. Blinded by Eros, reason flies out the
door...if ever reason was in control. There are
some sentences which are devastatingly revealing,
but Oscar doesn't seem to see it. "The trivial in
thought and action is charming. I had made it
the keystone of a very brilliant philosophy expressed
in plays and paradoxes." Ye gods, and little fishes!

And this man dared to call himself a "Classicist?!"
Yikes!!!
The best exercise for the reader is to just take
many of the things which Oscar accuses Lord Alfred
of, and turn them toward the self-blind, self-
justifying Oscar, to see their devastating hitting
of the mark. Never having met the young man, but
only having the "benefit" of hearsay (mostly from
Oscar's literary defenders) Lord Alfred seems to have
been calculating, temperamental (using anger to get
his way), manipulative, etc., etc., etc. The best
description of him may be Wilde's referring to him
with the lines from Aeschylus' play AGAMEMNON,
about the lion cub being raised in a house and
being let loose to wreak havoc and ruin.
But Oscar bears his share of blame -- more than just
that of the "sin" of weakness which he constantly falls
back upon in his own justification. Even in the midst
of what purports to be some sort of penitent cry from
the depths of hell...Oscar still is ever the poseur:
"And I remember that afternoon, as I was in the railway
carriage whirling up to Paris, thinking what an impossible,
terrible, utterly wrong state my life had got into, when
I, a man of world-wide reputation, was actually forced
to run away from England, in order to try and get rid
of a friendship that was entirely destructive of everything
fine in me either from the intellectual or ethical point
of view...." Er, when was the last time that the
"everything fine" had last seen the light of day?
Was Oscar an "Artist," as he consistently claims?
Was he the wronged, harmed Artist? Perhaps only the
reader can decide that for himself. Without doubt
he was witty, acerbic, funny, cute, clever, perhaps
even charming (to some -- sort of like a Pillsbury
Dough Boy with flair and a clever tongue), perhaps
stylish (in a frumpy, velveteen sort of way). Was
he wronged by a predatory clinger and manipulator,
and a hypocritical social prudery and class power
play (Oscar is no Socrates--that's for sure!)? He
hardly seems worthy, in some ways, of being a poster-boy
for Gay Pride parades. More likely, he is a better
warning poster boy for the self-excusing, and never
take-responsibility-for-your-own-actions crowd.
But this is an incredible piece to read and think
about. There is some of it that is mordantly hilarious.

This is one of my favorite books to read aloud in my k-3 (Quaker) Sunday school class. Marc Gellman's language just captures the interest of the kids. (The pictures are nice but unnecessary.) He tells wonderful stories with messages that speak on many levels. The youngest kids just enjoy a good story with great word pictures, while the older children realize that much more is being said.

This is a delightful book either to give to your child, to read together with your child, to read yourself, or to refer to when you are asked that age old question, "Does God have a big toe?" The answer Rabbi Gelman gives is very sensible, "...God is not a person. God is special and invisible and wonderful and is the creator of the universe. God has made each of us in God's image. But God is not a person. And that is why God does not have a big toe."

This is a collection of 20 'midrashim' (plural for 'midrash' or a story which is told about a story which appears in the Bible to illustrate a moral, i.e. a fable). The author explains all about 'midrashim' in a Note at the beginning of the book in a style suitable for children. One handy feature of the book is that in the table of contents, each 'midrash' is provided with the biblical citation from which the story is drawn. It is divided into two sections, one titled "Adam's Animals", the second "Does God Have A Big Toe?" and with a prologue about Genesis 1, the story of creation. Richly endowed with a half dozen illustrations by Italian primitive artist Oscar de Mejo, this book delights both the eye as well as the intellect.

There is a old Jewish saying, "Words from the heart speak to the heart." These words come from the heart. If you have an open heart they will speak to your heart.

I wish that all of us could have a friend who can bring to life the dry Bible stories we think are no longer pertenant in our modern world. Mark Gellman could be that friend. His retellings of these familiar stories shed new light on man's relationship with God and creation. They are a great starting point for discussions with children and give adults reasons to spend time with some of the scriptures that we think we already understand well. The illustrations by Oscar de Mejo are also provocative and lend new insights into what could be tired old stories. It is sad that the Jewish tradition of midrash is not more accepted in the Christian tradition. Looking at the New Testament in creative new ways (without being condemned for being untrue to the exact word of the scriptures) might give followers of Jesus a better understanding of the their own traditional stories. Rabbi Gellman has a gift for allowing us to participate in these stories as insiders, rather than readers in another time and place. This is a must have if you want to cultivate an interest in the Bible and our relationship with our God--whether with children or adult seekers.

In this book, the hypochondriac genius of movies, television, and the concert stage delivers all the neurotic humor expected. But the author, a talented writer as well as one of the great pianists of the 20th century, also succeeds at conveying the ambience of the artistic world of the 1920s through 1950s. His insights about his contemporaries, including celebrated conductors, musicians, composers, and actors, are fascinating.

This has always been one of my favorite books. I recall reading it for the first time as a pre-teen, and chuckling at his OUTRAGEOUS stories. I'm probably among the last generation that remembers this brilliant man, which is a shame. In the days of the great "talk shows", like Jack Paar, etc.., Oscar Levant was always one of the most coveted, and controversial, guests. I remember seeing him on t.v., as a kid, & being fascinated by this odd looking man who, though I quite honestly didn't get 90% of what he was saying, was obviously someone truly unique. This book has all his irreverent humor, the humor even evident in his telling of his long battle with mental illness, and his extreme, then un-named "obsessive-compulsive" disorder. His brutal honesty about his ordeal was unheard of at that time, and was long before the trend of todays celebrities, who do everything but hawk their x-rays on informercials. There's many names in this book that you will recognize, and his telling of his encounters with various celebrities is not always in their favor, and will have you rolling on the floor. He was literally thrown off the air in the 1950's, for a remark he made on a live talk show, pertaining to Marilyn Monroe and her conversion to Judaism, which is recounted in this book, but can't be repeated here. But at the time, the staid 1950's, it must have had the audience awestruck in utter shock at his outrageous (and incredibly humorous) statement. This is just a fabulous book about one of the greatest wits of this century, the man who started out as an incredibly accomplished and respected pianist, he was most known for his rendition of good friend Gershwins "Rhapsody In Blue", and became something more than just a clown. Totally touching, hysterical, and honest, this book will have you falling in love with dear, lost, brilliant Oscar. In todays, for the most part, [dissapointing] "celebrity" climate, we sure could use the likes of him again.

Luckily found this among my mother's books, the title caught my eye. When asked about it, my mother laughed softly. I thought, if it can make her laugh it must be funny; well it's the best humor, and I turned to a page and busted out laughing. It's more than that. I read the one I bought from time to time, and there is always a point of feeling I'm in the belly of a beast. Such integrity I'd never known, and never felt I could fit in this world 'til reading "Memoirs of an Amnesiac".

This volume is more touching and insightful than most
works about Oscar Wilde tend to be. It is filled with
the narrative commentary of Wilde's grandson,
Merlin Holland, who gives honest opinions as well
as factual detail about the various stages of
Oscar Wilde's life.
The treasures, however, are the multitudes of
photographs, memorabilia, and paintings that are
included -- as well as drawings, satirical cartoons
(mostly lampooning Oscar, both at Oxford and later
in life), and wonderful notations under the items.
The most interesting photographs, for me, are
the ones which were done by Napoleon Sarony. They
seem to touch a more thoughtful, poetic, dreamy
Oscar, rather than the posing bon vivant or the
deliberately provocative aesthete/decadent.
The volume does well to have one of those photos
on the cover, as well as having a different photo
beside the title page. The grotesque photos,
that almost make one cringe, though, are of
Oscar in a skirted Greek national costume
(with boots!) from April 1877; Oscar in a
checkered suit and bowler hat at Oxford in
1878, and Oscar at age 2 in a blue velvet
dress, a daguerreotype which has been color
tinted. The weirdest photos are of the
"blond tiger/panther" Lord Alfred Douglas,
would-be "friend" and lover of Oscar. His
eyes look vacant, haunted, cold in most of
the photos , except for the one on page 147,
in which he looks touchingly sensitive and
lonely...the caption below the picture says
it all: "Douglas aged 23. 'Your slim gilt
soul walks between passion and poetry. I know
Hyacinthus, whom Apollo loved so madly, was you
in Greek days,' Wilde wrote to him around that
time."
Truly a remarkable album of memories.

This is a sparkling gem for all fans of Oscar Wilde. It is a brilliant retelling of Oscar's life through pictures. Filled with everything from photographs of Wilde the aesthete to hilarious caricatures of him from Punch magazine to some of Wilde's own drawings and notes, this fabulous little book has it all. Many of the items I have not seen in any other volume. It goes wonderfully well coupled with Richard Ellman's gorgeous biography or it stands tall on its own. All and all, a marvelous book that I cannot possibly recommend highly enough.

It was tempting not to cut out some of the gorgeous photographs and put them in pretty little frames next to my old Oscar books, by no, no I resisted because this little book is too lovely! So many photos of Wilde, his friends, family, probably the most you will find in any one book. Clearly this was lovingly assembled by Wilde's grandson Merlin. A simply beautiful thing to look at.

I found Gelbert's book to be a fascinating read. He obviously did his research, but also added an enriching human element to tell the story of companies that are today a part of the American fabric. I think that this book will serve as inspiration to many entrepreneurs as well as young companies going through growing pains. I look forward to Gelbert's next book with anticipation!

No shortcuts were taken in reasearch here - Gelbert has somehow synthsized massive amounts of information to tell us the real, human life stories of the most successful business people of our time. Quite interesting!

WHAT DOES THE LIBRARY JOURNAL SAY ABOUT SO WHO THE HECK WAS OSCAR MAYER? "An interesting and unique collection of information."

If you are looking for slapstick humor or short "sound-bite" quotations, then perhaps you should look to some of Oscar Wilde's other works--but if you are looking for subtle wit and excellence in exposition, then you have found just the book. These Dover Thrift editions allow one to inexpensively read, annotate and travel with Oscar, when you might be leaving the big collected works at home. Real value for the dollar, and "The Ballad of Reading Goal" is some of the best writing in the English Language.

Oscar Wilde was not a person who was likely to take being put into prison lightly. Those who know the full extent of Wilde's wit ought to see how bitterly it was able to express itself, when getting locked up for enjoying inappropriate pleasures of the mind results in this, the reflection that "every prison that men build is built with bricks of shame." (p. 40) Although it is included in a small book, the poem in the title might seem to go on forever, as it hardly ends when Wilde gets to the last line, "The brave man with a sword !"

This is a must have for any fan of Irish Literature

Oscar Wilde entirely dedicates this play to the exploration of the way a woman can be saved from destruction in this society of appearances. A woman was the victim of an imbroglio in the past and abandoned her daughter. This woman comes back and the daughter ignores her relation to her. She is brought back into societry by the daughter's husband who knows the truth but does not want his wife to know it. But there is some kind of malediction that flies over the heads of these women. The daughter nearly does the same mistake as her mother but she is saved by her mother who accepts to be tainted in her daughter's place. Bus Oscar Wilde must think there is some kind of reward for a good deed and all is well that ends well, and this play has a happy ending. In spite of all the melodramatic sentimentalese atmosphere, Oscar Wilde definitely explores in this play the great disadvantage of a woman in society. Men can do nearly all they want. Women are extremely limited and have to walk a very straight and narrow line. Oscar Wilde seems to be ahead of his time as for the fate of women: he seems to aspire for real equality for them, though he shows in all possible ways that this is impossible in his society.

Dr Jacques COULARDEAU, University of Perpignan

My first experience reading Oscar Wilde... and certainly not my last.

Wilde's sardonic wit and ineffable satire had me enchanted from page one. Wilde writes with devastatingly appealing witticisms, and with a style and cleverness matched by few other authors. It is said that he is one of the more oft-quoted authors in the English language, and I now understand why.

In addition to axioms and aphorisms of pure genius, the plot both captivates and surprises the reader. Lady Windermere discovers that her husband has been cheating on her, and a folly of misunderstandings and poor advice then unfolds; all the while satirizing society.

This play is very interesting to read (according to me). I saw a lot of hypocracy and snobery of people in this play. But a lot of peole said that the plays of Oscar Wilde have no satire, means, there is no factor of politics, socials,etc. I think, what he wrote in this plays and other plays had something to critize the people in that time. I want more information about Lady Winderemere's Fan, I mean what is the background of Wilde wrote yhis novel. Is there any important effects so that he wrote this first play?

Your title confounds me putting you at a distant,
A pedestal of immortality, but I want you in the here and now; in the existent.
Assigning you 4-stars is akin to the betrayal of a friend.
For your dog-eared pages has backpacked peaks with me; your spine water-stained with a tendency to distend.
But you try too hard capturing poets and poetry alike through the ages.
There is too much of you and too little of Cummings, of Lowell, of Whitman among the other sages.
There is no poet's life and who and where
There is only the poet's strife and your title's cavalier.
But I dog you no further down for your dog-eared pulp has brought me much not leaving my wallet forsaken,
For in your ambition you have failed not to include Housman, Santayana, and Aiken.

The poems are listed in chronological order of author birthdate which gives an interesting perspective of the history of the english language. It has two indices that list the poems by author and first line which can be very handy when you are trying to find something. It does not contain any modern work still in copyright, but has most of my favourites (Daffodils, The Traveller, Shall I compare thee..., Kubla Khan, The Ancient Mariner, The Jaberwocky).

I own various anthologies of American, British, and modern poetry, but none of them are as portable and densely packed with soul-moving poetry as this six dollar book. You may find it regrettable that the book lacks some of your favorite poems. Sandburg appears but without Chicago, and Poe but no Raven. However, each one of the poems stirs in such a way that you will find the titular adjective "immortal" quite apropriate. My copy has traveled with me over three continents, and now rests on my nightstand. As someone who loves poetry, its the one book that I don't leave home without.

In this story, there is a very selfish giant. He hates kids and won't let them play in his garden. This causes spring not to come. This goes on for years; no children playing, no spring. Finally, one day, many many years later, the children just play in the garden without permission, and spring comes. All of the kids are climbing trees, except for one little boy. Something amazing happens, but you have to read the story to find out what it is.
I think this story is trying to teach us that kindness goes a long way. If you are mean and grumpy all the time, you will have no joys in your life now, or even after death. If you are nice, loving, and caring, that will go along way, and you will be rewarded for that later. Everyone should remember, what you do now, will eventually come back to you, in some way or form. Treat others how you wanted to be treated back.

I don't know very much about Oscar Wilde. I was drawn to the book by its illustrations. I purchased a copy for my then-four son and read it to him one evening. When I reached the end I was pretty stunned. The beautiful artwork conveyed the story so beautifully and at the end when I realized WHO the little boy was -- I had a hard time finishing the story.

I cannot recommend this book enough. I have purchased multiple copies as gifts. This is not a book you read once and leave on the floor in the kids' room to become damaged. It stays in a nice place where it will be passed from generation-to-generation.

WARNING - I may say something offensive here - I have absolutely NO problem with "the religious overtones" (as put by some other reviews - and for those who don't understand the significance, the one mention means nothing anyway). After years of academia's cold influence on the nature of man, sin, and redemption, a hint of Hope is not unforgiveable.

Beautiful, beautiful piece of artwork. My hat is off to the author and brilliant illustrator.

- Dr. T.A.B.

"Every afternoon, as they were coming from school, the children used to go and play in the Giant's garden..." So begins Oscar Wilde's timeless classic. The children love the Giant's garden, its soft grass, beautiful flowers, tall climbing trees, and singing birds. But when the Giant returns from a seven year visit and sees all the children playing happily, he is angry. "My own garden is my own garden," said the Giant. "Anyone can understand that, and I will allow nobody to play in it but myself." He selfishly builds a high, high wall around the garden and puts up a "Trespassers Will Be Prosecuted" sign. The children were very sad. They had nowhere to play and spent their days remembering the Giant's wonderful garden. Inside the high wall, the birds stayed away, and the flowers would not bloom. Winter had come to stay. Snow, Frost, Hail, and the North Wind now lived in the garden. There was no Spring, Summer, or Autumn. And then one day, the Giant noticed a small boy had entered his cold and wintry garden, and he began to feel very sorry for what he had done. As the little boy began to cry, the Giant's heart melted..... Originally published in 1888, The Selfish Giant is as magical today as it was well over a hundred years ago. Oscar Wilde's simple, yet eloquent text, with its gentle message of love and generosity, is charming, engaging, and begs to be read aloud. But it's Saelig Gallagher's marvelously detailed and evocative illustrations that really make this picture book stand out and sparkle. Perfect for youngsters of all ages, The Selfish Giant, with its satisfying, happily-ever-after ending, is a masterpiece to share with friends and family now, and with future generations in the years to come.

The stories are fantastic, the illustrations are beautiful, and the afterword is insightful. This would be THE indispesable edition of Wilde's lovely fairy tales but for one thing: this is a cheap, ugly, low-quality mass market paperback, and the illustrations suffer as a result. The paper isn't much better than newsprint, and the areas in the pictures that should be solid black are more often a rubbed-out, spotty gray. It makes the designs, which are striking when printed well, look faded and unclear. Wilde and his illustrators deserve better.

A good friend of mine mentioned "The Happy Prince" as one of his favorite stories which he'd seen on TV as a cartoon Christmas special some years ago.

When I came across the book in a bookstore, my interest was piqued and I bought it up to take a look.

As I read through the stories, the memories came back to me of the short cartoon skits I'd seen as a kid. The cartoons never hit me as heavily as the book did. The impact of these simple children's stories is remarkable and I found myself profoundly moved by the various characters acting out of love, devotion and their sense of ideals. "The Happy Prince", "The Selfish Giant" and "The Nightingale and the Rose" were especially touching.

It isn't an easy job to write a story for children that carries over on another level when the reader is an adult, yet Oscar Wilde has done it with an entire collection. I'm very impressed and can recommend it to anyone.

I am currently researching Oscar Wilde for a thesis topic in high school, concerning his fairy tales and chilren's stories. I read Wilde's stories when I was young and was taken aback by depth and passion in his story telling, I cannot recommend any children's story over Wilde's simply because nothing I ever read as a child influenced me half as much as the prose of Wilde's. I am looking forward to spending my senior year in high school writing about my favorite author, and the fact that amazon is able to provide this volume is exceptional.